(Is that a flying pig in the sky?)
I have started watching The Kids in the Hall’s new season in Amazon. As with all of these nostalgia reboots of stuff from the 80’s and 90’s, some fall rather flat, and leave you wondering why it needed to be rebooted in the first place. (Looking at you Fresh Prince.) First of all, I don’t think The Kids in the Hall are a reboot, as it feels like a solid continuation of the original show. Second, The Kids are just as biting and internal as they have ever been. Yes, they are older, but that alt/punk subversive vibe is still there. Their humor was never topical, and their best stuff always had to do with the relationship between characters.
Which brings me to “Doomsday DJ” a darkly humorous bleak sketch with just Dave Foley and Melanie’s 1971 hit “Brand New Key.” Though the sketch, which is in three parts and the clip is only the first, takes place in a world where DNA bombs have fallen and destroyed just about everybody on the planet, it has an eerie present feeling to it. Was the sketch’s creation influenced by the Trump years and Covid isolation? Clearly, yes. But man, Foley’s expression of desperation and loss with his eyes becoming unfocused, only to snap back to reality to do his “job” on the radio. I think everyone can relate to a similar feeling during the lockdown, watching tv on the couch, and wondering, “Is this really how it will all end?” The Kids tapped into a zeitgeist in the culture that I don’t think anyone has been able to express correctly. I know I said above that they don’t do topical jokes, and I hold to that, because the joke here is the internal struggle of the character to continue in the face of ultimate doom. Amazingly, we all know what that feels like, and now we see you can make fun of it.
Protect Kids and Not Guns.
Protect Kids and Not Guns.
Protect Kids and Not Guns.
(Say, don’t forget to like this post, or share it, or leave a comment. I got bills to pay, you know.)