Category: Movies

  • We Should All Have a Theme Song, Like Gamera

    This theme gets stuck in my head, and it takes days, even weeks, for it to go away.

  • Short Story Review: “We’re Not So Different, You and I” by Simon Rich

    (The short story “We’re Not So Different, You and I” by Simon Rich appeared in the May 13th, 2024 issue of The New Yorker.)

    Illustration by Tim Lahan

    You know, it’s hard to make friends the older you get. Especially for men. When you’re a kid, if someone lived on the same street as you, BOOM! you’d be friends. Then somewhere, later in life, opening yourself up to someone became difficult, and new friendships dried up. And if you add kids and career, making friends gets even more difficult. But, we need friends; It makes life easier to handle, and loneliness can be dangerous.

    On the whole, that’s what “We’re Not So Different, You and I” by Simon Rich is about. Except the loneness comes from a supervillain, Death Skull, who seems to be reaching out and trying to find friendship where he can. He tries with his nemesis, Ultra Man, and later, with a friendship speed dating group. Death Skull contemplates friendship with his henchmen, but there is a power dynamic there, so that doesn’t feel genuine. And though Death Skull has a wife, she has her own circle of friends, and encourages Death Skull to make his own.

    This is, if you haven’t put it together, a humorous story, and the writing is very funny and quick. I hate puns, but I found their use by Rich to be appropriate, and I will admit, made me laugh. Which made me think about how few humorous short stories I encounter, especially in The New Yorker, tbh. It was relief to read something that didn’t have someone dead, about to be killed or die off, or any death in general. It was refreshing, also, to read something that had happy ending.

    The only thing that nagged at the back of my head was the premise of the story; superheroes and villains, acting like normal people, dealing with normal situations, and having normal emotional reactions. This isn’t a new idea:

    Even SNL was playing around with this idea in 1979. Basically, The Incredibles is this idea as well. I’ve encountered this set up in stories, tv shows, movies for years, so maybe it should have its own official genera title? And I get it, the juxtaposition of all-powerful heroes being felled by all too human emotions is intriguing, and leads itself all sorts of funny situations. (I wonder if there is a lost play by Sophocles about Achilles painful anxiety speaking in front of people?) It’s not that the premise doesn’t work here, it’s just that I’ve seen it, and read it, before.

    “We’re Not So Different, You and I” by Simon Rich is a good story, so don’t take that last part too seriously. Making friends is important, and can be very difficult and scary, and that theme wasn’t lost on me. The use of an absurd situation heightened that point, which I give credit to. I’m just most surprised that Rich actually made puns funny.

  • Why Did I Get Tangled Up in Blue?

    Something happened to me over the past couple of years, where if I go shopping for clothes, I want to buy the color blue. I especially like the color navy, but wouldn’t pass up the blue of an oxford style button down shirt. The bluer the blue jeans, the better, and I’m even thinking about getting a blue suit for a wedding I’m supposed to attend. I’m even starting to like the look of khaki pants, and a blue shirt, but swear to God, if I add a puffer vest to that look, you should walk up to me and slap the hell outta my face… unless I’m working undercover as a “Finance Bro.”

    I’m not sure why this is happening, but I know that it is.

    I thought that it could be a reflection of my mental state, but I feel neither depressed, nor calm and relaxed.

    I started putting on my old army coat when I have a blue shirt on. I would like to believe that I look like Quint, but I know that’s not true.

    Is this a middle age thing? Does blue help me stand out, or blend in?

    And if the blue is in a plaid pattern, good lord, I have to own it.

    I have blue pajamas. A navy blue ballcap. My car is blue, but the wife did pick it out, but still…

    There was a time when I wore a lot of black, but that was my pretentious artists phase, which coincided with my stage crew phase.

    Maybe I’ll grow out of it. Maybe I move into a paisley phase.

  • Paul Auster (1947 – 2024)

    I read the news today that Paul Auster had passed away. Kind’a always thought that Paul Auster would just be hanging around forever. Somewhere in Brooklyn, scribbling away, and walking around. I don’t know if any of that is true, it’s just what I expected.

    I first read Paul Auster in 1997 or 1998, and the book was Hand to Mouth: A Chronicle of Early Failure. I’m not 100% sure how this book came to me, but I’m pretty sure it was a Christmas gift from my parents. Maybe I put it on a list, but for whatever reason, it was the right book at the right time. For you see, I had just dropped out of college to peruse my career as a writer/artist, and then I read this book, wherein Paul Auster is pretty much telling me that I have ten awful years of struggle, disappointment, and failure headed my way. But he told it is such a funny and depressing way that, for all the wrong reasons, this book inspired me to continue following my path in the arts. And also, to read as many books by Paul Auster as possible.

    I had hoped to have met him one day. Not to have a conversation, or tell him how much I enjoyed his work. No, I just wanted to say “hi” to him on the street, like neighbors. And that’s the other great thing that Paul gave to me; he presented New York City (Brooklyn, actually) as this great place to meet and make friends with people who are nothing like you. There are all kinds of great things about the City, that artists have been talking about for years (the arts, nightlife, money, danger, excitement, scandal…) but he always gave me this feeling that, yes those things are here, but the people of this place, these characters of the City, are what makes this place magical.

    The other thing that I loved about Paul Auster was that the guy just wrote all the time, and produced so much work. This is the “hard working American” side of me that still sees production as one of the measuring sticks of artistic excellence. He created nonstop. He tried things, and sure, maybe not all of it was The New York Trilogy, but I have respect for the people out there that keep trying something new and producing.

    So I guess, thanks Paul Auster. Thanks for trying to talk me out of being creative.

  • Showing My Kid “Cool Hand Luke”

    I’m not the best father. I have very good intentions, and I show up, and I am dependable, but outside of that, I’m floundering around here.

    One of my flounder moments of late is trying to show my kid good movies. Like really good movies, the best movies, movies that had a huge impact on storytelling, movie making; you get the deal. I am way too eager to do this, and I have to remind myself that most of the beast movies ever made aren’t appropriate for a nine-year-old.

    So, of late, I have just been showing her the start of movies or very famous scenes. Amazingly, this has worked out very well. After watching Barbie together, I thought showing her the opening “Dawn of Man” section of 2001: A Space Odyssey would be a good idea, as that part is parodied in Barbie. And I was delightfully rewarded showing it to her, because she was able to visually follow the story, understood the importance of the bone/tool, and how tools good be used for good and bad. And she especially understood what Barbie was parodying.

    After having such a rewarding experience with 2001, I decided that I would press my luck and show her one of my favorite movies, Cool Hand Luke, a film I consider a great movie and if nothing else, it’s Paul Newman’s best performance. Unfortunately, the only streaming service I could find that had the movie came with commercials. What this availed to us was two minutes for me to answer questions, which is to be expected, as I do have a very curious and inquisitive child. Mind you, we only got 1/3 of the way through the movie.

    The questions she provided me were; Where are the girls? Why does everyone smoke? Don’t they know that’s bad for them? Is there a prison for women and do they do the same thing? Do they have air conditioning? Are the guards allowed to shoot people? If the guards shoot people, do they get in trouble? Why isn’t “The Box” illegal? Are there bugs and rats in “The Box?” And my favorite – How do you play poker?

    I don’t mind her questions, that’s how you learn; you ask questions, right. What I forgot was how much of a huge jump in her experience it is to see a movie made in 1967 about people living in the South during the early 1950’s. It’s just on the very edge of her understanding. Such as, she sees the cars and the trucks, those are things she can relate to and understand. But no air conditioning? She doesn’t know a world without A/C. And then I had to explain to her what parking meters were – how you had to put change in a machine, and turn a handle, and it counted down until you had to put more change in it. That kind’a blew her mind…

    And we haven’t even got to the egg eating scene yet.