Tag: Short Story Reviews

  • Short Story Review: “The Beach House” by Joy Williams

    (The short story “The Beach House” by Joy Williams appeared in the January 15, 2024 issue of The New Yorker.)

    (I will SPOIL this story.)

    Illustration by Mia Bergeron

    Of all the storytelling tricks that are out there, the “MacGuffin” is my favorite. If you don’t know, a MacGuffin in a story is any object, device, or person that is essential to the plot and motivation of the characters. Think of the Ark in Raiders of the Lost Ark; it’s the object everyone wants and is also what drives the plot. And the beach house in Joy Williams “The Beach House” is a MacGuffin, but the rest of the story doesn’t play along.

    So, in the story, Amber’s elderly father is near death, and he owns a beach house which he is planning on willing to a charity that save dogs. Amber finds this charity suspicious, but more importantly, if the house is not willed to her after her father’s death, she will be homeless. This is about as textbook as you can get with a plot, and motivation and the whole thing. He wants one thing, she wants another, and the stakes are high as she has a desperate need to get her hands on this beach house.

    But this story never seems to get its dramatic act together. It plods along with little urgency. Amber seems resigned to talk about her plight, but never take action. And the father, though its hinted at that he might be suffering from early dementia, doesn’t seem very interested in his daughters situation of near homelessness. I feel that there are other issues simmering under the surface between these two, but I also think I am giving the story the benefit of the doubt here. When the climax of the piece occurs, the father falls and the daughter wants to take him to the hospital, it in no way affects the plot, the motivations, or the MacGuffin. Nothing is resolved or concluded with this action – the issue of the beach house is still there.

    It’s not a badly written piece, but the aftertaste I am left with is that “The Beach House” might be the first chapter of a novel. Again, all the pieces are here for a good story, and like I also pointed out, there seems to be a subtext between the characters that could be richly explored. But, with the story in this state, Williams introduced a gun and then didn’t fire it.

  • Pretty Much My Last Blog Post of 2023

    I think that will be true. We are getting down to crunch time for the Holidays; the kid will be off from school, and soon the wife will be taking her Christmas vacation from work. Then we do have some traditions around the City we like to take part in, so the time to blog is growing short. And as such, this might be the last one I write for the year.

    Not that anyone is asking for this, and I am talking to the couple of you who stop by this blog, but I’ll post a Best of 2023, as well as some Holiday videos for Christmas and New Year’s. Once the kid and wife are back in school, I will resume the normal blogging schedule.

    As for 2023, it wasn’t a bad year…

    On the writing front, I submitted to 50+ magazines, and got accepted in one. I had planned on sending out to 100, and only then did I hope that maybe I’d get a bite. So, I’ll chalk that up as a win. I have three stories out there that I am waiting to hear on, so I guess there is still hope. The blog readership grew this year, which was unexpected to say the least. Most days, I feel like I am talking to myself in the dark, and lets be honest, that’s a rather true description. Yet, I averaged 5 readers a day in 2022, and in 2023 that grew to 20. I’m sure there are some Russian bots in those numbers, but some of you are real. Also, looking at the numbers, if you stop by this blog, you’re reading the Short Story Reviews, and not many of the other things I write about. (I don’t get any likes for my Tottenham posts, but I’m still going to write about my club.) I will say this about the reviews, which is that I have read more short stories this year than any other year of my life. I have discovered many new online lit journals which are great, and most importantly, I have read so many great new writers. I could do a better job about promoting these journals and writers, and perhaps that should be a goal for myself in 2024. I was hesitant in 2023 as I was writing and submitting myself, and I had this idea that it could be considered a conflict of interest. Then I reminded myself that no one knows who I am, no one cares, so I should just relax.

    On the other personal fronts; my wife is good, the kid is healthy and doing well in school, and life in the City isn’t too bad. There will always be things that I need to work on so I can be a better husband and father, and friend, and son, and brother. I’ll still be pulling for the Dallas Cowboys to win the Super Bowl this year, and I would be happy with Tottenham just qualifying for the Champions League. Cubs are the Cubs, so I’ll be happy with a winning season. It would be good if I got back to sketching more, and maybe I should complete a book or some art project in 2024. Who knows…

    But, in the end, I would like to say thank you to the 20 of you, if you are real, who look at this thing each day. You do validate my existence, and that’s a pretty nice thing to do for someone. Especially when it’s a middle-aged guy still trying to figure things out and expressing… opinions about stuff. Anyway, I appreciate it.

    Have a good Holidays and I’ll talk to you soon.

  • Short Story Review: “Let Me Try to Make It Interesting” by Francesca Leader

    (The short story “Let Me Try to Make It Interesting” by Francesca Leader appeared on December 7th, 2023 in Milk Candy Review.)

    And then I read something that just floors me. Like, pulls at me in a way, like my breath is being evacuated from my body. That a piece of writing can use words and language in a way that plays like a delicate symphony in my mind, but at the same time has a weight, and honesty, and a brutal truth to it that just crushes me in the best possible way. In 400+ words, Francesca Leader crafted a mini triumph with “Let Me Try to Make It Interesting.”

    The piece does have a content warning, as the story deals with sexual assault. The narrator, from the beginning, believes that her story would “bore” us, so she goes on to describe the abuse in a metaphorical way. The vividness of the imagery that Leader creates does a disturbingly excellent job of incapsulating the violence, but especially the emotional toll on the narrator. I couldn’t shake the thought that the narrator felt she needed to create this imagery because of how sexual assault is not taken as seriously as it should be; that the truth still didn’t carry enough weight to it. Yet, this story does have a journey to it, a path the narrator follows, which leads to a conclusion that is neither preachy, nor cliché.

    “Let Me Try to Make It Interesting” is a very good and serious piece, crafted by the very talented Francesca Leader. This is one of the best flash pieces that I have read in a very long time, not only for the subject matter, but because Leader used the flash fiction format to its fullest. I am still taken aback that in 400+ words she created such a complete story that left an impact while also being hopeful. It’s just impressive.

    If you or anyone you know is being sexually assaulted, help is available at https://www.rainn.org and also by calling 1-800-656-4673.

    RAINN is the nation’s largest anti-sexual violence organization.

    RAINN created and operates the National Sexual Assault Hotline in partnership with more than 1,000 local sexual assault service providers across the country.

  • Short Story Review: “Self-Portrait in Assignments” by Max Kruger-Dull

    (The short story “Self-Portrait in Assignments” by Max Kruger-Dull appeared on November 30th, 2023 in Milk Candy Review.)

    I am a strong proponent for flash fiction to not behave like a short story. That’s not to say that a writer cannot craft a well written short story in under a thousand words which exhibits all the qualities of a traditional short story; opening, rising action, climax, conclusion, character development…etc. I hold to that flash fiction should reject the use of plot, climax, and even resolution. Flash should be its own beast that is about the expression of an idea or an emotion, wherein the narrative ends with the conclusion of the idea or emotion, but does not necessitate a resolution of the idea or emotion.

    (Academic enough for you?)

    “Self-Portrait in Assignments” by Max Kruger-Dull came across my desk last week, and I have been kicking it around in my head ever since. It’s the type of flash story that was a bit of a gut punch and made me question my approach toward this style of fiction. The piece is made up of ten short vignettes, just about all dealing with words that, in one way or another, have been assigned to the narrator. Each short piece is titled with the abbreviated name of the person who did the assigning.

    So, that’s the form of the piece.

    The way these ten vignettes play with each other creates a picture of the narrator, though not in a linear timeline, more of a sequence that exemplifies the narrators emotional standing, and ultimately, emotional growth. Though the narrator comes across as a smart person, there is also a hint of a lack of self-confidence, though a determination to keep trying also exists in the character. That determination is exemplified in the love and care that the narrator has for his daughter. Kruger-Dull smartly gives three examples of interactions with the daughter; one being before the daughter was born thus showing how her influence was already present in the narrators life. By using the rule of three, the importance of this relationship is made paramount, thus signaling the emotional conclusion of this “self-portrait.”

    All the notes are played right in this piece, which left me feeling satisfied with the journey that this piece took me on. I want to say that the narrator started in one place and finished in another, but did they? Did the narrator only acknowledge their shortcomings, and choose not to pass them on to their daughter? I first thought there wasn’t a conflict in the piece, but was there? Was the narrator fighting to accept himself in the eyes of his daughter? To be better for her, even if that means he has to fake who he is?

    See; I can’t put my finger on what it is. But what I do know is that “Self-Portrait in Assignments” is using flash fiction in a specific way to express an emotional idea that couldn’t exist an any other format.

  • Short Story Review: “According to Alice” by Sheila Heti

    (The short story “According to Alice” by Sheila Heti appeared in the November 20th, 2023 issue of The New Yorker.)

    Illustration by Janet Hansen

    At the very end of “According to Alice” by Sheila Heti, there is an addendum which states:

    This story was written in collaboration with a customizable chatbot on the Chai AI platform, which Sheila Heti started engaging in conversation early in the summer of 2022. To create the story, she asked the chatbot questions, some of them leading and others open-ended, to which its answers were never more than a sentence long. Sometimes she repeated a question to get a new answer. She removed her side of the conversation and threaded together the chatbot’s answers, at times cutting and tweaking for comprehension and flow.

    So… this is an experimental short story. I love experimental, crazy, envelope pushing, outta left field short stories that play with form, structure, tone, format, and everything else. I like people who take the rules and throw them out the window and try something new. Sometimes it works and it’s amazing; sometimes it’s a dumpster fire of awful; but most of the time it’s just okay, but I value the effort. When it comes to “According to Alice,” as an experiment, it’s pretty cool as it raises many questions about literature and writers interacting with AI; as a story – it’s not very good.

    On the Experiment Side of Things: I have several friends that are in WGA, and the AI issue was a big part of the strike, and still an issue of trepidation for them. No one knows how, or if, AI will be a helpful tool for writers. Some are looking for ways to use AI, while others want to chase it out of town. So, to see Heti engage with AI is intriguing to me. Though from the addendum, it sounds more like Heti behaved like an interviewer, editing down the responses to create the story. If that is true, does that make her an editor? Or is she more like a collage artist? (Donald Barthelme did call collage the art form of the 20th Century. Maybe it’s being extended to the 21st?) I also had to wonder what writers had been feed into Chai AI’s learning to create the prose? (Being that ChatGPT stole many authors books for its “learning.”) If other author’s books were used in Chai AI, does Heti need to share credit with them? Does Chai AI also deserve credit as the writer of this story along with Heti? Also, how much editing and rearranging was needed to create this story? I see why The New Yorker printed this story for its “AI Issue” as it raises many ethical questions, as well as makes me wonder how much can a writer use AI and still call it “their” story? In the end, what makes someone, or something a creator?

    On the Story Side of Things: Yeah, I didn’t find the story to be very compelling. Oh, it moved along at a clip, but it never felt like it was going anywhere. Before I found out that it was “written” by AI, I had this thought that the story felt like what a freshman English major would write if they were asked to create an absurdist/surrealist short story. Sure, it has some jabs at Christianity and the Patriarchy, but I could never tell if these were meant to be honest criticism, or more an attempt at making a joke. The story, not surprising, doesn’t feel like there is a heart in it. And the fact that the AI element was revealed at the end, leads me to believe that I was supposed to think a human “wrote” this, only to have it revealed that it was written in conjunction with AI. That’s kind’a gimmicky, if I’m going to be honest. And also goes back to the ethical aspect; when does the audience need to know that AI was involved with the creation of a story?

    What I am saying here is that, yes, you should read this story. I respect that Sheila Heti is the type of writer, and an artist, to tackle AI, and see if there is a way for writers to use it. That does take courage, because as far as I know, she is the first person to give something like this a try. The end result isn’t the best, but if literature is going to continue to grow and explore as an art form, then experiments like this are needed.