Tag: #Fiction

  • Ghost of Kilgore Trout

    If you know who Kilgore Trout is, then you are someone who has read Vonnegut. If you have read Vonnegut, then you most likely love him, because he’s the type of writer you either love or hate; not many in the middle.

    I always felt that Kilgore was created as a character to reflect how Vonnegut felt about himself as a writer, and the fear most writers have. Thus by creating this embodiment, the fear becomes knowable, and therefore manageable.

    If you don’t remember, the Kilgore Trout character was a great writer who could only get published in the worst magazines published. This lack of publication status causes Trout to doubt his abilities as a writer, and lose his grip on reality.

    I think Vonnegut touches on a very interesting modern anxiety; achieving your dream, but you still don’t get the validation you seek.

    I think about Kilgore Trout often.

  • Fictional Real Life Fiction

    I go back on forth on what I should fictionalize when it comes to events that happened in my life. I remember a writing professor stressing to all of us students to never write about themselves. “You are more boring than you think you are,” is what he would say when any of us challenged him on that.

    The reason I bring all of this up is that I had an idea of a story about this time that I tried to record a song off the radio back on the mid 90’s. At one time or another, most of us Gen Xer’s tried to do this. The reason that this seemingly common exercise in music acquisition still sticks with me is that in 1997 I had every Led Zeppelin song on tape except for one; “Hey, Hey, What Can I do.” It was the B-side of the “Immigrant Song” single from 1970, and “Hey, Hey,” never appeared on an album, and wasn’t widely available until the Led Zeppelin box set came out in the early 90’s. At this time in my life, I was rather poor, and didn’t have the money to spend on a box set to just get one song. So late one night, I called my classic rock station to request that they play the song, but also requested that the DJ not speak over the song, which caused the DJ to joke/threaten that he was going to talk over the opening, or ending of the song. I had to stay up close to another hour till the DJ played the song, and he held his word, allowing me to record it clean, and complete my collection. It was a victory, and I held on to those tapes well past the times when I stopped listening to cassettes and CDs.

    It’s a funny, nostalgic anecdote, but it’s isn’t a life changing story. Yet, I have this feeling that if I take the “me” out of the story and drop another “character” in, then I think this story would have legs, and might shed insight on a character, and help with their development.

    So, maybe I’m not that boring after all…

  • Research and Sticking to Reality

    There was a silly question which I posed to my wife yesterday in regard to the novel. She had walked in the door from walking the dog, and I said to her, “So don’t read into this, but what do you know about getting a divorce in New York?”

    I am lucky to have my wife, who has fielded strange questions from me for years, so she didn’t even bat an eye at this one. “Not a whole lot,” she said, “but I know they suck.”

    And with that, I am forced to do research.

    As we are all stuck at home, I have started reading on the internet, and going to legal sites to discover the ins and outs of DIY divorces, and lawyers, and the fact that no one is happy about getting divorced.

    The worst part is that by starting to do the most basic of research, I have already discovered some statements that I had the protagonist make about the divorce process, are factually wrong, and not how it works in New York. I made the note, and when I start rewriting, I will incorporate this information in. Though, working this information in will affect a small subplot in the novel, which will force me to figure out how to adjust the subplot, or just cut it.

    And then I had a thought; if I am writing fiction, then I can just make up whatever I want. Who says that I have to follow how the real-world works? This isn’t a documentary, but when I write, I have this compulsion that I have to stick everything into reality. If New York State has a 60-day waiting period before a divorce is finalized, then I can’t write about a situation where that doesn’t exist.

    Right?

    I have also heard it said by a writer friend that you should only do research after you complete the first draft. “Don’t let facts get in your way from telling a good story.”

  • Autobiographical Fiction

    Last night I was working on the novel, and I noticed that my second chapter was getting pretty big, unwieldy, and that I still had yet figure out how to wrap it up. Again, I know it’s a first draft, but I thought it best to just cut it off, start the third chapter, and continue the idea of building up the dynamic of the town. As I am about to move the protagonist’s story to New York City, I need to make sure the small town he finds himself in is defined for a clear contrast to what his current life is, and what his past life in the City was like.

    I know; nice and vague, right?

    And as I came up with these thoughts for my own story, I had this moment where I felt like I was not doing the best job of disguising myself and my experiences in my own work. It is fiction, after all. I know that writers writing about themselves is nothing new, especially novels. Hell, that was Wolfe’s entire career.

    How autobiographical can you get in your work and still call it fiction?

    And the reverse, how much fiction can you create about yourself, and still call it the truth?

    It is my personal belief that all fiction is based on the writer creating the story, and it has spurned a whole subsection of fiction. I would even take it a step further, and say that autobiographical writing is expected nowadays. How can you be honest in your story if you are not being honest about yourself with the reader?

    Just thoughts I am having while working.