(The short story “Foster,” by Bryan Washington, was featured in the June 14th, 2021 issue of The New Yorker.)
I am always amazed by writers who use so few words to explain something, like the setting, and instantly I know specifically where they’re talking about. It’s like a magician making a large object emerge from a very small space; how did they pack all of that in there? Bryan Washington did that with his short story “Foster.” Washington dropped the word, “Montrose” in the second section of the story, and half way through the first page, I knew I was in Houston; along with the urban sprawl, sticky humidity, and vibrations of that city. This writer has skills in his word use.
“Foster” is a story about two estranged brother, one who leaves a cat with the other. The brother who takes the cat, lives alone in his apartment though his boyfriend, Owen, asks about moving in together. The story is told in short sections, which keeps the story moving at a fast clip. A co-worker at a university is introduced, the cat gets sick, and reflections on the past are brought up. There are thoughts about life with the estranged brother, and a slight mystery resolved about where the cat’s name comes from – All leading to a satisfying, though predictable, conclusion.
I enjoyed this story. I liked the narrator, and wanted to learn more about him, especially his relationship with Owen, and their creation of a, I want to say, unit, as family isn’t quite right. The way Bryan Washington brought in these pieces, to make a mosaic of the narrator’s life, showing how connections sometimes happen and are thrust on the narrator, but still have value and meaning to him, was engrossing. As I thought about all of these pieces, I began to see the underling structure of the story, A+B=C. That’s not a knock against the writer, but to me shows someone knows how to craft a story.
Like a good magician, Washington’s “Foster” is a story with a lot of sleight of hand happening. You’ll enjoy the trick while also knowing how it was done.
