(The short story, “A Shooting in Rathreedane: by Colin Barrett appeared in the December 13th, 2021 issue of The New Yorker.)
This was a good, old school, short story. “A Shooting in Rathreedane” by Colin Barrett even starts off with a good title. A shooting is dramatic; what happens?
Not making lite of the story, but to sum up – The local police are called when a shooting happens on a remote farm in the Irish countryside. The police and an ambulance arrive at the farm, and then there is the fall out of all of these actions.
Yet, what really happens is this story is seeing characters unfold. Our protagonist is Sargent Jackie Noonan, a forty-five-year-old police woman, and I liked how Barrett kept dropping these little nuggets of her personality as the story developed. The way she drank her coffee, took notes, talked to other officers. And though the story clearly was meant to stick with her, the other characters who came along were all given depth, and actions that fit accordingly to their characters. I also appreciated that the solving of the shooting wasn’t the point of this story. That the shooting was the starting off point to watch how these characters interacted and dealt with the situation. The story also did a very good job of avoiding cliché traps, that I think lesser writers would have fallen for. The caveat to that statement was I found the run in with the local teenagers predictable, but that is a minor critique.
And when I said old school before, this story reminded me of the short fiction that was assigned to read in high school, like in a Sherwood Anderson ilk. Not that Anderson ever wrote like this, and I can also say that Anderson is the wrong author to compare Barrett to. (Go with me on this…) It’s the feeling that both authors created characters in rural places that were compelling, and you wanted to know what they are going to do tomorrow because you felt you knew them. As “A Shooting in Rathreedane” concluded, I wanted to know, what is tomorrow going to be like for Sgt. Noonan?