Tag: Flash fiction

  • Short Story Review: “Why I didn’t Immediately Load the Car When My Husband Texted that the Fire Was Getting Closer” by Claudia Monpere

    (The flash piece “Why I didn’t Immediately Load the Car When My Husband Texted that the Fire Was Getting Closer” by Claudia Monpere, appeared in Milk Candy Review.)

    I like flash fiction; it is my preferred form of storytelling now. It’s a very malleable form as well. It can be a straight forward very short short story, it can boarder right up to poetry, a snapshot of stream of consciousness – whatever it needs to be to tell a story, or complete a thought, or action – flash fiction can do it.

    In Claudia Monpere’s “Why I didn’t Immediately Load the Car When My Husband Texted that the Fire Was Getting Closer,” we are presented with an impressively short flash piece (193 words) that consists of 10 sentences. The title also functions as an essential setup, as the body of the piece is answering that question. A device is employed with 9 of the sentences beginning with the word “Because,” except for the last one. Though this is not the most original device, Monpere uses it effectively to create a rhythm and a pace that builds to the concluding final sentence. Also, the third, sixth, and eighth sentences are about the impending fire, creating a dramatic effect, like a ticking clock, adding to the tension of this moment. “Why didn’t I…” is a good example of why the flash fiction form is so intriguing when it comes to telling stories and expressing feelings and thoughts.

    As a person who also had to load a car quickly as a wildfire approached my home, I deeply identified with this piece. When a natural disaster is an abstract, and just a mental exercise, you think you know how you’ll react, and prioritize what is important when that moment arrives. But when you open your front door and can smell the fire, see the sky changing color, and hear the fire trucks, you don’t know what to do at first, and I grasped for the things I thought were important, before I realized what was important. And maybe I am biased due to my personal experience, but Claudia Monpere captured an emotional truth in the middle of a disaster perfectly.

  • Goodnight Springton! There Will Be No Reviews!

    Yeah, I tried my best, but this week just had it out for me.

    There will be no reviews this week.

    Which is annoying as I had several pieces in the hopper that I just haven’t read yet.

    Such as:

    When She Falls by Louise McGuinness, from Milk Candy Review

    Mr. Mollusk by Didi Wood, from Okay Donkey

    An Excerpt from “Howling Women” (Shelby Hinte), from Rejection Letters

    BOZO by Souvankham Thammavongsa, from The New Yorker

    Hopefully, I will get them read, and feel free to check them out yourself.

    If it helps, here’s a picture of my dog back from the groomers, contemplating if free will is an illusion.

  • Short Story Review: “This is a Dog” by Joanna Theiss

    (The story “This is a Dog” by Joanna Theiss appeared in Milk Candy Review.)

    It is hard to pack an emotional pay off in under 1,000 words. Not impossible, just hard.

    Joanna Theiss does this rather masterfully in her flash piece “This is a Dog,” which is one of the best examples of a story paired down to the essential, the marrow of it, and at the same time, leaving enough gaps for the reader to fill in, thus allowing the story to come alive, and have an impact.

    The story is about a dog, if you couldn’t figure it out. And it’s about loving another, and the hope that you did right by them, maybe never knowing for sure.

    Theiss does use a story trick of starting each sentence with “This is…” I’ve seen this type of trick before, from armature writing groups to the pages of The New Yorker. Yet, I will say that Theiss does it correctly. The “This is…” creates a rhythm to the story, helping it charge ahead, and as the piece progresses, the “This is…” begins to take on different meanings from the narrator. Also, Theiss structures her story very well, dividing the piece in five sections, each with a specific narrative function, that not only builds to the climax, but lands perfectly at the conclusion. And that conclusion also nicely ties up the “This is…” motif, making the whole story feel that we have completed a journey with the narrator, who has been changed forever by the events.

  • Thinking Out Loud (Online Lit Zine Idea)  

    I’m still kicking around the online lit magazine idea. I haven’t made any plans yet, just thinking it over. I did ask one editor a question about submissions, but other than that, haven’t made any progress on it.

    But I thought today would be as good as any day to put out some ideas and see if any of them stick.

    First, I still don’t have a name for the thing, and knowing me, it will be the last thing I do. What I have been thinking about is calling the project an “online lit zine.” Calling it a “magazine” sounds too ambitions and serious. Now, calling it a “journal” is a bit too pretentious, even for me. And then there is “zine” which feels a bit closer to the spirit of what I am attempting; which at this moment is not a whole lot, but “zine” does leave the door open to being funky and eccentric. Also, the first professional thing I ever got published was in a Dallas music zine, so it’s like an ode to my beginnings.

    I have also been thinking about the format of the thing, and publication in general. My first idea was to publish a flash piece a week, you know, and email it out to subscribers – like most online magazines do. I would like to get away from publishing an issue once, or several times a year. I prefer the idea that someone would submit something, I like it, it goes up right away. I prefer the idea of speed and immediacy. I am sure if and when I do this, I will come to understand why you should take your time and wait months and months after accepting a piece, to publish it. But as of right now, let’s get’em up! (Shoot now, ask questions later!) It would be cool to post five days a week, fifty-two weeks a year, and give around 260 writers a slot.  

    And I have to sell schwag on the site. I mean, is there any other way for an online lit zine to stay afloat? This does go back to needing a catchy name, co-opting an appropriate attitude. Then I would have to make runs of products limited, and over charge for them. Unless you get published on the site, then you would get it for free.

    Okay, I’m going to roll this over in my head now, and see what sticks.

    This might be a mistake, but feel free to drop a line sharing what you think works or doesn’t work when it comes to online lit magazines.

    And while I’m at it, like and subscribe you freeloaders.

  • Short Story Review: “Let Me Try to Make It Interesting” by Francesca Leader

    (The short story “Let Me Try to Make It Interesting” by Francesca Leader appeared on December 7th, 2023 in Milk Candy Review.)

    And then I read something that just floors me. Like, pulls at me in a way, like my breath is being evacuated from my body. That a piece of writing can use words and language in a way that plays like a delicate symphony in my mind, but at the same time has a weight, and honesty, and a brutal truth to it that just crushes me in the best possible way. In 400+ words, Francesca Leader crafted a mini triumph with “Let Me Try to Make It Interesting.”

    The piece does have a content warning, as the story deals with sexual assault. The narrator, from the beginning, believes that her story would “bore” us, so she goes on to describe the abuse in a metaphorical way. The vividness of the imagery that Leader creates does a disturbingly excellent job of incapsulating the violence, but especially the emotional toll on the narrator. I couldn’t shake the thought that the narrator felt she needed to create this imagery because of how sexual assault is not taken as seriously as it should be; that the truth still didn’t carry enough weight to it. Yet, this story does have a journey to it, a path the narrator follows, which leads to a conclusion that is neither preachy, nor cliché.

    “Let Me Try to Make It Interesting” is a very good and serious piece, crafted by the very talented Francesca Leader. This is one of the best flash pieces that I have read in a very long time, not only for the subject matter, but because Leader used the flash fiction format to its fullest. I am still taken aback that in 400+ words she created such a complete story that left an impact while also being hopeful. It’s just impressive.

    If you or anyone you know is being sexually assaulted, help is available at https://www.rainn.org and also by calling 1-800-656-4673.

    RAINN is the nation’s largest anti-sexual violence organization.

    RAINN created and operates the National Sexual Assault Hotline in partnership with more than 1,000 local sexual assault service providers across the country.