Category: Writing

  • Short Story Review: “Autobahn” by Hugo Hamilton

    (The short story “Autobahn” by Hugo Hamilton appeared in the September 23rd, 2024 issue of The New Yorker.)

    Illustration by Christoph Niemann

    Funny how a situation, a moment that you are experiencing, can unlock a memory that even sometimes has nothing to do with what you are doing. Walking into my kid’s school the other day, I started to remember being at my grandmother’s house, and how it would smell when she was making apple dumplings. Interesting, how moments in our lives can be keys to the past. Hugo Hamilton’s “Autobahn” plays around with that idea, but in a more dramatic fashion.

    Here’s a super simple description of the story: The narrator, an Irish hitchhiker in Germany, is questioned at gun point by a police officer along the Autobahn, and while being held there, the narrator begins to remember his father.

    This is a very short story, and though it isn’t a flash piece, it had that quality to it. Also, this story did remind me of a song, perhaps because there were two “melodies” happening with the piece; the cop story line, and the father story line. (And then it could be that the story ends mentioning a Doors’ song.) I found that Hamilton did a good job switching between these two narratives, like jumping from the chorus to the bridge, and then back again. Both story lines had the threat of violence to them, which created tension needed to keep the story dramatic, yet I couldn’t shake the feeling that the narrator was never really in danger.

    What I found most interesting about “Autobahn” were two bits; one was the theme, and the other was the climax. I liked how Hamilton laid out the difficult and conflicting the relationship was between the narrator and his father. How the father could be abusive toward his son, but also encourage his son’s talents, and how circling that square is a never-ending challenge which ends up making memories of the father always close to the surface. Then there was the climax, where the narrator describes a moment when he saw his father at a newsstand, but his father didn’t see him. It was drawn well, and had a lasting but fleeting feeling to it.

    I liked this story, though it did feel light. Like, the story wanted to go to a third gear, so the speak, but pulled back in the last section. Over all, Hugo Hamilton created a very specific emotional moment, that I could relate to, as sometimes you can’t stop a memory from coming up.

  • Short Story Review: “Last Coffeehouse on Travis” by Bryan Washington

    (The short story “Last Coffeehouse on Travis” by Bryan Washington appeared in the September 16th, 2024 issue of The New Yorker.)

    Photograph by Delaney Allen for The New Yorker

    The only constant in life is change – nothing stays the same forever. The older I get, the more I think about this. There are things I wish would stay the same forever, but I also know how foolish of a wish that is. And then there were times in my life that I thought nothing would ever change, only for the ground to slowly shift under my feet. These were some of the thoughts I had as I was reading Bryan Washington’s “Last Coffeehouse on Travis.”

    The story is set in Houston in the very recent past. Specifically, in the Midtown neighborhood before gentrification changed the area. At the start of the story, the narrator is being politely kicked out of his aunt’s home and is going to live with Margo and her son Walter. In exchange for a free place to stay, the narrator will have to work at Margo’s coffeeshop not too far away. Margo is master coffee maker, and the majority clientele at the coffeehouse are recently arrived white gentrifiers. But there is to be a solid group of regulars, mainly black and latinx, who form the community of this story. As Washington lets his story develop, mainly through Margo’s coffee making and the narrator’s attempt to learn from her, we come to see people in states of change, both wanted and unwanted.

    Now that I have that very simplistic description out of the way…

    There were a couple of times that I felt that this story could fall off the rails and land in a pool of clichés; The narrator continually trying to make a cup of coffee that impresses Margo, or a character reveals some deep dark secret trauma from their past, or the climax being some explosion of a fight between two characters that should be working together. No, Bryan Washington was playing with me, because he crafts full, lived in characters that I could see myself running into on my block and having a conversation with. These are characters that want to learn from each other. Characters that have pain and mistakes in their past, but that pain doesn’t define them, nor stop them from going out and living and trying to make connections.

    Then there is the craftsmanship to Washington’s writing. The very subtle touches he uses to forward the story and develop characters. How Margo never asks, she tells people what to do. The very short but efficient descriptions of the neighborhood, to create the feel of this setting, as something that is slipping away, but at this moment, it was very alive. Another aspect that I thought was well written was how gentrification was this underlining menace to the story and its characters. Change maybe unavoidable, but it is not always good. We know from the beginning of the story that the neighborhood will change, and Margo and the coffeehouse won’t be there in the future. It’s touched on in the right way to amplify the theme without belaboring the point. This is good writing, where nothing felt wasted or superfluous. This story was made the way it needed to be.

    Which brings me to how well the climax of this story worked. Again, I go back to the fact that Washington was playing with our expectations by starting this section with, “The morning that it happened…” My mind went to dramatic ends of what could possibly be coming. In fact, the final paragraph of the section before, the narrator even acknowledges that no matter how well things are going, it can’t stay this way forever. (See, Bryan Washington is priming us.) But what follows are characters understanding that it is time for them to move on to whatever is next, because things are changing. There is a rise in action, a true climax, but it is treated in an honest way that I wasn’t expecting, and I am also trying not to ruin this story for people. Sorry that’s vague.

    I love reading Bryan Washington’s work. It moves in ways that feel familiar but also unexpected at the same time. I loved being with his characters, not at the most dramatic moment in their lives, but a very pivotal one. These are moments that take us to the next place, and Bryan Washington reminds us how valuable those moments are.

  • Short Story Review: “The Narayans” by Akhil Sharma

    (The short story “The Narayans” by Akhil Sharma appeared in the August 26th, 2024 issue of The New Yorker.)

    Illustration by Sargam Gupta

    Gossipy neighbors; We all have them. They seem to live on the edges of most stories, novels, and sitcoms. Sometimes it’s not the neighbors, but the community as a whole that is a gossip. People will talk, and make conclusions, and jump to conclusions. It never works out well. And the neighbors do talk in Akhil Sharma’s “The Narayans,” but the clichés and tropes that usually develop and deftly avoided in this work.

    First of all, Akhil Sharma makes an ingenious choice with the narrative of this story, which sets an impactful tone. The narrator of this story is third person limited, and is also a member of the community from which the story takes place. (Maybe it’s first person limited…) It makes the narrative of the story feel as if it’s second hand, possibly unreliable. Any insight from this story comes from the narrator, and not from any of the other characters.

    The narrator tells us about the Narayan family, who live in an Indian immigrant community in Edison, New Jersey. Mr. Narayan is an unpleasant man, while his wife is overly generous. They have two children, an older son, Vikas, and a younger daughter, Madhu, whom Mr. Narayan is overly protective of. We also meet the neighbors, Dr. Shukla and her daughter, Nehali, who is the same age as Madhu, fourteen. Soon it is discovered that Madhu is pregnant, and at first the rumor is that Vikas is the father. Then the rumor is that Mr. Narayan is the father. Madhu is then sent to India, while Vikas is attacked at school by a pack of white girls. The community turns on the Narayans, wherein Mr. Narayan also returns to India, and receives what the narrator implies is his comeuppance. Then time goes by, and the community changes as a new wave of immigrants from India arrive. Soon notions and stigmas also begin to soften, and Mrs. Narayan is no longer judged in the same way. This leads to the climax of the story, and Madhu’s return to this community in New Jersey.

    This story was a kick to my gut. It completely created a sympathy in me for Madhu, and to be empathetic to her situation. But it also left me feeling conflicted with how the community reacted to this situation. How this community blamed, possibly correctly, one person, while ignoring the victims. The swift kick this story gave me had the effect of making me question my need to assign blame first, and not sympathize and help those that have been hurt. How that lack of sympathy and empathy can add to a person’s trauma.

    As with all stories that deeply affect me, I am having trouble putting my finger on all the aspects and details in this story that give it such a full breath, and life. But, that’s also the sign of a very good writer, and Sharma is that. And still I was left wondering if everything I was told, was in fact, true. That isn’t a knock against this story, just an acknowledgment that the theme and tone were spot on for this piece.

  • Welcome Back, CUNY! (And some others, too)

    Not sure what is going on, but for almost two years now, at the start of the college semesters, I have a huge uptick in “referrers” coming from CUNY, The City University of New York. (At leasts that what the stats provided from WordPress says…) And these CUNY referrers are looking at only one blog post:

    Short Story Review: “Colorin Colorado” by Camille Bordas

    This is not a complaint, REPETE, this is not a complaint…

    Now, I get all this traffic from the CUNY referrers, but no one leaves a comment, or gives a like, or does anything. I appreciate the traffic; it keeps my numbers up, and one day, I just might earn a dollar from ad revenue.

    Speaking of traffic, thank you to the people he keep reading the ALGOT blogs, and the Face in the Mirror short story review! You are keeping this site alive.

    This is for all of you, but especially the CUNY people…

  • Road Trip Thoughts, Part Two (Unedited)

    When I woke up Saturday morning, the first thing I did was text the wife to see how she was doing. She was happy to report that the medication had started to take effect, and she was feeling much better. Maybe she could have made the trip, but out of caution, I knew we had made the right call to have her stay home.

    I cleaned up and went down to the lobby for my complementary free breakfast. To my surprise, at 8am, the lobby was packed, and not to be rude, packed with retirees. There must have been some gathering happening that weekend because a good number of the men all had the same t-shirt on, though there weren’t any words identifying what organization they belonged to.

    Seeing these older people, I wondered what type of retired guy I will be like. Having witnessed my grandfather and father’s retirements, what I observed is that they weren’t very social. They had hobbies and read all the time, but neither of them belonged to some “group” that did things. They were solitary men, and as I thought about it, that seemed correct for me as well. But maybe I would travel. Go from one budget hotel to another; seeing America in a very comfortable and affordable way. Staying right off the highway, and not venturing into town.

    I checked out, and fueled up the car. I sat in the parking lot and called the wife. She confirmed that she was feeling better, and we were both excited about having the kid back. We didn’t talk for too long; the wife still needed to rest, and I was excited to pick up the kid.

    I was only an hour and a half from the camp, and the drive was a peaceful, leisurely one that took me up into the Appalachian Mountains. I was anxious to see my daughter, yet there was this feeling that kept creeping over me – a feeling that I wasn’t living up to some standard that I had in my head of the type of father I need to be. It was failure. I felt like I have been failing as a dad, not giving my daughter what she needs to be a strong woman in this world. I have no idea where this thought was coming from, why at that moment of driving to pick her up that I felt that I wasn’t doing my job as a dad.

    Too much time alone with my thoughts can be dangerous. Honestly, I couldn’t remember when the last time I had almost two days alone to myself. Without someone to talk to, I descended into my thoughts, and I’m not very kind to myself. I have been working on that; being kinder to myself. Telling myself that these negative thoughts aren’t very helpful. I will be kinder to myself, and not so critical. Not that I do that, but I have been thinking about making this change.

    The camp is off a little single lane road. There was a check point where I had to show my ID, verifying that I was the kid’s father. But I was fifteen minutes early, so they had me pull into a small parking lot to wait my turn. Now, this was the worst part – so close to getting the kid. I was ready for her to be dirty, and smell bad because it was an outdoor camp, and she was free to be dirty and smelly, and have the best time as possible. I was sure her hair would be wild and tangled, and she would be taller, and tan, and happier and more confident than she’s been in a long time. I was getting excited about how great of a time she had had.

    Then we were given the all clear, and it was time for us parents to get our kids. What that really meant was that we all got our cars to line up and slowly drive into camp. And the excitement kept building in me.

    And this was another moment in my life where I was taken aback by my emotions. I thought I knew what I would feel, but what I felt was stronger and more sweeping than I knew I had in me. I was going to burst – bust in tears, laughter, scream – something was going to give way. I was barely holding on, only slightly in control of my emotions. The last time I felt like this was when I found out about my mother’s cancer diagnosis – and I was angry, and depressed, forlorn, and hopeless – and at any whim, I was overcome and I wasn’t able to control myself. And I just felt, and it came pouring out of me, just a river (a flood) of emotions and feeling – a raw live wire. At least this time, sitting in my car, waiting my turn to get my daughter, it was joy happiness and love that were bursting to come out.

    See, you’re not supposed to get out of your car when you get your kid from this camp. Pick up there is like an assembly line, which makes sense. They greet you at the first stop, then you get your kids trunk at the next stop, and the final stop is that you kid jumps into your car, and then you are on your way. Hence why you stay in your car.

    When I got to the “get you kid” stop, I hopped out of my car, and was quickly yelled at by the councilors to get back in. Oops. The kid jumped into the car and asked, “Where’s the dog?” I didn’t get a “Hi, Dad” or nothing. She didn’t even ask for her mother. So, the dog was the big winner. Anyway, I enplaned to the kid that mom was sick, and I left the dog with her. The kid said I could have still brought the dog.

    I drove out of camp, but first I pulled back into the waiting parking lot. I got out of the car, and told the kid to do the same, because I was hugging my daughter, damn it! I was going to hug the stinky, wild haired, mosquito bitten, summer tanned kid that I love more than love itself. I just wanted to hug her. “I missed you,” I said to her, with a catch in my throat.

    “I love you, dad” She said back. And then added, “Are we on a father/daughter adventure?”

    “Yes, we are.” My heart exploded a little, for I was in this moment. Keenly aware that this was a memory, an experience, I was creating; one that I would think back on, hold on to, remind myself of when life gets hard. A new core memory for me.