Tag: Fathers

  • Earworm Wednesday: The Countdown was never Final

    My kid has been humming this for three days.

    THREE DAYS!!!

    And you know the part that she’s been humming.

    Totally stuck in my head…

  • ODDS and ENDS: Everything is Green, Son of a Clothes Horse, and Sick Kid on the Couch

    ODDS and ENDS: Everything is Green, Son of a Clothes Horse, and Sick Kid on the Couch

    (Who said that!? Not Me!)

    …And I hope you enjoy the weird AI image that was created for this post…

    Came out this morning to do the Alt Side Parking Dance, and discovered that our little car was covered in green. The wife had parked under a tree, and now there is a fuzzy haze of pollen all over the vehicle. Besides the fact that my allergies started weeping in despair as I felt my nose simultaneously running and clogging up, I also wondered how much pollen could this car collect? Could my car have so much pollen on it that if I drove around the City, even out in the country, it would act as a pollinator? I know the bees are dying off, but if push came to shove, couldn’t we just drive are cars around to, in a very basic rockbottom way, pollenate the world? Just an idea, cause there is a crap ton of tree pollen on my car.

    First of all, let me start by saying this very loaded statement; I love my wife very much. And as such, we tease each other often, as is our want. There are many things she makes fun of me over, but one of the most recurrent jokes of her’s is to call me a “clothes horse.” Going on twenty years, she’s called me this. Until I had met my wife, I had never heard this term before. A clothes horse is a folding frame used inside someone’s house to hang laundry on while it dries, or a fashionable person who thinks too much about their clothes. (I bet you can guess which definition my wife uses for me.) Most specifically, she will uses this term towards me on days when I have a sitting around the home outfit, a running errands in the neighborhood outfit, and then a third running around town outfit. Not that I do this all the time, but it does happen; I have been known to wear three different outfits in one day. So, I was home visiting my dad the other week, and I witnessed my father doing the same thing; over the course of the day, he had three different outfits he would put on. I had never noticed that, nor thought about it, as that’s just who my father is. Now, I clearly see the depths of the influence this man has had on my life, for I am the Son of a Clothes Horse.

    The kid was sick the other night. Like very sick, and throwing up. She was weak, and needed to be comforted, which I was more than happy to do. As she gets older, the opportunity for a snuggle starts to decrease, you know. But I noticed something as we were on the couch at 2am, hoping that she would be able to keep crackers down; That when she’s sick and on the couch in the daytime, I watch whatever she wants to watch – But at night, I make the kid watch what I want to watch. Nothing inappropriate, but it’s my choice. So, the other night, at 2am, I made my kid watch the MST3k episode “Cave Dwellers.” It’s one of my favorites, and to be honest, I wasn’t too concerned with what the kid thought, as she was nauseous and going in and out of sleep. The next morning, she was feeling better, still a little under the weather, but better. And to my surprise, she was making Cave Dweller jokes – like, “I fell on my eight sided dice,” “Gotta a Minute!” and “The tapes not queued up!” I couldn’t have be prouder to be her father!

  • Short Story Review: “Five Bridges” by Colm Tóibín

    (The short story “Five Bridges” by Colm Tóibín appeared in the March 10th, 2025 issue of The New Yorker.)

    Photograph by Todd Hido for The New Yorker

    Sometimes when I start reading a short story, in the back of my mind, I start rooting for it. You know, cheering it on, hoping that the story succeeds. Like wishing that your favorite ballplayer hits a homerun when they’re at the plate. So you see, I found myself really pulling for Colm Tóibín’s “Five Bridges” to do well, and accomplish its goals.

    Here’s an overly simplified synopsis: Paul, an Irish guy who has been living in the United States illegally for over thirty years, has decided to move back to Ireland, but in so doing, that will mean he will have to leave his daughter, whom he fathered with woman he never married. But before he leaves, his daughter wants Paul, the mother and the mother’s husband, to all hike Mount Tam which is outside of San Francisco.

    It all starts well. The first section is about Paul hiking with his daughter, Geraldine, and then she tells him her idea about everyone hiking together to Mount Tam. Then at a very leisurely pace, we learn about the strained relationship Paul has with Geraldine’s mother, Sandra. We learn about Paul’s profession as an unlicensed plumber, his socks filled with cash, and his recovery over his alcoholism. Then the story takes a rather hard right turn with the introduction of Paul’s friend Kirwan, another Irishman, and the semi support group Kirwan creates for other single Irishmen living in the Bay Area. Then the story shifts back to Paul, Geraldine, Sandra and her husband, Stan, as the hike up the mount. I’ll leave it there as to not ruin the ending.

    As you can see, Tóibín layers his story, and generally it all works together smoothly, with the exception of that hard-right turn with Kirwan. Also, several themes play under the surface here; fathers and daughters, blended families, immigration, culture clashes, redemption, penance… And as the story went on, and I got closer and closer to the final page, that’s when I started hoping and rooting for this story to all pull together.

    I was enjoying what I was reading, but I couldn’t shake the feeling that nothing was getting it’s full due time to resolve itself. When I encounter stories that feel like this, it’s hard for me to shake the feeling that the piece needs a larger format (a novel) to explore the characters, motivations and themes. I wouldn’t go as far to say I was disappointed with the story; more like I was pulling for it, and wanted to it work.

  • Decorations

    As it is Christmas time, again, we are in the process of decorating the apartment for the season. Unfortunately, when I say “we” that doesn’t include me. Not that I am excluded, as the wife and kid give me plenty of opportunities to decorate. But since the kid’s birth, I have found my drive to put up a tree, and lights, wreaths and garland, declining year after year.

    Now, to clarify, I am excited about Christmas time. I love shopping, and the baking of cookies and cakes, seeing friends, going out to look at the lights in the City, and all the holiday events that are around here. I enjoy taking part in the kid’s excitement for the season, and we have a great number of traditions we take part in leading up to the big day. I like Christmas!

    I just don’t have a desire to decorate for it.

    It feels like a bit of a chore.

    In a weird way, because all my life’s a circle, I think I am coming around to a better understanding of why my father behaved the way he did during the holidays. He wasn’t a grinch or grumpy at all. No, he just got all the boxes down from the attic the weekend after Thanksgiving, and sat on the couch watching sports, sometimes drinking a beer. If he was asked to help out – put something up high as my mother was rather short, or give an opinion if a decoration was level – he would, of course, do it, but he would return back to the couch. When my mother announced that everything was hung, my dad would get up and put the empty boxes back up in the attic, without complaint.

    And my father is a big kid during Christmas. He likes getting up early to see everyone’s reaction to the “surprise” present that appeared under the tree. He always played with me and my brothers Christmas morning, and same went with the grandkids. He was, and is, a joy to be around.

    Just don’t ask him to put decorations up.

    I guess same goes for me.

  • Short Story Review: “Autobahn” by Hugo Hamilton

    (The short story “Autobahn” by Hugo Hamilton appeared in the September 23rd, 2024 issue of The New Yorker.)

    Illustration by Christoph Niemann

    Funny how a situation, a moment that you are experiencing, can unlock a memory that even sometimes has nothing to do with what you are doing. Walking into my kid’s school the other day, I started to remember being at my grandmother’s house, and how it would smell when she was making apple dumplings. Interesting, how moments in our lives can be keys to the past. Hugo Hamilton’s “Autobahn” plays around with that idea, but in a more dramatic fashion.

    Here’s a super simple description of the story: The narrator, an Irish hitchhiker in Germany, is questioned at gun point by a police officer along the Autobahn, and while being held there, the narrator begins to remember his father.

    This is a very short story, and though it isn’t a flash piece, it had that quality to it. Also, this story did remind me of a song, perhaps because there were two “melodies” happening with the piece; the cop story line, and the father story line. (And then it could be that the story ends mentioning a Doors’ song.) I found that Hamilton did a good job switching between these two narratives, like jumping from the chorus to the bridge, and then back again. Both story lines had the threat of violence to them, which created tension needed to keep the story dramatic, yet I couldn’t shake the feeling that the narrator was never really in danger.

    What I found most interesting about “Autobahn” were two bits; one was the theme, and the other was the climax. I liked how Hamilton laid out the difficult and conflicting the relationship was between the narrator and his father. How the father could be abusive toward his son, but also encourage his son’s talents, and how circling that square is a never-ending challenge which ends up making memories of the father always close to the surface. Then there was the climax, where the narrator describes a moment when he saw his father at a newsstand, but his father didn’t see him. It was drawn well, and had a lasting but fleeting feeling to it.

    I liked this story, though it did feel light. Like, the story wanted to go to a third gear, so the speak, but pulled back in the last section. Over all, Hugo Hamilton created a very specific emotional moment, that I could relate to, as sometimes you can’t stop a memory from coming up.