(The short story “Offside Constantly” by Camille Bordas, was featured in the June 28th, 2021 issue of The New Yorker.)
I have had a soft spot for stories that deal with grief, because I am still dealing with the grief of my mother’s passing. This affection explains why I was such an avid supporter of “WandaVision,” and still list it as one of the best TV shows of 2021, as it was a story about how even the best people can fall victim to, be consumed by, and ultimately, deny that they are in mourning. That once you start down that path, it is very difficult to get out of it. “Offside Constantly” is another story of a protagonist dealing with the effects of grief, and how to deal with those emotions.
From the start, teenager Johanna is talking about death, or how people die. Her brother has recently passed, and she is dealing with a probable case of narcolepsy, but it cannot be confirmed because her mother won’t allow a spinal tap. We learn about Johanna’s obsession of getting her brother’s obituary listed in a magazine, and her attempts at helping another girl at school deal with her mental issues. Her mother comes across as caring, and her father is distant, but both seems to be handling their grief away from Johanna’s observations. When the climax of the story arrives, Johanna’s actions have changed though she explains that she hasn’t changed her mind.
What I read was smartly written, but I would also categorize it as a “something-yet-nothing happens” story. Yes, clearly things happen; a plot was set forth, a climax occurred, and there was a resolution, but it felt like nothing happened. I think this was caused by the narration of Johanna, who never seemed too concerned for anything, other than a moment when her parents showed some affection towards each other, which upsets her, as she sees it as they are returning to “normal.” I understand that teenagers can be angsty and attempt to portray themselves as disinterred in everything, but this teenager talked like she was over 30, which left me feeling that the character lack authenticity. Grief can manifest in numerous different ways for each person. There isn’t one way to mourn, and we should allow people the breath of space to discover, or learn, what their new normal life will be as loss now accompanying them. I apricate that “Offside Constantly” took the time to look at the loss of a sibling, but I never could understand why Johanna wanted to share this with me, as I don’t think the story decided if her situation was dire, and needed to be corrected.