Tag: Fiction

  • Short Story Review: “The Pool” by T. Coraghessan Boyle

    (The short story “The Pool” by T. Coraghessan Boyle appeared in the September 22nd, 2025 issue of The New Yorker.)

    Illustration by Leanne Shapton

    Here’s an old saying that will live forever; Imitation is the sincerest form of flattery. And when I hear this line, I contemplate if other words can also show sincere flattery, like – Impression, Takeoff, Parody, Sendup, Reproduction, Inspiration, or Synthesis. While reading T. Coraghessan Boyle’s “The Pool” I began to wonder how much of a debt this story owes to John Cheever’s “The Swimmer,” and should that be interpreted as a form of flattery?

    Now, I’m not the one who originally brought up Cheever. The story did it in the seventh paragraph. Also, “The Pool” is a story that is being published in The New Yorker, and that story references one of Cheever’s most famous stories, “The Swimmer” which was also published in The New Yorker. As such, the preponderance of the evidence leads me to believe that “The Swimmer” is, if nothing else, an influence on this story.

    “The Pool” is about a pool which is a part of a house that is recently purchased by the narrator/protagonist and his wife. They have two kids, and she is pregnant with their third, and final child. From the beginning of the story, there is a concern that a child may drown in the pool, and this foreshadowing comes to fruition when the narrator’s son falls into the pool at their house warming party. Thankfully the child is saved by a family friend, Malcolm, who is helping the narrator to paint the house. This near-death moment is the first of three that happen in the story; the other being a tree branch falling on the narrator’s wife, and the ending with the narrator jumping off the roof into the pool. Nothing bad happens to them, they stay lucky and safe. The same cannot be said for others in the story. Malcolm’s marriage falls apart, a baby opossum falls into the pool, and though rescued with attempts to nurse it back to health, the animal dies. In fact, there is dangerous wildlife just beyond the backyard fence, which the narrator encounters, and chooses not to tell his wife or family about. The narrator seems most concerned about drinking and staying high around his pool as the summer wains on with an almost never-ending round of pool parties at the home.

    And that brings me to my biggest rub; what to make of the narrator/protagonist? I wouldn’t go full blown and call him a narcissist, but he is rather self-absorbed. His children get very few mentions, other than saying they moved to find better schools, and that his wife’s birth control failed three times. His relationship with his pregnant wife seems to be fine, though he doesn’t show or say anything affectionate toward her even in her grand expecting state. Even the birth of their third child feels more like a footnote so the narrator can return home and continue sitting around the pool drinking with Malcolm. As the story progresses, the narrator seems to devolve into a more adolescent state. Having fun at the pool seems to be his only concern. It doesn’t lend itself to a satisfying character arc, because if this was a hero’s journey, then the journey never got started.

    Yet, I kept finding myself being pulled back to “The Swimmer” reference at the start of the story. Is “The Pool” a comment on current life in the suburbs? Is it a comment on men and their need for leisure? Or is it talking about men who fail up in life? Or is this about the aspirational attainment of “the American Dream” and how it can insulate you from the harsh realities of our modern world? I don’t know… I’m just not sure.

    I do want to add that I enjoy T. Coraghessan Boyle’s writing. Reading this story, the prose was compelling, and even urgent in places. There are moments of unease, and tension so the story, and I would say intentionally, feels as if it is settled on uneven ground. That things could shift at any moment. There are no clear lines here, but curves that the tone and themes progress on. It doesn’t follow a pattern, which is refreshing and should be acknowledged.

    I’m glad I read “The Pool” and for making me go look up “The Swimmer” as well. I can’t shake the feeling that “The Pool” is inspired and influenced by “The Swimmer” but still not sure what to make of it. I do recommend that you read it. If for no other reason than to ask, “What do you think it was about?”

  • My Review of Gabe Montesanti’s “The Signs” in Split Lip Magazine

    Today, Split Lip Magazine published my review of Gabe Montesanti’s prose poetry piece “The Signs.”

    If you have a moment, please check out my review, but if you REALLY have a moment, please read Gabe Montesanti’s very unique poem, which Okay Donkey published back in April of this year.

    Also, I would like to thank everyone over at Split Lip for their help and support, especially Daniel, who guided and edited my piece. It was a lotta fun, and enjoyed the experience.

  • Short Story Review: “Project” by Rachel Cusk

    (The short story “Project” by Rachel Cusk appeared in the September 1st & 8th, 2025 issue of The New Yorker.)

    Photo illustration by Stephen Doyle

    I am a big fan of Rachel Cusk; have been for some time now. There are a great number of reasons why I enjoy her work, and when I read anything by her, such as “Project” in this week’s New Yorker, my fandom evolves into admiration, and even a little jealously. I am not jealous of her talent as a writer, envious might be the better word for that, but when I read her work, I wish I was the type of writer that had time. Cusk’s fictional version of herself, though narrator might be a fairer description, possess the greatest gift of all; time. Time to observe and contemplate.

    In “Project,” the narrator contemplates how who we are gets created. This contemplation leads to a path that bends and turns and takes us to people in the narrator’s life. First we meet M, a movie star and model. The narrator is thinking of writing M’s autobiography, which M’s response is to “…just make it up.” In this first section of the story, the narrator intertwines her interactions with M, while also speaking of a book she is reading by a woman who details the horrid abuse she suffered at the hands of her stepfather. It is a strange comparison, if not a juxtaposition. In Cusk’s assured hands, we see how these woman took their situations, fought back and went forth to create better versions of themselves, yet both spoke of a moment where their childhoods were lost… But even as I try to describe this, I am not doing this story justice. The story moves on the narrator’s partner, and his bout with an aliment and the need to a brief stay in a hospital. Then there are questions of the time we have and how we share it. Why we live the way we live and where we live…. See, not doing this justice.

    This story falls into my favorite Cusk style of writing – It just flows. Maybe this type of writing is like stream-of-consciousness-lite. These thoughts and ideas have depth and weight to them, but they don’t get tangled up in minutia and tangents. All of these disparate ideas roll across the page, with observations of the life the narrator lives, but also how some of these truth and universal; Or at least there is a hope that they are. This is a story seems to be celebrating the existential gift of being able to create our self, and chose how to live out that creation. And to do all of this, to have a life that can be observed, we need time for reflection.

    And through all of it, the ins and outs of this story, Cusk has a wonderful melancholic final paragraph. Not so much an observation, or a contemplation, but a memory of raising her children; when trust was tangible and innocent. That taking the time, to remember and re-experience, is a continuous step in the project of self creation.

  • Short Story Review: “Something Has Come to Light” by Miriam Toews

    (The short story “Something Has Come to Light” by Miriam Toews appeared in the August 25th, 2025 issue of The New Yorker.)

    Photograph by Marcus Schaefer for The New Yorker

    I had a humanities teacher in high school who explained existentialism to my class this way; “We are all free to make choices in our life. Nothing is determined. You can choose to be whoever you want. Being able to choose doesn’t always mean you will be happier.” At least that’s the notes I took in my first journal way back in 1995. I went back to this journal after I finished reading Miriam Toews’ story “Something Has Come to Light,” because not only did the story make me think about choices I’ve made, but also about living with those choices.

    To sum this story up, perhaps a bit too simply: A grandmother has written a note/story for her grandchildren about a moment in her life where she should have said yes, but said no to the neighbor boy, Roland. Some years later the boy moves away, but dies, and his parents bury an urn that contain his ashes on their property. Sometime even later, after the parents on the neighboring property pass away and their land is to be sold, the grandmother sneaks onto the property at night, digs up the urn, and reburies it on her property. Every day, the grandmother has passed by the buried urn, and tells Roland she should have said yes. The letter/story ends with the grandmother asking the grandchild to dig up the urn and return it to Roland’s surviving sister, or if that’s too much to ask, leave him, and continue to tell him that grandma made a mistake and should have said yes.

    I loved this story. And I loved how this story snuck up on me, how it placed itself in my head, and kept poking at me, telling me to enjoy it more. The language here is simple and to the point, which is what you would expect from a woman that has lived a simple but contented life. The way it was written reminded me of how the Midwestern women in my family spoke – there was a plainness to it, but that didn’t mean that the words didn’t have nuance and revelatory meaning to them. The grandmother is a woman who doesn’t complain, but also is tough and doesn’t put up with much either, yet will never be rude about it.

    The story really is about Roland, and the affect he had on her life. Though the two of them weren’t close, according to the grandmother, you can tell that she had a deep appreciation for him. Roland was different from the other people in town. His great sin appears to be that he sat on the front row at concerts, had a gift for the piano as demonstrated with a concert he put on in town and which the grandmother saved a poster from. Then one day Roland rode up to the grandmother and asked if she wanted a ride, which she answered no. A decision she would regret as Roland moved away to England. The town never forgave him for leaving, and I sense that the grandmother never spoke up or out in Roland’s defense, but she lived with that regret. A regret that would possess her to the point that not only did she need to apologize to Roland for the rest of her life, but also to possess Roland for the remainder of her life.

    What I find captivating about this story is that it isn’t necessarily a romantic bond between the grandmother and Roland. Though I think there is a tinge about, like a frosting, but it’s not the driving motivation. What I believe the story is telling me is that the grandmother is mourning the exact moment where her life could have gone in a different direction. That she could have been, or done, something different. But, and this is most important, she does not regret her life. I say this because the start of the story, the grandmother explains that she keeps all the pictures of her grandchildren in a photo album next to her bed; how she looks at them, most nights. This is the act of a woman appreciating the life she lived, and what her and her husband created in this world.

    What I find Miriam Toews is asking me with “Something Has Come to Light” is can it be possible to love the life you led, but also mourn the moment when it could have gone in a different direction? Can you love a person who could have been your agent of change, while also not wanting to change? Can a paradox like this exist in a contented person?

    Perhaps. Perhaps the grandmother never wanted to let go of that chance encounter, to say she was sorry to the one person who wasn’t like anyone else she ever knew. Ultimately, the grandmother made her choice, and she learned to live with it, and with regret at the same time.

  • Short Story Review: “The Queen of Bad Influences” by Jim Shepard

    (The short story “The Queen of Bad Influences” by Jim Shepard appeared in the June 16th, 2025 issue of The New Yorker.)

    Illustration by Naï Zakharia

    Reviewing stuff is fun. Clearly, because I do it often. Who doesn’t like sharing their opinion and acting like an expert? It’s all fun and games until you hit a critical theory paradox; Is it possible to acknowledge that a story is good, and well written, but at the same time does not resonate or move me? That was the situation I ran into when I finished reading “The Queen of Bad Influences” by Jim Shepard.

    To be clear, “The Queen of Bad Influences” is a good story, well written, and I have no qualms in recommending that you should read this story because it has a very relevant theme, is constructed well, is insightful, has a bit of action and tragedy to it, the protagonist is engaging and grows over the story, and the use of language is spot on. All the boxes are checked here.

    Yet, I just didn’t feel anything.

    Look, I write these reviews for my own enjoyment, and as an exercise in analyzing what makes a short story work, or not work, so I might improve my ability as a writer. On the whole, I will only review a work if it moves me, garners an emotional reaction, either positive or negative. If I don’t have a reaction, then I let it go and move on. (Now, if someone wants to pay me, I’ll review whatever you send me.) These aren’t deep philosophical rules that I follow, but more like functional guidelines.

    When I finished “The Queen of Bad Influences,” I didn’t have a reaction to it. At first I was going to write something negative about the piece, but the more I thought about it, the more it didn’t seem accurate to do it. I went back through the story, and I really couldn’t find a fault with it, save one line, but that wasn’t that big of a deal. What I came to accept is that this isn’t the story or the writer’s fault, it’s me. This is just not my thing.

    Let me try putting it a different way, which my Gen-X grunge mind can appreciate; “The Queen of Bad Influences” is like Alice in Chains. I get why people love the hell out of Alice in Chains. Alice in Chains was made up of some really great musicians, who wrote some really great songs. I’m not an Alice in Chains fan because they suck – I’m not a fan because they don’t resonate with me the way Nirvana, or Pixies, or a host of other grunge bands do. It’s me, not them.

    It’s me, and not Jim Shepard and “The Queen of Bad Influences.”

    Anyway, go read this story. You’ll enjoy it.