(Spoilers, I think. I’m writing this now, but it might change.)
I got Arcadia as a Christmas gift back in 2015, and then never read it. I want to believe that I am normal in that regard; that I receive books as gifts, and then never get around to reading them… for like a decade. In my effort to catch up on my reading, I made the time for Laruen Groff’s book. As I am a fan of her short stories, I was looking forward to reading one of her novels.
Arcadia is about a guy named Bit, and the novel follows him through his life; childhood, adolescents, and adulthood. Bit’s real name is Ridley, but when he is born to his hippie parents, he is a very small baby, and is nicknamed “Bit” because he is “Little Bit of a Hippie.” His parents are part of a hippie commune on a sprawling, but neglected, upstate New York estate, Arcadia, which the commune is in the process of repairing and repurposing. This is the first section of the book, and it establishes the dynamic between the community, leadership, and family life for Bit, and the community as a whole. The next section of the book deals with the Arcadia, and the second wave of people who want to join the commune. Here we find Bit in his adolescence, experiencing love and sex, and the pressures from his parents to behave and act in support of their desires and goals. Inevitable, all of this leads to the breakup of the commune, and Bit’s family escapes to New York City. And though there are several sections, the book moves into the third part, which is Bit’s adulthood, and the creation of his own family.
I will say this, the first section does go on. It is laying the groundwork for this novel, and it does pay off in the end, but getting through it did feel taxing at times. What we are getting in this section is seeing this world through Bit’s eyes, and his not fully understanding what is happening. We see the dynamic between his parents, Abe and Hannah. We see Hannah’s bouts of depression, and her inability for a time to get out of bed. We also learn about Bit’s empathetic nature, his desire to care for others as he is taken in by the women who handle the childbirth in the commune. Arcadia is a magical world to Bit, yet Bit also thinks the whole world is like Arcadia. It’s an innocence that we know is doomed to conflict with reality eventually. This point is made with the end of the section as Abe falls off the roof of Arcadia house, breaking his back, and leaving him in a wheelchair. I respect the point that Groff was trying to make, but I didn’t like the way it was executed. Abe’s accident is treated like a button to end the section, like a dramatic trick to get the reader hooked to move on to the next section. It felt odd against the flow of the prose and the telling of the story.
With this ground work completed, and Bit entering adolescence, he begins to view Arcadia differently. He starts to notice the divisions between adults, the hypocrisy of the commune, and even his parents lack of commitment to the commune’s ideals. This is when the novel starts to pick up. A plot is laid out, actions are taken, and Bit starts to develop into a rounded character. We are also given Helle, the daughter of the commune’s leader, and the girl that Bit is in love with. She is a troubled girl, and more than just a free spirit, she wants to run as close to the razor’s edge as possible. She is destructive, and Bit’s attraction to her is understandable; he thinks he can save her. The commune is now being inundated with new arrivals, runaways and burnouts, who aren’t interested in the communal living so much as being away from society. As I said before, this all culminates with the commune breaking apart, but what I found very interesting was how the nearby Amish community stops by. In a sense, the Amish are an older version of Arcadia, but on the opposite end of the spectrum – ridged, disciplined, and closed off. The Amish hang on the edges, as if saying there is a way to make this work, but it is work, and not sex/drugs fun. The world does come crashing in, and when that happens, this book tells us the only people you can count on is your family, ideals be damned.
And we jump to 2018, which was the “future” when this book was published. Bit is now an adult, having been living in New York City since the fall of Arcadia. He is a photography professor at a NYC college, and father to a daughter, Grete, whose mother is Helle. It is explained that Bit and Helle reconnected later in life, and though she tried, Helle cannot change who she is, and continues her destructive ways; she up and leaves Bit and Grete, and is never seen again. I want to give credit to Lauren Groff here. I think every other writer on the planet would have had Helle come back at the end of this book, to have some sort of reconnection or closure. I loved that this book has shit happen to people, it doesn’t make sense, and they have to deal with it. Bit and Grete have to be hurt, and learn from it, and move on, but that doesn’t mean the hurt goes away, or doesn’t stop affecting them years later. It was an honesty that I wasn’t expecting in this story, but was so grateful that it was there.
I say this because the climax of the novel is Hannah’s slow death. It is handled with a brutal honesty and also with a poetic melancholy, which mixed together in an authenticity that was wonderful and difficult to read. Watching the person you loved first in life, slowly waste away, and become the shadow of themselves is one of the cruelest acts in life. The pain is immeasurable, deep, and crushing, and all of that is shown here. It made me have flashbacks to my mother in her final days in hospice; it was so painful, but I wanted to be there for her, so she wouldn’t be alone in her final moments. I sympathized with Bit, and I saw how all the events and experiences he had been through had prepared him for that moment with Hannah. It wasn’t surprising that Bit crawled into bed and didn’t get out after Hannah passed away. And it also wasn’t surprising that Bit pulled himself out of that bed after a week. After everything he had been through, I knew he could handle this. He was hurt and wounded, but his family did prepare him for this world.
But, the real reason why I loved this book, was Groff’s prose. I have been trying to find a way to describe it, but the world I keep falling back on is poetic. Every word feels deliberate, contemplated, and purposeful. Maybe the plot/narrative had a few minor issues, but the prose, the language, was impeccable. It captured a feeling of the commune, but also of an idealism and connection to nature, and between the characters, which was so vital to the emotional development of Bit. Yet, the language also evolved with Bit as he grew, never staying stagnant. It is an impressive accomplishment in writing.
I’m embarrassed that I waited so long to read this book. I’m also embarrassed at how impatient I am with novels. I want stories to get going NOW! I have forgotten that a good novel needs time, which might be one of the most obviously naïve things that I have said in a while. Clearly I needed to be reminded. This story took it’s time to create the journey it’s characters needed to take; one that allowed them to grow, become better versions of themselves. And the ideal society we need is the one we create with our family, and the friends we keep. Who we let in, and who we choose to love.
