Category: Television

  • Personal Review: The Great British Bake-Off

    I did it – Well, the wife and I did it – We watched all 13 seasons of The Great British Bake-Off, or Show, depending on where you are. That was a lot of baking, and a lot of British culture. We watched the show together on our lunch breaks, so we only got about half an episode done a day. The show has ebbed, and flowed several times, and gone from too serious to too silly a few times as well. In the end, I still enjoy the show, and I will be looking forward to the 14th season which should premiere in September 2023.

    To start with, the first two seasons of Bake-Off are awful, and no offense to the winners, are a slog to get through. The show that became the international hit hadn’t figured out its footing, nor it’s direction yet. It over all feels very American, as conflict is played up more, and it’s also a sort of an educational show – teaching the audience the history of the foods that are being baked. What I did find interesting is that they seemed to have nailed the music from the start, and pretty much have been using the same themes ever since. Luckily, after two seasons of feeling it out, they landed on what worked.

    What worked well, and is very refreshing, is that Bake-Off is still the nicest show on television. For what is basically a reality gameshow, the competitive nature of the contestants are playdown, and good sportsmanship is played up. The bakers are often shown coming to each other’s aid, and cheering each other on when they do well. There are no snide comments, or backhanded compliments displayed. All the bakers are given an opportunity to be shown as decent, friendly people that you enjoy spending time with.

    And that brings me to what makes the show so enjoyable season after season – the bakers. Bake-Off doesn’t go into detail about the bakers lives outside of the tent. Small details are given in the first few episodes, and the final, but outside of that, we are left to form our opinions about the bakers based on their bakes, and how they behave in the tent. There are no political discussions, nothing about sports or religion. Any subject matter that could divide people is avoided. We get twelve people who just want to bake. And for that, I am impressed with the casting of this show. Not only have the producers continually found charming and interesting people season after season, but they have also done an excellent job of showing Britain as a modern multi-cultural society, where everyone gets along and respects each other. In it’s very subtle way, this show whispers in our ear that we actually do have more in common than what divides us.

    Looking back at the UK ratings, Season 7 was their all-time high, with Season 6 being the runner up, which makes sense as Bake-Off was in the middle of their “salad days” at this point. I would argue that if you are going start watching the show, Season 5 to 9 is the run you want to partake in. This is especially impressive as starting with Season 8, the show undertook a radical change with the switching of broadcast channels, losing Mary Berry who was replaced with Prue Leith, and then the hosts Mel and Sue were replaced with Noel and Sandi. What could have been a stumble instead was a seamless continuation of the show.

    And with that switch in judge and hosts, I am torn. For one, though I do enjoy Prue as judge along with Paul Hollywood, they seem to be a team that “gets along” with respect of judging bakes. Mary Berry had a steeliness to her, where she had no issue with disagreeing with Paul, and digging in if he disagreed with her. It was the only time in the show where there could be tension between personalities, and it worked for the show. As for the hosts, I wasn’t a fan of Mel and Sue. They are two very funny comedians outside of the show, but in the tent they often pulled attention away from the bakers and the bakes by trying to be funny, or ending everything with a pun or a button. My preferred team was Noel and Sandi, but Sandi especially. They made a good “odd couple” paring, but what made them work was Sandi connection to the bakers. She came across more as a friend than a host as when she would talk bakers down from a cliff, or encourage them to continue on. And when Sandi had to announce who wouldn’t be coming back next week, and she would get choked up and cry, it felt like that was coming from an honest place in her. Noel did come around to Sandi’s level of connection, but when she left after Season 10, her replacement of Matt had rather big shoes to fill, no pun intended. What had worked in the past was the classic comedy pairing of straight man and wild card, but with Matt and Noel it was two wildcards which pulled attention away from the bakers. And Matt relied quite heavily on “Paul’s a mean guy” jokes. Entering Season 14, we will get a new co-host in Alison Hammond, and we’ll see how her and Noel get on.

    But when you go through thirteen seasons, you do start to see where some things have gone slightly off the rails. I point directly at Season 9, which also happens to be my personal favorite season. This was the moment when the show started moving toward more gimmick baking – just crazy shit to see how the bakers handle it. This was the season that had a biscuit chandelier which a baker pointed out wasn’t a thing, and made up for the show. Also, in the final episode, the three bakers had to “bake” on a camp fire outside of the tent. A stunt that has never been repeated, and for clear reasons as the bakers didn’t do well, and their annoyance was clearly visible. In earlier seasons, the bakers were asked to create bakes that were based on actually oven bakes, or techniques that revolved around baking. After Season 9, more and more gimmicks or “theme” weeks came into play, which didn’t add anything to the show. This finally blew up in the shows face with Season 13’s “Mexican Week,” which Tejal Rao criticized as “casually racist,” while I was confused why the bakers were making “tack-o’s?” It was a misstep on a show that should have known better.

    What I hope will happen in Season 14 is that Bake-Off sticks to what works, which is casting interesting people from the UK who love baking. And I also hope they get back to what has worked; letting the bakers bake – no more gimmicks. Because at the end of the day, what I look forward to in Bake-Off is an hour of comfort food television; I don’t have to think too hard, there is no one to root against, and I get the celebrate someone who is good at what they do.

  • ODDS and ENDS: UNION!, American Folklore, and Ice Cream

    (Casey Jones you better watch your speed!)

    Oh, shit! The actors joined the strike! Yup, SAG-AFTRA is on the picket line with the WGA, and now no one gets pretty new movies and shows this Fall! I hope you’re happy Studios! Both sides will make their case over the next few weeks, seeing who can build up the bigger public support, and then the real negotiations will begin. The truth of the matter is that the delivery of entertainment has changed. The traditional way for studios to earn income (movie theatres, cable, and ad tv) has declined and streaming hasn’t closed the gap, though that’s how everyone wants to get their entertainment. But I will also point out there are only five media corporations in the US, and it’s been that way for a very long time, so if they aren’t making money, that’s on them. It’s not like there is a ton competition out in the market. Media is an oligopoly so they are in control for how it all works. The studios could solve this tomorrow; stop paying your C-Suite hundreds of millions of dollars. Sorry, but CEO’s can only have two mansions, one Learjet, and one yacht from here on out. We all will have to make sacrifices to survive.

    And when was the last time you thought about American Folklore? Like, Casey Jones, Paul Bunyan, and John Henry. They don’t teach that stuff in school anymore. I asked my daughter about it, and she has no idea what I was talking about. I can’t prove this, but I have this weird feeling that schools were teaching American Folklore as a form of propaganda, to get us kids to believe that there was a mythology to American development and enguiniety, instead of teaching us that our past was a whole lot more about exploitation and exclusion. I can’t prove it, but these people who pushed the Folklore might have been the same people that killed teaching us kids the metric system.

    Ice cream really is the best. Doesn’t matter the season, ice cream is perfect.

  • What We Can Learn from “THE IDOL”

    (SPOLIERS but really, does it matter…)

    First of all, I’m not here to pick apart this show. IF somehow you missed it, THE IDOL is a show on HBO with a five-episode run. The show is about the music industry in Los Angles, and stars The Weeknd (Abel Tesfaye) and Lilly-Rose Depp. If you do a search, you’ll find out that it’s not good. But, depending on how you view “bad” tv, you could either find it maddingly self-indulgent with a side of pointlessness, or an entertainingly hot mess of a dumpster fire. (I’m in the dumpster fire category.) I’m not here to bemoan the quality of the show as a whole, as there are many, and I mean MANY, other and much better TV critics who have taken this show to task.

    What I am here to single out and applauded is quite possibly the greatest demonstration of Third Act Narrative Exposition I have ever seen in all of my life. I will be SPOILING episode 5 of THE IDOL. You have been warned!

    To give you the set up – Jocelyn (Lilly-Rose Depp) has kicked Tedros (Abel Tesfaye) out of her home and life, all the while stealing his cast of singers. She then asks her manager Chaim (Hank Azaria) to “pay off” Tedros and “get rid of him.” Then the scene jumps ahead six weeks, and we are at So-Fi Stadium in Los Angeles during sound check for Jocelyn’s world tour which is about to kick off with Tedros cast of singers as the opening act. High up in the empty stands, Chaim is talking to Andrew (Eli Roth) a Live Nation executive, and Nikki (Jane Adams) a record label executive. It is the dialogue between these characters, and the effort put forth by these actors that (Chef’s Kiss) needs to be taught in screenwriting, and acting classes.

    First, the dialogue; it is a train wreck. See, as the narrative has jumped ahead six weeks, a lot has happened that the audience doesn’t know about. Well, don’t worry, Chaim, Andrew, and Nikki will tell us all about it. These three characters stand there and have a “Hey, remember what happened…” conversation, which is so clunky, unnatural sounding, and utilitarian, for it only has one function; to tell us what happened to Jocelyn and especially Tedros. The dialogue feels desperate to get the information to us, like the scene was born out of frustration because no one could come up with a better way to impart the narrative developments. Now, I say this should be taught because, as this show is a visual medium, it’s better to show rather than tell. What we are given are empty words that have no dramatic weight behind them, and the scene gotten through rather than enjoyed.

    But more importantly, the effort put forth by Azaria, Roth and Adams to make this amateurish dialogue seem natural and relevant is nothing short of Herculean. I can only imagine that when these actors were handed the script for this scene, that they had to have known. All three of these actors have impressive credits in productions with great directors and writers; they know what good writing is. But they did it – just went for it. “Damn the torpedoes! I’m committing to the line!” Honestly, I’m not surprised. These are three professional actors. They are getting paid to do a job, and they did their job. And that’s why every acting teacher in America needs to pull out this scene, make their students watch it, and then say to the students, “That is how you commit to a scene!”

    Yeah… THE IDOL is not good – I don’t think I’m breaking any ground here in saying that. But even in bad art, lessons can be learned, and entertainment can be gained. The scene starts at the 50:00 mark. You know, so you can queue it up for your enjoyment, or your class.

  • ODDS and ENDS: Bad Movie Bible, Stuck in the Rain, and Father’s Day Gifts

    (If anyone needs me, I’ll be in the shower…)

    For those who know me, and for the other four people who read this, you know that I love the show Mystery Science Theater 3000, and bad movies in general. As soon as I got a Blockbuster card as a teenager, I was renting only the best of the really awful movies, usually to watch with friends on Friday or Saturday nights in junior and high school. (I was a popular cool kid, if you couldn’t tell.) That was a happy time in my life, and when I have a rough day, an episode of MST3k, or an awful movie hidden deep in Amazon Prime Video (they really do have the schlocky-ist of movies) will quickly get me back on track to a better mood. About a month ago, The Great God Algorithm of YouTube decreed that I needed to start watching the videos of The Bad Movie Bible, which is created and hosted by Rob Hill. (I thank Thee, Great God of the Algorithm, for this gift!) Hill is a hilarious encyclopedia of awful movies, and with his dead pan delivery and spot on editing of clips, he has created some of the best and funniest videos detailing specific genres of bad movies. My favorite series he has are the “Borrowing Blockbuster” videos that go into detail on all the knock off movies that came out to cash in on the success of huge hit movies – like Star Wars, Jaws, Die Hard, etc.… I respect Hill’s commitment to movies that most people write off, and at the same time I am amazed at his stamina to handle what must feel like an unending onslaught of awfulness.

    Today, I did the Alt Side Parking dance of moving the car. No big deal, went as normal as all the other days that I do it. But as I walked home, it started to rain. I didn’t know it was supposed to rain early today; I was told this afternoon. And as such, I had no raincoat or umbrella. I was a guy caught out in the rain, a few blocks from home. So, I walked in the rain and got soaked. It occurred to me that I haven’t been caught in the rain in a long time, like ten years maybe. Once I accepted that I was going to get soaked, it was a rather enjoyable experience.

    My wife and kid got me a Tottenham Hotspur t-shirt, and supporter’s pin for Father’s Day. That made me very happy.

  • Personal Review: Ted Lasso Season 3 and The Whole Thing

    (SPOILERS! You shouldn’t have to ask…)

    I finished it. Over the weekend, I finally got around to watching the final episode of the 3rd season of Ted Lasso. I had a complicated relationship with the 3rd season. I was watching in three-episode chunks over a two-week period, and then I would get off the wagon for a week or two, only then return. In fact, I waited two and a half weeks before I was able to see the last episode. And that, in a nutshell, gives you an idea of my dedication to this final season; It was on and off.

    Sadly, the third season of Ted Lasso was uneven, made all the worse by my deep desire for the final twelve episodes to be amazing. That was my fault, and my mistake. I didn’t let the show just be what it is, but went in with expectations that were pretty hard to live up to. That affected my experience, and when an episode wasn’t “perfect”, it made me hesitate to come back to the show. Perhaps I need to watch the third season again – just marathon through it, and not think too hard. Maybe.

    As of now, I have to say that the third season of Ted Lasso was the “Return of the Jedi” of the group. It wasn’t as good as “Star Wars” (Season One) or “Empire” (Season Two) but if you compare it to other shows, it was a pretty good season.

    There were things that I did like; the episode in Amsterdam was great, Colin’s story was a nice addition, Trent being added full time to the cast was another nice touch, and I will say that each of the endings that the characters were given felt satisfying and true to who they were, and who they became. The show was about being positive, and it ended that way.

    But, there were also some glaring issues – Keeley was totally wasted which was a real shame as she was such an important part of the show. She was left floundering with a storyline that never meshed with the rest of the show. Also, Nate’s redemption arch seemed rushed. We all knew he was coming back into the fold, but it just felt a little off. And then there was that Zava thing, which felt half baked, and was only there to get the team to a competitive place for the season end. For a show that was about slow burn realizations, trusting the process, and putting in the work, it didn’t feel like the team earned their place in the League – it was just handed to them.

    With the series now over, and it is over, I have to say that they, the whole Ted Lasso team, did a very good job. It was a show in the mold of a work place comedy which never lost sight of a very simple message – be kind. It arrived at a perfect time – in the middle of Covid and they final year of Trump’s administration. Because of those factors, I think we collectively wanted to believe that being around good people was worth it. It was the type of show that was needed at a specific moment, and it delivered. This is a show that I know I will re-watch, whenever I need to laugh, or just remember that people can change for the better.