Tag: Road House

  • The Power of Patrick Swayze (Unedited)

    So, I was all gearing and ready to go, to sit down and knock out a blog for today. My wife had left the tv on as she was finishing her lunch, and being that I was planning on working on the couch, I needed to shut the tv off to concentrate. But what was on tv was the final fifteen minutes of Red Dawn. The real Red Dawn. The 1984 John Milius directed Red Dawn that started among many, Patrick Swayze. It had been a couple of years since I had seen it, and the ending is pretty good, with the brothers on the bench Ikiru style.

    And then Road House came on, (I guess it was a Patrick Swayze marathon) and I totally got sucked into that movie. Make no mistake, and I have written about both Road House movies before, the original Road House is a bad movie. But man! It sure is a fun bad movie.

    BUT… I had work to do, so I thought it best to talk about the Power of Patrick Swayze.

    Actually, I wanted to talk about bad movies, and how I find myself needing them more than ever.

    And I love movies. I love seeing them in a theatre. I love watching them late at night. I love reading about movies, and how they were made. And I agree with the notion that good movies, even gut wrenching, tragic, everyone dies dramas, will always leave you feeling better than when you started.

    But right now, with the way the world is, a bad movie that just wants to be entertaining, and that is what Road House is, feels correct for these times. Bad yet entertaining movies know they’re bad, and not good for you. But I know that eating ice cream and cookies for dinner is bad for me, but some nights, it’s what I need to make it to the morning, and try all over again.

  • Personal Review: Road House; Both of Them (1989, 2024)

    (It’s my way, or the highway.)

    So, I’m a huge MST3k fan, and as such, I join in that show’s admiration of the Patrick Swayze epic that is Road House from 1989. It is a movie that was made specifically for pre-teen and teenage boys, and I happened to be that in the late 80’s. I watched it many times over at a friend’s house, as his parents didn’t care what we did, and my mom would have grounded me for years if she knew her twelve year old angel was illicitly watching an R rated movie. It is not a good movie, but it is a good-bad movie.

    I can’t say the same thing for the new Road House, staring Jake Gyllenhaal, which I watched over the weekend. To put it bluntly, it’s a movie that wants very badly to be included in the joke – as if it could laugh along with us at how bad all of this is. What that creates is an uneven affair. At times, this is a movie that attempts to take these characters seriously. Then, at snap of the neck speed, the film turns around and wants us guffaw at how silly and over the top they are. I mean, the main villain, played by Billy Magnussen, was only missing a moustache to twirl in his overly melodramatic performance. As for Conner McGregor’s Knox, who must have drawn inspiration from Wile E. Coyote, his character survives accident after accident, and just keeps popping back up. I felt the worst for Gyllenhaal, who had nothing to work with other than the stock “trauma” trope, which is revealed half way through the movie, per usual for movies like this. This Dalton has no bouncer skills, no knowledge about the world of bars which would make him an expert. No, this Dalton is just a guy who is good at fighting. If you took the fighting away, there’s nothing interesting or unique about him. This a movie is just a vehicle for some fights.  

    This gets me back to the original Road House – and again, not a good movie, but a good-bad movie – which I watched last night. Swayze has an earnestness in the role of Dalton, which at times can be charming, and also very cheesy. But Swayze sticks with it, and never breaks or hints that he knows that a story about the world’s greatest bouncer, is just silly. The tai chi on the riverbank, the monster truck, Sam Elliot being Sam Elliot, Ben Gazzara chewing the hell out of the scenery, the flat characters; it’s all over the top, but it never spins out of control. I think Roger Ebert said it best in his review of the film, “Road House exists right on the edge between the ‘good-bad movie’ and the merely bad. I hesitate to recommend it, because so much depends on the ironic vision of the viewer. This is not a good movie. But viewed in the right frame of mind, it is not a boring one, either.”

  • ODDS and ENDS: Christmas Has to Go, Can You Believe It, Must Win, and Serious

    (It’s a trip… it’s got a FUNKY beat. And I can bug out to it!)

    This is the weekend that we are taking the Christmas decorations down. Normally, we do this on January 1st, as a sort of cleaning the house for the New Year. And I think you can read between the lines there and see that the wife and I have passed the days of staying up late and waking with a hangover. But this year, we didn’t get around to it. We put it off. Not that we had a good reason to do that, other than we wanted to lay around and not doing anything on New Year’s Day. The end result was that we got an extra week of Christmas, which has left me feeling like the holiday has over stayed its welcome. I like Christmas, but I really like it when it lives tightly between Thanksgiving and New Year’s.

     Sometimes I find it hard to believe that we live in a world where the movies Cocktail and Road House exist.

    And I need the Cowboys and Tottenham to win this weekend. Simple as that. If it doesn’t happen I will be heartbroken and disconnected from the universe.

    Some evenings, late at night, when I am alone on the couch while my family sleeps, I start to believe that the core of me is a very serious person. Alone and in the dark, I am confident in this pronouncement. And I say these things to myself when I am normally watching a terrible ninja movie, or something awful by Bert I. Gordon. That is when I know that I am a contradiction at all times. A silly one at that. I like walking funny and talking in goofy voices. I make up songs about doing mundane tasks. And I’d rather laugh than cry. I’d rather make you laugh; Try to make you happy through humor. I still attempt to rob an honest melancholy tear from people… but… I have never felt sure that’s what I’m best at. Yet, honestly, I have never felt sure about anything. And if I think too hard about that, I might start to wonder, worry, and then cry. Which is why I’d rather laugh. Hold it off, at bay, for a little while longer.