Tag: Flash Piece

  • Flash Fiction Review – “What Kira Packed” by Heather Bell Adams

    (The flash fiction story “What Kira Packed” by Heather Bell Adams was first presented by Milk Candy Review on December 11th, 2025.)

    (Image from Milk Candy Review)

    You know what “writing advice” I hate getting more than anything? “Less is more.” And the hair’s breadth of a runner up to that infuriating maxim is, “Show don’t tell.” These two bits of advice are the Tweedledee and Tweedledum of the writing world, who get marched out by lazy editors and inept writing instructors when they need to say something enigmatic yet mildly profound, which can be interpretation in any way, other than with a coherent explanation. Those two phrases have been used so often, that the words have been rendered meaningless.

    But then Heather Bell Adams writes “What Kira Packed,” and finally, there is an articulate, rational, and svelte work of flash that says in a clear voice – this is how you write less without telling.

    This piece is under three hundred words, using a structure devise of what Kira packed going to and then back from “camp.” It is heartbreaking in its simplicity, knowing the “change” Kira endured at “camp” and how what she’ll be coming home with what may include trauma, repression, self-loathing, and depression. This is a gut-punch of a piece, a brutalist’s honesty here, but Heather Bell Adams also leaves just enough vague, forcing us to use our imaginations to fill in what is left undefined. This creates a unique and individual horror for each of us as to what “really” happened at this camp.

    This is how you do it, and do it impactfully, with intent to get to the marrow of a story.

    Bravo.

  • Flash Fiction Review – “To the woman who conducted my disability benefits interview” by Angela Kubinec

    (The flash fiction story “To the woman who conducted my disability benefits interview” by Angela Kubinec was posted by Flash Boulevard on September 28th , 2025.)

    My mother was a nurse, and she loved helping people. It wasn’t a job; it was a calling. I say this because she told me often that she never saw people at their best. When you show up at the doctor’s office, and especially at the hospital, people are usually at their worst, and don’t always behave well. She would try to approach each patient with a level of empathy, knowing that the person just wanted to feel better, and a little kindness goes a long way. Reading Angela Kubinec’s flash fiction story “To the woman who conducted my disability benefits interview” touches on this theme, and uses a format to reinforce that idea.

    Three main tenants landed with me as I read this piece. First is the protagonist/narrator who wrote this letter to the social worker. I was touched by the humanity of this person. Though it is never fully identified what the disability is for the protagonist, medication bottles and past delusions are mentioned, so a possible mental disorder seems applicable. This character has a nervous frantic energy, but at the same time feels like they are doing their best to hold it all together. Through it all, charming bits of humor and vulnerability peek through. The second part of this story that intrigued me was how the social worker is described in this letter. From the start of the story, the social worker’s annoyance is almost tactile, and she is covered in a harried tiredness which exemplifies a person who is overworked, and underappreciated in the essential job they perform. She is presented as a person who has seen and heard it all before when it comes to these interviews. This creates a simple yet very effective tension between these two, but humanity and sympathy still finds ways to bloom forth in this situation. This lead me to the third point, which is how Kubinec’s use of the letter as the structure to frame this story. Though this isn’t a formal letter, using this format elevates the emotional impact of this situation. The protagonist, the writer of this letter, states that this incident between them occurred years ago, implying clearly that these events have stayed with them. That this act of simple kindness has had weight and impact on their life. By using the letter format, or second-person narrative if you will, the social worker is the target audience, leaving us the reader in a role of witness to the protagonist’s unguarded honesty. It’s as if we are being let in on a secret, instead of being told a story.

    “To the woman…” is the kind of flash fiction story that reminds me not to give up on humanity. Just a little sympathy and kindness can help others in immeasurable ways. Perhaps not the most original theme, but a vital one, and one that in the time that we live in, we desperately need reminding of.

  • Flash Fiction Review: “Bed Rot” by Sarah Chin

    (The flash fiction story “Bed Rot” by Sarah Chin first appeared on November 14, 2025 at Okay Donkey.)

    If you read enough flash fiction like I do, you notice that a couple of subjects are rather popular with writers; death, pets, and breakups. This isn’t a complaint, as I understand why – the three I named bring up strong emotions in people. Breakups are an especially tricky one, as the writer has to thread a very fine needle – don’t want to be too angry and come across as bitter, and god help you if you are too whinny. The best breakup pieces, I find, work in a healthy amount of humor to balance their pathos, which is why Sarah Chin’s “Bed Rot” is such a fun and honest work.

    You can never go wrong with a good opening line, and here Chin delivers a sentence that at first hints at a promise of possibility only to end with the foreshadowing of what is actually to come. Word choice, and sentence length is used here to create a staccato rhythm that keeps the piece moving in spurts and prolonged moments. This creates a feeling that nothing is centered or even fully processed; that what the speaker is experiencing still has a level of shock to it, but also balanced with a desire to try and stay in control of their emotions.

    Another aspect of the piece I enjoyed was following the path of thoughts the speaker has, and the logic it traverses going from subject to subject. From tulips, to the other woman’s name being Amsterdam, Martha Stewart’s idea of women and flowers, from the shedding of the brunch date outfit to be comfortable, and a little tulip madness thrown in. Peppered in each subject are dry comments, and observations that are sharp-tinted with a hint of anger, but tempered with humor. Nothing spins out of control, though it feels like it could, yet never does.

    “Bed Rot” does stick to a structure which dramatically works very well. Each subject change, and snarky comment is building toward the climax of the speaker expelling this relationship and its confinement to her. What she is left with is a raw, more authentic self, thus completing this journey, and leaving us with the understanding that she will continue to grow and be fine.

  • Short Story Review: “Something Out of a Horror Movie” by Mario Aliberto III

    (The short story “Something Out of a Horror Movie,” by Mario Aliberto III appeared on February 27th, 2025 in Milk Candy Review.)

    (Image from Milk Candy Review)

    When I was a teenager, and well into my twenties and beyond, I spent hours debating with my friends about the mechanics, tropes, and clichés of horror movies. How most horror movies, more than any other genre of film, are made up of an uncountable number of rip offs and copies of more successful horror movies. For myself, as a person who loves awful movies, bad horror films are an entertaining gift that just keeps on giving.

    So, when I started reading Mario Aliberto III’s “Something Out of a Horror Movie,” I was intrigued as to what he was wanting to accomplish is this flash fiction story. It reads like it was written but someone who loves the awful character clichés of the genre. What I appreciated in this piece was that as I started reading it, I couldn’t put my finger on if this is a story about characters in a horror movie, or if they are characters in “real life” that find themselves in a horror movie situation, or if these are characters that have seen too many horror movies and went to that places because of the situation they were in. By doing that, structuring the story that way, left me feeling off balance which played very well to the theme of the piece, and ultimately the climax of the story.

    But what I enjoyed most was that this story took a stock clichéd character that I have seen in millions of horror movies, and made me think of her differently, and also made me view her actions in a fully well-rounded way for that character. Aliberto does this rather effortlessly, and compactly. The last paragraph is just great.

    I will never look at the Bad Girl trope character the same way again.

  • Short Story Review – “Good Girls” by Martha Keller

    (The flash fiction story “Good Girls” by Martha Keller was first published in Milk Candy Review on September 19th, 2024.)

    One of the many things that I love about flash fiction, as a form of storytelling, is that it lends itself quite well to writers willing to play with the structure and the form that a narrative can take. Martha Keller accomplishes this deconstruction of a traditional narrative, rather well in her piece “Good Girls,” which appeared in Milk Candy Review back in September of 2024.

    After an opening paragraph, which describes the immortal clashes between girls on swings and boys who wish to remove them, the story takes on a narrative structure of examining consequential moments of life, every five years. What Keller uniquely creates is not a linear progression, but more like a retrograde motion, starting at the age of 30, and descending to a newborn. This format enables the reader to compare the desires and aspirations of each age, but highlighting specifically how what is important at a certain age, wasn’t even on the horizon just five years before. In considering this structure, it plays with a level of menace that seems just below the surface in each of these ages. How in each age, something is sought and even acquired, but the feeling of it being taken away is also present, which goes back to the opening paragraph of the girls on the swings and the boys wanting to take that from them.

    “Good Girls” is very efficient and succinct as a flash piece; only 400+ words. Keller doesn’t waste any time in this story. This directness coupled with the unique structure of its narrative creates an insightful work of flash fiction.