I have been thinking about the state of theatre, and the importance of community theatres. I cut my teeth in the theatres of North Teas before I moved up to New York, and to be honest, I had way more fun in the community theatres. Now, I can make a living here in New York, but it’s not as much fun, and the quality of performance is better, but not always.
I would not be the first person to write about the effects of capitalism on art and theatre in this country, so I won’t, but capitalism is the force that has and, if nothing changes, will continue to have on theatre in this country.
What I want to approach is my belief that most of the theatre that is consumed, is through community theatres. (I will look for research to back this up later.) I define a community theatre as a non-Equity house for actors and stage managers. So, in my mind, we are talking amateur to semi-professional. It is in these houses that people either get their first opportunities to work in a theatre, or experience live theatre for the first time.
What I find interesting is that, being that community theatre are place where people first get engaged in the theatrical arts, why aren’t professional theatres, unions, producers and performers dosing more to make sure these spaces stay open, and continue to thrive? The more community theatres there are, then the more fans you will create who will travel to NYC to see a show, or go to a local roadhouse to see the tour of a Broadway show.