When I was growing up, I watched a lot of tv. One of the best UHF stations in the Dallas/Fort Worth area was Channel 21 which showed tons of monster movies, weird supernatural “documentaries,” and kung-fu flicks. My love of bad movies comes directly from this station.
So, when I was watching Rob Hill’s latest installment of his “Borrowing Blockbuster” series, all about the rip-off Bruce Lee movies, I know for certain that I watched several of those growing up.
The best news out of all of this is that there will be two more episodes of the “Bruceploitation!”
We do a lot of road trips over the Summer as a family. And with long hours on the road, playlists are needed. The wife and I both make one, and when its our turn to drive, our playlists get played. This past year, the kid requested some songs to be added to our respective lists, as the kid claimed there wasn’t any of her music being played. (This year, she is making her own playlist, which means that we will all take turns sharing music in the car.) On the whole, the music she suggested was fine; a bit of Taylor Swift, and some other people that I kind’a heard of.
But one song that stuck out was Dua Lipa‘s “Dance The Night” from the Barbie soundtrack. It’s a fun song, that is crazy catchy to me. I mean, the whole song is one big hook.
I love the use of McGuffins as a plot device in storytelling. It gives instant motivation, and when used well, can give valued insight into a character’s constitution as they seek the MacGuffin. (In case you aren’t aware what a MacGuffin is, think of the Maltese Falcon, Ark of the Covenant or the Death Star plans.) I would argue that the Balenciaga dress in Han Ong’s “My Balenciaga” is the same plot device, but used in a dramatic, rather that thriller/action, setting.
The Balenciaga dress is owned by Lucy’s mother, who is a former fashion model from the Philippians. The mother received the dress many years ago while she was working as an international model, and confusingly, the dress does not contain a Balenciaga label in it, making its authenticity suspect. Lucy and her mother live with Lucy’s aunt on the Upper West Side of Manhattan, and the three lead a pleasant life in the City. The mother still continues to wear the dress on special occasion out, such as going to the Met to watch an opera. After the death of Nora Aunor, a Philippine actress, which affect Lucy’s mother personally, things begin to change in their home. For Lucy, she changes her appearance and tries on the dress, which fits her well, and soon her personal and professional life begin to develop in positive ways. Yet there is still a question over the dress’ origination.
This is a story that hits all of its marks; it is a very competent work. Yet, I never felt like anything was at stake for these characters, such as there was no emotional peril for Lucy or her mother. I believe that Han Ong was trying to create tension with the dress by playing with the idea of “The Value of Myth.” (You know, like in “The Man Who Shot Liberty Valance” or “Lisa the Iconoclast”) What is more important; the truth about the myth, or the truth the myth creates? No matter which side of this question is answered, I felt that the characters would essentially stay the same. Hence, no tension or peril.
Perhaps the story was a little too long, spending more time telling rather than showing, so to speak. And, unfortunately, I think you could have taken the aunt out of the story, and it wouldn’t have changed anything. But, I did enjoy the character of Lucy, and found her journey in the story compelling; the search for connection with her mother. Which is why I see the Balenciaga dress as this story’s MacGuffin.
I never knew that I needed this video from Rob Hill over at Bad Movie Bible, but it turns out I actually did; Simply because I have wondered from time to time, usually late at night after a drink or two, why does Steven Seagal’s accent seem to change every couple of years?
Looks like Paramount is about the buy Warner Bros./Discovery, which means there will be five companies that control 51% of the media. If what the Ellison’s did to CBS is any indication of what they’ll do to WB/Discovery, then we are about to enter into a dark age. Prices will go up, coverage will be pro-conservative, service will decrease, and market share will continue to be concentrated. The good news is that this has happened before in America, and we have the tools to break all these trusts up. And I mean all the trusts; media, social media, airlines, online shopping, web services, and banking. The only thing stopping it is the will of the people. The laws are on the books, but they’ll only be enforced if we elect the right people to do it. I’m telling you, we gotta get involved before its too late, and we are getting very close to it being too late.
I think I might vacation in West Virginia this year. Somewhere up in the Appalachian Mountains. Maybe along a river or a creek. Nothing crazy, but a cabin away from everyone and it should also be a place where it gets cool at night, like low 60’s or high 50’s. This is Summer after all. Just a thought I have been having of late.
I haven’t smoked a cigar since college; it was after a cast party and I was feeling on top of the world. I don’t particularly like cigars or the smell, but the idea of sitting on a porch as the sun sets, smoking a cigar with a glass of bourbon in my hand sounds wonderful at this point. This might be tied in with the West Virginia vacation thing from above… but it’s on my mind.
