Tag: Issues

  • Short Story Review: “Ambrose” by Allegra Goodman

    (The short story “Ambrose” by Allegra Goodman appeared in the September 30th, 2024 issue of The New Yorker.)

    Photograph by Annie Collinge for The New Yorker

    I’m paraphrasing this, but John Lennon said the best way to become a good song writer, is that you first have to write a lot of bad songs. I think that applies to any artist; to make good art, you have to make a whole lot of bad art first. That doesn’t mean that the bad art only serves the purpose of getting the artist to their good art. No, bad art can help in so many ways. That was one of the thoughts that went through my head while reading “Ambrose” by Allegra Goodman’s effectively touching story.

    Here’s a way too short synopsis: Lily is a sixth grader who is writing a story, about the Princess Ambrose, while also dealing with the difficulties of her parent’s divorce. Elements of Lily’s life work their way into the world of Princess Ambrose.

    What Goodman’s story just smashes are the little details. The way Lily decorates her notebook that contains the story, her parents concern, the words and phrases used by grownups talking about kids, and the way Lily sees her parents sitting together when they haven’t in a long time. I appreciated how Goodman approached Lily’s struggles by never belittling them, and though the school might have over reacted, the adults in Lily’s life take her seriously. But my favorite aspect was that Lily’s story wasn’t particularly good, in regard to originality or grammar. Lily creating a “good story” really isn’t the point so much as Lily discovering, maybe subconsciously, that the issues of her life can be expressed and dealt with in the art she is creating. I felt that was a very honest and authentic way to dramatize the creation of this writer, showing us how important it is that she writes this story, even though it isn’t very good. I think lesser writers would have made Lily’s story epic, and original and well written… and that would have missed the point.

    My only criticism of the story is the ending. Not the climax, which was handled very well. No, I’m talking about the last nine paragraphs. After giving us a nice honest moment between Lily and her mother, the final scene is in Lily’s dance class with an odd fitting “deus ex machina” of a substitute dance teacher. This felt tagged on, as if to give Lily a win in the story, or to end on a button. I found it distracting because the story was taking us to a place where Lily, and her parents, are all learning that this life together will be difficult, but they will face it as a family. Just didn’t sit right with me.

    That’s not to say that I’m not recommending this story. “Ambrose” is sweet, and moves with an airy confidence that is charming. Goodman makes Lily a very interesting, and intelligent kid who is going through a time in her life which makes everything a challenge. This isn’t life and death drama, but Goodman shows how impactful moments in a six grader’s life can be.

  • Short Story Review: “Once Removed” by Alexander MacLeod

    (The short story “Once Removed,” by Alexander MacLeod appeared in the February 7th, 2022 issue of The New Yorker.)

    Sometimes I think that half of life is just dealing with family. And when you get married, or have a partner, you adopt their family, and that takes up more time. I do think three quarters of all fiction is about dealing with families; the trauma, hypocrisy, illogic, and old feuds. Families know how to push buttons, and get you to agree to things that you would never agree to if it came from anyone else. And families somehow can make us take on roles and personas that we thought we had gotten past and stopped playing. Ah, the never ending well of drama that families can produce. And, don’t forget about minor annoyances. Families are really good at that, too.

    “Once Removed,” by Alexander MacLeod, is a minor annoyance family story. There is a thin, under the surface family issue that is hinted at, but it is not fully engaged. The story is about a Montreal couple who isn’t married, Matt and Amy, and their four-month old daughter Ella, going to visit Matt’s very distant relative, Greet. I will not explain how Greet is related to Matt as it is one of the ongoing jokes in the story, and this is a cute, funny piece. The perspective is from Amy’s point of view, and she is suspicious as to why they are being asked to a Sunday afternoon dinner; it couldn’t be as simple as Greet wanting to see the new baby, right? Lunch happens, a favor is asked, a neighbor is visited, maybe a heist happens, and Greet’s guest room is explored. The story hints that Greet has been banished from Matt’s Nova Scotia family, though never explained why, which also brings about an understanding between Greet and Amy, as Amy has never felt at place with that side of the family either.

    “Once Removed” is an enjoyable work, humors, and light in tone, and that is not meant to be derogatory. And then the story has a denouement, which I questioned. (I am aware that “denouement” may not be the correct literary term, but MacLeod isn’t the first short story writer to use this technique, or trick, and I am not sure what is a better term to use.) The climax of the story comes, and then Amy has this vision of the future involving Ella and telling her this story, of the Greet visit. The tone of writing even changes, going from realistic to more of an abstract feel, as if we are wrapping up what all of this meant. Like I said, MacLeod isn’t the first short story writer to do this, but I question the modern usage of it in a short story. I feel that a denouement is needed for longer work such as a novel, as there are many tangents that need to be brought together after the climax to bring about resolution. In a short story, enough time hasn’t been given for these tangents to be created, so a denouement feels like an add on, a trick to signal conclusion, rather than truly functioning as a conclusion to the story. I wouldn’t say it took away from the story, which I enjoyed, but made me wonder if this technique is really needed anymore.