Tag: Stories

  • Short Story Review: “Stories” by Annie Ernaux

    (The short story “Stories” by Annie Ernaux, which was translated from the French by Alison L. Strayer, appeared in the June 8th, 2026 issue of The New Yorker.)

    Photograph by Jet Swan for The New Yorker

    You know what I like most about Annie Ernaux’s “Stories”? Well, besides the language, and tone, and ethereal feeling of the loss of a past childhood, or how it feels innocent and menacing at the same time, or the power of words and storytelling, or how the protagonist/narrator doesn’t seem to be a very nice person because she sort of traumatizes a five-year-old. No, my appreciation for this story began to form when I finished reading it, as I was left wondering how fictional was this piece? I know full well that the overwhelming majority of Ernaux’s work is autobiographical, but I was still left wondering, to what degree is this fictional, or factual? For the sake of writing this, I’m going to come down on the side of fiction, as it is in the “Fiction” issue of The New Yorker, but I feel that for this story to work on all levels, Ernaux needs us the believe that this really happened. And not a portion of it; all of it. Even though I am sure this story is based on an event which has been fictionalized.

    See, it’s that last paragraph which might well be the best, and correctly used version of the “Dead chick in the basket” trick. (To explain, “Dead Chick in the Basket” refers to a writing device where the final paragraph of a short story contains new information about a character which is meant to make the reader view the actions, statements, or feelings of that character in a different light. This device was effectively used in J.D. Salinger’s short story “Just Before the War with the Eskimos,” where the name of the device comes from.) We go through this whole story, and then are given this last paragraph which seems to explain that this is all real. Or is it? She is a character in her own story? She wrote this to understand herself, but ended up writing another story? (You know, this just might be an unreliable narrator.)

    I will die on this hill of a fictional interpretation, because wasn’t Ernaux trying to tell us in this story that she discovered she had the ability to create a fiction so powerful that the audience accepted it as reality and had an honest emotional reaction to it? It’s like it’s meta on meta on meta. And we will never figure out what the truth is because only Ernaux knows that.

  • Short Story Review: “The Honest Island” by Greg Jackson

    (The short story “The Honest Island” by Greg Jackson appeared in the November 11th, 2024 issue of The New Yorker.)

    Photograph by Yosigo

    “The Honest Island” by Greg Jackson revolves around, and functions off of, the idea that the protagonist, Craint, finds himself on an island, but he can’t remember how he got there, or why he is there, or pretty much anything else. It’s a good type of mystery to start a story off with. In case you don’t know, “craint” also happens to be the French word for “fear.” (Yup, it’s that type of story.)

    Craint goes about his business on this small island. Generally, staying at his small B & B, going to the beach, napping, drinking beer at sunset, and contemplating why he can’t remember anything. Yet this doesn’t bother him too much. Though he can’t speak the local language, he has found ways to get by, and even has met a woman whom he occasionally dines with, but nothing much happens with her. Craint can see across the harbor, where a city looms, so he knows he’s not completely cut off from the world, but at the same time, he cannot seem to find the ferry to take him off the island. Then along comes a new person, a man named Budger, who also is confused as to why he is there, and persuades Craint to show him around the island. FYI: “budger” is an English word from the early 1600, which means a person who stirs or budges. (See, that type of story.)

    It’s not a bad story, it’s okay, but at certain moments, it can be heavy handed. (Have I mentioned the character’s names?) What works for the story is how the mystery of the piece, the tone, and setting, work very well together. It feels solid, but also like shifting sand under your feet. Jackson didn’t over play that hand, which kept the story compelling and engaging. Where the story lost steam, was the rush to the conclusion. What came before in the story took it’s time, but the ending felt like it was trying to beat the clock and get to the finish line. For that reason, what the conclusion was didn’t feel complete, and in a strange way, predictable.

  • The Kid has Learned Well

    Last week, I mentioned that the kid was off from school for her “Mid-Winter Break.” I do not know of a single parent in the City that finds this “break” enjoyable. It is a week of scrambling to find things for the kid to do, so she doesn’t sit in front of a screen the whole time. I think I did an okay job last week. She surely didn’t have less screen time, but she didn’t have more.

    I mean, I’m not an idiot here. I do understand that I am receiving a wonderful gift, which is getting to spend time with my kid, at an age where she still likes and respects me. (The clock is ticking until that goes away…) She is forming her own opinions on music, and movies, and books she wants to read. She is just now taking the first steps in trying to figure out the world around her, and where she fits in. Being a witness to that is a great fringe benefit of being a parent.

    The kid did pepper me with lots of questions last week about growing up in Texas during the 90’s, in the suburbs, where it was warm or hot all the time. Describing growing up outside of Dallas is a fascinating and odd tale that my daughter, with her urban New York City upbringing, has a hard time wrapping her head around. Of all the things I have told her, she finds it amazing that the D/FW area will totally shut down at the first sight of snow; Not a blizzard, or sub-freezing temperatures, but just the tiniest of snowflakes falling would wreck North Texas.

    I think my story telling had an effect on her, as this morning, when getting ready for school, she told me she wanted to dress like a “90’s kid.” I was puzzled, so I asked her what a “90’s kid” looks like? I was told “90’s kids” wear; light blue jeans, All-Star shoes, baggy long sleeve tee-shirts, and listen to cd’s.

    She wasn’t wrong.

    And I also find it rather amazing that my daughter so succinctly summed up a very formative decade of my life. The only way she could have been more on the money is if she wanted a pack of clove cigarettes and a beat-up paperback copy of Naked Lunch to read.