Tag: Lost Balloon

  • Flash Fiction Review: “Rewind” by Cole Beauchamp

    (The flash fiction story “Rewind” by Cole Beauchamp appeared at Lost Balloon on January 7th, 2026.)

    The flash fiction that I love straddles a precarious knife’s edge. On one side is the prose, the other being the poetic, and if they counter balance correctly, a beautiful harmony is created. Reading Cole Beauchamp’s “Rewind” put me right on that the edge’s sweet spot; a tactile narrative countered with an eternal instant.

    The structure of “Rewind” is divided into three section, each beginning with the same first line, “I have something to tell you…” In the first section, a couple is descending down a mountain during a hike while the husband attempts to explain what is implied to be his infidelity, which the wife has no interest in hearing. The section ends with the wife accidently falling off the path, tumbling down, and all goes black, followed by one word: Rewind. The second section takes places in the past, this time the wife is making a special dinner attempting to make up to her husband for all the time that she’s been away. Just as in the first section, the second section concludes with the wife losing her footing and falling, again with all going black; Rewind. The final section takes places the night before their wedding, and them sneaking out to see each other, with the wife stating that they “can’t rewind any further.”

                The three moments selected in “Rewind” are snap shots of this marriage. The first being the only one that I believe takes place in a tactile moment. This marriage is over, even if the husband isn’t aware of it, for the wife knows that she has stopped loving him. When she falls and all goes black, that ushers in the next two section which I will argue take place in her memory, existing in her own eternal instant. The second section is close to a mirror image of the first section; same opening line, the disappoints, to apologies, and the falling. The first was his fault, and now we are being shown how she was an accomplice in the death of this relationship. But the second section acts as a bridge; though it is in the eternal, the language Beauchamp uses is still rooted in factual descriptions. When the third section arrives, the language softens, the poetic is embraced, and thematically, a melancholic tone is embraced which intertwines with the recollection of the past optimism this marriage had.

                No one goes into a marriage thinking that it will fail, and when things go wrong, that initial optimism can feel like it’s a million miles away in a different life. Cole Beauchamp’s “Rewind” played with this theme in a structure that I appreciated for its inventiveness, but most importantly, this was the type of flash fiction that embraced the unique qualities this form can have, which are prose and poetry wrapped tightly together.  

  • Prose Poetry Review: “Plum Mother” by Michael Nickels-Wisdom

    (The prose poetry piece “Plum Mother” by Michael Nickels-Wisdom was published August 27th, 2025 on Lost Balloon.)

    I don’t know if there is officially a genre of poetry that is about pets, but there should be. Most of these pieces are melancholic in nature and conclude with the pet passing on. What these pieces remind me of is Poe’s “The Philosophy of Composition,” in which he states that, “the death, then, of a beautiful woman is unquestionably, the most poetical topic in the world.” I would argue, and I am not making a joke here, that you could substitute one’s “pet” and come to the same conclusion.

    Please, let me explain…

    I was struck by this thought of while reading Michael Nickels-Wisdom’s “Plumb Mother.” This is a short prose poetry piece and it would be easy, and unwise, to simply see this as an anecdote of the speaker’s quirky but loved dog. From the beginning, the dog is delivered from above, down to the speaker, and by the second line it is established that the dog is well taken care of and has lived a long life of 17 years with the speaker and their family. In the dog’s middle age, she is given a plum which she treats as a child; acting as if it were nursing and defending the plum when it is “threatened.” Unfortunately, the plum withers, leaving the dog to set it down and mourn its passing.

    Poetry can exist and function in a timeless state, but in this piece we clearly have a past and a present. This dog now exists in the past, as we are told that in the second line, which hits on the “most poetical topic in the world,” while also establishing a melancholy feel for the rest of the poem. Though the story of the dog’s actions with the plum are humorous, it is in the last line where it is understood that there are two sets of mourning occurring here; the dog and the speaker. Yes, this is a piece about a funny incident with a dog, but it is a testament to the affection the speaker has for their pet, and to the joy and affirmation that a pet can bring to one’s life.

    It is tragic when a loved pet passes on from our families. They do give so much to enrich our lives. Reading “Plum Mother” reminded me of the tragic truth of having a pet, as we will out live them, but loving an animal as a family member is always a gift.