Tag: Earworm Wednesday

  • Earworm Wednesday: George and the Devil

    Sometimes I plan these songs out ahead of time. And then sometimes you wake up in the morning with a song in your head.

    If you never met me, you might not know what a huge Beatles fan I am. As such, I do have fun with some of the deeper cuts on their albums that most people forget about. “Devil in her Heart” is a song written by Richard B. Drapkin and recored by The Donays and released in 1962. Though a good song, it wasn’t a hit in the US or UK, but it made an impression on The Beatles. I always loved how those four guys loved American girl groups, to the point that I think they tried to copy those harmonies in other songs that they wrote.

    For comparison, here’s the original:

  • Earworm Wednesdays: See, I’m Not Too Old

    This one is brought to us by my daughter.

    We do a lot of road trips over the Summer as a family. And with long hours on the road, playlists are needed. The wife and I both make one, and when its our turn to drive, our playlists get played. This past year, the kid requested some songs to be added to our respective lists, as the kid claimed there wasn’t any of her music being played. (This year, she is making her own playlist, which means that we will all take turns sharing music in the car.) On the whole, the music she suggested was fine; a bit of Taylor Swift, and some other people that I kind’a heard of.

    But one song that stuck out was Dua Lipa‘s “Dance The Night” from the Barbie soundtrack. It’s a fun song, that is crazy catchy to me. I mean, the whole song is one big hook.

  • Earworm Wednesday: You Can’t Fight This Song

    I was about to say that I’m not a big Elton John fan, in the sense that I have never owned one of his albums, but I would never deny that he is one of the giants of rock/pop music. Then I did a search on some of my Spotify playlists, and Nearly everyone has an Elton John song on it.

    Which brings me to “Saturday Night’s Alright For Fighting” which might not be Elton’s best song, but it is a great song. When I first heard it, I thought it was more cheesy than anything else. Yet, this song drills into your head. For me, it’s the guitar hook at the start, and the chorus of “SATURDAY!” being chanted over and over again.

  • Earworm Wednesday: It’s That Song From That Cartoon!

    I will admit that “Me and My Arrow” by Harry Nilsson re-entered my life this week due to a Spotify generated playlist, not from my own music knowledge. And if you don’t know, this song is part of a cartoon that Nilsson created and wrote in 1970 called The Point! I remember seeing it on cable, sometime in the 80’s, and what stuck with me about the show was the wise man, or dude, who tells the hero that, “not having a point, is a point.” That little piece of philosophical logic has stuck with me my whole life.

    As to the song, “Me and My Arrow,” when I heard it this week, it struck me as familiar, but I couldn’t place it. I had to look it up, and I think where I truly remember it from is an episode of The Simpsons that used it. But when I read it was from the cartoon The Point!, then it all came back to me. Just a little gem of my childhood. And I had no idea that the great Harry Nilsson was responsible for it all.

    Oh, and what just stuck in my head is the whole thing. I’ve been humming it all week.

  • Earworm Wednesday: It’s Blondie!

    I woke up this morning and “Heart of Glass” was in my head. And I think I wrote about Blondie and “Heart of Glass” before, but you know what, I think I’m going to do it again.

    I think for most people my age, when you say disco, the Bee Gees and Saturday Night Fever are the first things that pop into your head. For me, it’s been “Heart of Glass” since I first head it. Which is funny because me and just about everyone else would never say that Blondie is a disco band – punk and new wave, clearly.

    Then, when I was in my 20’s, the song took on a whole different meaning. Instead of being a silly disco song, I started to appreciate the juxtaposition of the tragedy of loss of the love in the song, with the upbeat infectious driving dance beat. To me, it encapsulates the feeling of monumental life altering infatuation that could evolve into love, but deep down you know its doomed, but these feelings are so intoxicating that you can’t say no to them. You embrace the coming train wreck, though you know better.

    Give me a year, I’ll probably write about this song again.