Tag: Shorts

  • Short Story Review: “The Pool” by T. Coraghessan Boyle

    (The short story “The Pool” by T. Coraghessan Boyle appeared in the September 22nd, 2025 issue of The New Yorker.)

    Illustration by Leanne Shapton

    Here’s an old saying that will live forever; Imitation is the sincerest form of flattery. And when I hear this line, I contemplate if other words can also show sincere flattery, like – Impression, Takeoff, Parody, Sendup, Reproduction, Inspiration, or Synthesis. While reading T. Coraghessan Boyle’s “The Pool” I began to wonder how much of a debt this story owes to John Cheever’s “The Swimmer,” and should that be interpreted as a form of flattery?

    Now, I’m not the one who originally brought up Cheever. The story did it in the seventh paragraph. Also, “The Pool” is a story that is being published in The New Yorker, and that story references one of Cheever’s most famous stories, “The Swimmer” which was also published in The New Yorker. As such, the preponderance of the evidence leads me to believe that “The Swimmer” is, if nothing else, an influence on this story.

    “The Pool” is about a pool which is a part of a house that is recently purchased by the narrator/protagonist and his wife. They have two kids, and she is pregnant with their third, and final child. From the beginning of the story, there is a concern that a child may drown in the pool, and this foreshadowing comes to fruition when the narrator’s son falls into the pool at their house warming party. Thankfully the child is saved by a family friend, Malcolm, who is helping the narrator to paint the house. This near-death moment is the first of three that happen in the story; the other being a tree branch falling on the narrator’s wife, and the ending with the narrator jumping off the roof into the pool. Nothing bad happens to them, they stay lucky and safe. The same cannot be said for others in the story. Malcolm’s marriage falls apart, a baby opossum falls into the pool, and though rescued with attempts to nurse it back to health, the animal dies. In fact, there is dangerous wildlife just beyond the backyard fence, which the narrator encounters, and chooses not to tell his wife or family about. The narrator seems most concerned about drinking and staying high around his pool as the summer wains on with an almost never-ending round of pool parties at the home.

    And that brings me to my biggest rub; what to make of the narrator/protagonist? I wouldn’t go full blown and call him a narcissist, but he is rather self-absorbed. His children get very few mentions, other than saying they moved to find better schools, and that his wife’s birth control failed three times. His relationship with his pregnant wife seems to be fine, though he doesn’t show or say anything affectionate toward her even in her grand expecting state. Even the birth of their third child feels more like a footnote so the narrator can return home and continue sitting around the pool drinking with Malcolm. As the story progresses, the narrator seems to devolve into a more adolescent state. Having fun at the pool seems to be his only concern. It doesn’t lend itself to a satisfying character arc, because if this was a hero’s journey, then the journey never got started.

    Yet, I kept finding myself being pulled back to “The Swimmer” reference at the start of the story. Is “The Pool” a comment on current life in the suburbs? Is it a comment on men and their need for leisure? Or is it talking about men who fail up in life? Or is this about the aspirational attainment of “the American Dream” and how it can insulate you from the harsh realities of our modern world? I don’t know… I’m just not sure.

    I do want to add that I enjoy T. Coraghessan Boyle’s writing. Reading this story, the prose was compelling, and even urgent in places. There are moments of unease, and tension so the story, and I would say intentionally, feels as if it is settled on uneven ground. That things could shift at any moment. There are no clear lines here, but curves that the tone and themes progress on. It doesn’t follow a pattern, which is refreshing and should be acknowledged.

    I’m glad I read “The Pool” and for making me go look up “The Swimmer” as well. I can’t shake the feeling that “The Pool” is inspired and influenced by “The Swimmer” but still not sure what to make of it. I do recommend that you read it. If for no other reason than to ask, “What do you think it was about?”

  • Short Story Review: “Something Has Come to Light” by Miriam Toews

    (The short story “Something Has Come to Light” by Miriam Toews appeared in the August 25th, 2025 issue of The New Yorker.)

    Photograph by Marcus Schaefer for The New Yorker

    I had a humanities teacher in high school who explained existentialism to my class this way; “We are all free to make choices in our life. Nothing is determined. You can choose to be whoever you want. Being able to choose doesn’t always mean you will be happier.” At least that’s the notes I took in my first journal way back in 1995. I went back to this journal after I finished reading Miriam Toews’ story “Something Has Come to Light,” because not only did the story make me think about choices I’ve made, but also about living with those choices.

    To sum this story up, perhaps a bit too simply: A grandmother has written a note/story for her grandchildren about a moment in her life where she should have said yes, but said no to the neighbor boy, Roland. Some years later the boy moves away, but dies, and his parents bury an urn that contain his ashes on their property. Sometime even later, after the parents on the neighboring property pass away and their land is to be sold, the grandmother sneaks onto the property at night, digs up the urn, and reburies it on her property. Every day, the grandmother has passed by the buried urn, and tells Roland she should have said yes. The letter/story ends with the grandmother asking the grandchild to dig up the urn and return it to Roland’s surviving sister, or if that’s too much to ask, leave him, and continue to tell him that grandma made a mistake and should have said yes.

    I loved this story. And I loved how this story snuck up on me, how it placed itself in my head, and kept poking at me, telling me to enjoy it more. The language here is simple and to the point, which is what you would expect from a woman that has lived a simple but contented life. The way it was written reminded me of how the Midwestern women in my family spoke – there was a plainness to it, but that didn’t mean that the words didn’t have nuance and revelatory meaning to them. The grandmother is a woman who doesn’t complain, but also is tough and doesn’t put up with much either, yet will never be rude about it.

    The story really is about Roland, and the affect he had on her life. Though the two of them weren’t close, according to the grandmother, you can tell that she had a deep appreciation for him. Roland was different from the other people in town. His great sin appears to be that he sat on the front row at concerts, had a gift for the piano as demonstrated with a concert he put on in town and which the grandmother saved a poster from. Then one day Roland rode up to the grandmother and asked if she wanted a ride, which she answered no. A decision she would regret as Roland moved away to England. The town never forgave him for leaving, and I sense that the grandmother never spoke up or out in Roland’s defense, but she lived with that regret. A regret that would possess her to the point that not only did she need to apologize to Roland for the rest of her life, but also to possess Roland for the remainder of her life.

    What I find captivating about this story is that it isn’t necessarily a romantic bond between the grandmother and Roland. Though I think there is a tinge about, like a frosting, but it’s not the driving motivation. What I believe the story is telling me is that the grandmother is mourning the exact moment where her life could have gone in a different direction. That she could have been, or done, something different. But, and this is most important, she does not regret her life. I say this because the start of the story, the grandmother explains that she keeps all the pictures of her grandchildren in a photo album next to her bed; how she looks at them, most nights. This is the act of a woman appreciating the life she lived, and what her and her husband created in this world.

    What I find Miriam Toews is asking me with “Something Has Come to Light” is can it be possible to love the life you led, but also mourn the moment when it could have gone in a different direction? Can you love a person who could have been your agent of change, while also not wanting to change? Can a paradox like this exist in a contented person?

    Perhaps. Perhaps the grandmother never wanted to let go of that chance encounter, to say she was sorry to the one person who wasn’t like anyone else she ever knew. Ultimately, the grandmother made her choice, and she learned to live with it, and with regret at the same time.

  • A Question for the People Who Read My Short Story Reviews

    For those of you who read my short story reviews, and I guess anybody else out there for that matter, are there any short stories that came out in the last six months from either big or small publications, that you would recommend?

    Please leave your suggestions in the comments so we can all enjoy your endorsements.

    Thanks for taking part…

  • Short Story Review – “Séance at the Dinner Party” by Tori Palmore

    (The flash piece “Séance at the Dinner Party” by Tori Palmore first appeared at Rejection Letters on November 27th, 2024.)

    Families can suck, and in literature, this is fertile ground for inspiration which has been plowed many times over, and will forever produce material that will be harvested for our consumption. As I get older, family dramas have become more fascinating to me, and Tori Palmore’s “Séance at the Dinner Party” is a absorbing stream of consciousness entry into the field.

    The narrator takes us through their thoughts/experience/emotions at this family gathering, I believe it is Thanksgiving. There is the subtext of death and the loss of a sibling, perhaps the narrator’s safety at these gatherings, and the repetitive “Brother is Dead” adds a staccato rhythm to the prose, keeping the piece unsettled. I appreciated Palmore’s use of short sentences to build tension and keep the emotions and reactions moving forward. The piece never feels like it can stop, that it will perpetually play over and over again, not only in the narrator’s life, but also in the mind, even when they leave this dinner party of family. How the narrator is uncomfortable with their family, how they don’t feel accepted, to the point of micro aggressions signaling that they are not fully accepted. Yet the narrator keeps their rage, even grief, in check. Though the narrator does escape this evening with their family, the ironic knowledge is that this event will repeat itself again.

    Palmore’s “Séance at the Dinner Party” is the type of flash fiction I look forward to reading. It is direct, clear, and puts me in a moment or emotional state that I can relate to, or learn from. And in the piece, Palmore also creates a moment that also feels as if it exists outside of time, which adds to the resonance of the story.

  • ODDS and ENDS: School’s Starting , Bigger Pants, and Goodbye Summer

    (It’s just a kiss away…)

    It just feels like Summer started, but next week, the kid starts up school again. These two months flew by, and though it still feels like Summer out there, the signs have started to show that we are slipping toward Autumn. At the start of the week, the kid refused to speak about the coming school year. Now, today, she told me she is excited and nervous to get back; Excited to see her friends, nervous about what the year could bring. I have been trying to remember what that felt like. The feeling of possibility, of the excitement of learning, the joy of friendships. Out of all of it, it is that feeling of excitement and wonder of learning rings the most true. Boy, if I could get that feeling back – maybe just for a few minutes, to experience looking at the world as brand new. That would be great.

    I had a good time this Summer. There was a big family wedding, and the kid went away for camp. As such, I lived it up. Drank a little too much, ate way too much, but I went to the gym once – you know, balance. When I think back on this season, I will refer to it as my “Sloth Summer.” As such, my pants and shorts have become rather snug around my belly. I don’t like this development, and I know what I need to do. Well, what I should do…not that I want to do it. Which brings me to why I am contemplating buying larger pants and shorts. NO, no, no… I need to watch what I eat, work out, cut down on alcohol, sleep better… But… you know… at some point the weight won’t come back off. At some point, I will need to buy the bigger pants, right? Am I just fight the tide?

    My least favorite season has started her exit from the stage. I said that up above, but it is true – Get Outta Here, Summer! It’s still sticky out, and will be for the rest of August, but it’s starting to get a little cooler at night. We had one day, though it was raining all day, that was in the low 70’s and it was like the best feeling in the world – it just not being really hot out. There are other signs too, like the “back to school” commercials on tv, and crossing guards are back out. Also, I look at empty store fronts, and I can imagine a Spirit Halloween store being there. Soon it will be cooler, and sweaters will be out, and leaves will change. Just one more month to go.