Category: Writing

  • Things Have Changed

    I submitted a flash fiction story to a bunch of magazines on Friday. I do this from time to time. I get impatient with actually crafting something, and get it into my head that I should send something out to as many publications as possible. And then wait.

    I do like emailing out my work. I think it is easier for all parties. Quicker responses, easier to read, no piles of paper. I never liked the old system.

    Back in college, I mailed out so many manila envelopes with self-addressed stamped envelopes included. The people at the local post office got to know me pretty well, and I would need to get the query packages weighted to be mailed each time. I stood in a lot of lines. And then the waiting, and checking the mail. I really hated that. Not only did it cost me money, but there were some submissions that I never got a response from.

    At least now, I always get a response.

  • Personal Review: CRUNCH and CLASH by Kayla Miller

    (I will SPOIL these two books!!! You have been warned!!!)

    I’m trying to be a good parent to my daughter. Besides teaching her to love the Chicago Cubs, and to despise the Philadelphia Eagles, I also want to instill in her the love of books and reading. I at least know enough not to force her to read, which would make it feel like a chore. What I do is suggest we read together, or I take her to the library on rainy days, and I try to set the example of reading books around the home. About two months ago, thanks in large part to our local library’s librarians (Support your local libraries, folks!) the kid found a series of tween graphic novels by the author Kayla Miller, that she has become a huge fan of. So much so, that for the kid’s birthday, we got her to complete series of Miller’s books.

    Full disclosure; I am not a tween graphic novel aficionado, nor do I have a deep wealth of knowledge of this genre, as Kayla Miller’s books are the first tween graphic novels I have read. Well, my daughter read them to me, but I was present and active in the storytelling. I want to speak of two of the novels in particular; CRUNCH and CLASH. (I am aware that these were read out of order. That was not my decision, it was the kid’s, and hopefully, we will finish the other books in the series.) For a broad outline here, the books revolve around Olive, a sixth grader who lives in a suburb with her mom and younger brother. CRUNCH has to do with Olive wanting to try as many new things as possible, guitar lessons, joining a scouting group, student council, and wanting to make a movie. CLASH is about Olive trying to be friends with a new girl in school, and no matter how hard Olive tries, they don’t seem to get along, which is complicated by the fact that Olive and the new girl are friends with the same people.

    My daughter and I started reading CRUNCH, and it became very clear why my kid loved these books; it reinforces her world view. Olive goes to school in a place that is filled with a wide range of diversity, which is just like the school my daughter attends. Also, though a little Pollyanna, all the kids in CRUNCH get along, or if there is a conflict, after a period of introspection or discussion, the kids are able to talk it out and come and solve the problem. What I really liked about CRUNCH, which my kid completely got, was that the “bad guy” in the story was Olive, who over stretched herself with too many commitments. It wasn’t until Olive learned to say no, politely, to one friend, and ask for help from others, that her life returned to a sense of balance.

    When we read CLASH next, this was the book made me impressed with Kayla Miller’s talent. As I said before, this book is about Olive trying to be friends with someone, a girl named Nat, who doesn’t want to be friends with her. Olive tries several different ways to be friendly to Nat, which is rebuffed every time, and often met with passive-aggressive backhanded compliments. These interaction sap Olive’s confidence, and challenge her worldview which is that everyone can be friends. There is a wonderful bit of complication as Olive’s mother and aunt, two very strong role models for Olive, disagree on how to handle the situation. The book concludes with making two very important points; First, we learn that Nat’s home life is not been the easiest, which reminds us that sometimes we don’t know the pressure and stress others are under; Second, Nat and Olive don’t become best friends, as they come to an understanding to be respectful to each other. What I felt when we started reading this book was that the ending was going to be about hand holding, and how we worked out our problems, and we are bestfriends like Tango and Cash, or Falcon and the Winter Soldier. No, what Miller gave us fit completely, and is true and honest to this world that she created – Nat and Olive don’t like each other and they won’t be bestfriends, but since they move in the same friend circles they had to find a way to co-exist. (Now, that’s a lesson a whole bunch of people need to learn.) What made that even better, is that my daughter related to that, as we talked about the same situation in her school. We had a long conversation about how you might not be friends with someone, but you have to respect who they are.

    These books are great, and I love reading them with my kid. Miller does very unique job of creating a place for her stories where the outside world is present and on the edges of the story, but never gets bogged down by adult perspectives, keeping the focus on these six graders, and their problems. Sure, puberty, and the wonderful/awful life of teenagers is just around the corner for all of these characters, but that corner is still a little ways off. In this place, these tweens are thoughtful, honest, and doing their best to solve their own issues, but never out of the sight of a parent. These are delightful books, and Kayla Miller has a very deft hand at storytelling, which has made all of us look forward to her next graphic novel.

  • Personal Review: Five Tuesdays in Winter, by Lily King

    (I will be SPOILING this book.)

    I’ve been heavy into reading novels of late, and as such, I thought I should take a turn and read a story collection. I received Five Tuesdays in Winter, by Lily King, as a Christmas gift. It was selected off a book list that I have, which I add to whenever I hear about a title that sounds interesting. Sadly, I don’t remember where I heard about Five Tuesdays in Winter, which spurned me to add it to the list, but for whatever reason it got there, I am glad.

    It was a nice, easy book to read, and I feel like if you describe any book in that matter, it comes across as patronizing. It’s as if seriousness, authenticity, and drama has to be heavy, labored, and challenging to a reader. If I didn’t have responsibilities and a child to look after, I think I could have finished this book in a day, and not missed a beat of King’s writing.

    The collection is made up of ten stories, which feels like the proper number in a collection, or songs on an album. All the stories were good, and, not surprising, some were better than others. The collection starts off with a Murder’s Row of five compelling stories; “Creature,” “Five Tuesdays in Winter,” “When in the Dordogne,” “North Sea,” and “Timeline.” Then there is a lull with “Hotel Seattle,” and “Waiting for Charlie,” which are the two weakest of the stories. Then the final three pieces, “Mansard,” South,” and “The Man at the Door” are all solid works, and help the collection end on a strong note.

    King does an excellent job of getting to the point, describing what needs to be known, and not wasting words. I could not only see, but feel the flowers in the front of the house Carol grew up in, and was still owned by her rehab prone father in “Creature.” But, I also appreciated the way that King allowed the character’s actions to speak, indicating their emotions to us, showing us what was motivating them. This was most evident in the title track, “Five Tuesdays in Winter,” where conversation adverse Mitchell’s growing infatuation is revealed only through his slight observations and gestures.

    And what I really enjoyed, and felt encouraged by, is that there was nothing shocking for the sake of shock, or life and death in these stories. For the most part, I found that the compelling drama of each story was more about discovery in a personal truth, or the acknowledgment of a change in the direction of one’s life had occurred. In solid, confident hands, like King’s, these moments are profound in their apparent simplicity; discovering the capacity of love again, or having the strength to stand up for one’s self, or that summer when adulthood emerged from adolescence, or my favorite – you have to have the courage to slay your fear. (Maybe even bury it in the back yard.)

    It was refreshing to read stories that had big truths in small packages. I have been reading so many short stories of late, that I am beginning to get desensitized to the amount of death, or uncomfortable/aggressive sex that happens. It’s like the “trauma plot” in stories has become the issue du jour of late. In Five Tuesdays in Winter, Lily King shows real courage in creating her characters that live lives of grace and dignity which not only shows she respects her characters, but also acknowledges that her characters will continue to grow in these worlds. This collection left me feeling surprisingly optimistic about life, which is a delight to experience in the cold gloom of winter.

  • ODDS and ENDS: Lit Awards Are RIGGED, Oh Tottenham, and My Nose is Stuffed Up

    (Got to Be Real…)

    This might not come as a shock to you, nor me, and maybe someone out there doesn’t know this, but Lit Awards are Rigged. I know how hard that is the believe, but I read this article by Dan Sinykin which says just that; The Lit Prize World is fixed so that a majority of certain people can win. Sinykin is reporting on the research that Juliana Spahr Stephanie Young, Claire Grossman did on the major lit prize winners, going back to 1918. To quote the article, “They (the authors of the research) found that half of the prize-winners with an MFA “went to just four schools: [University of] Iowa, Columbia, NYU, or UC Irvine.” Iowa has special clout: its alumni “are 49 times more likely to win compared to writers who earned their MFA at any other program since 2000.” Also, “…writers “with an elite degree (Ivy League, Stanford, University of Chicago) are nine times more likely to win than those without one. And more specifically, those who attended Harvard are 17 times more likely to win.” I know, I know – It’s hard to believe that people who go to elite schools keep the majority of prizes, money and contracts within their own group. You should read the article as it goes deeper into a few other aspects, but this pretty much confirmed what I knew when I was 18; if you don’t get into the right school, the likelihood of having a writing career is stacked against you.

    What a shitty week to be a Tottenham fan. Not only did they lose to Arsenal on Sunday, but they had the added fun of going down in flames to Man City on Thursday night. They were up two goals at half, and then the wheels came off the truck at the start of the second, and Spurs just looked out classed. Like they don’t deserve to be in the top four of the Premier League. Ung… At least I have the Cowboys to root for on Sunday.

    I think I have another cold. That two in the span of three months. Yuck…

  • Short Story Review: “Matthew Danger” by Dylan Smith

    (The short story “Matthew Danger” by Dylan Smith appeared in Rejection Letters on January 16th, 2023.)

    (There is a chance of Spoilers.)

    I’m a little apprehensive when I start reading a story about a character drinking too much over the course of an evening. Usually that author has a deep reverence for Bukowski of Kerouac, and the drunken work the author creates is just a watered-down version of the aforementioned writers. Yet, I was taken in with “Matthew Danger” by Dylan Smith. Maybe it is just a story about a drunken night in, what I assume is, New York, but the structure Smith uses, the form of the prose, and the format that his theme is in, creates a story that is fresh and interesting.

    Here’s an overly simplified summary: The narrator has it pointed out to him, by his new manager at the restaurant that he works out, that his eyes are “All blurry and always so bloodshot.” An observation that the narrator doesn’t agree with, but as it is the narrator’s birthday, he has the evening off which he goes out into the City. First stopping at a museum to view paintings by Cezanne, then drinking many beers. The narrator encounters his friend Danger, who is a musician, and then later, another friend, Matthew. Other things happen, and I don’t want to ruin all of it, so you should read it.

    What I enjoyed most was Smith’s selective use of short sentences and paragraphs, almost like creating a staccato sound/feeling with the flow of the piece. It made the story feel disjointed, and off ever so slightly – that the world of the narrator doesn’t fit cleanly into the larger universe. Also, the use of recurring lines, about his eyes and his night off for his birthday, created the feeling of being inside the mind of someone who is drunk, with their fixation on an idea that they can’t seem to shake. Especially with the birthday line, as baptism and rebirth work their way into the theme of this story, as does the idea of death, which a nearly empty bar is used to exemplify that part of the theme. I was left with one question, which could be me reading too much into this piece; The title of the story is “Matthew Danger” and the narrator meets up with his friends Matthew and Danger, though Matthew is briefly in the piece and Danger is there pretty much the whole time, but I had this sneaking feeling that these two characters are just a manifestation of the narrator’s id, and don’t actually exist. I have nothing to back that up with, just a feeling I had when I read it.

    This story could have gone off the rails in several places and landed in cliché or caricature, but Smith crafted something that captured the mood and feeling of his narrator that was clear and understandable by an excellent use of form and structure. Well done.