Category: Music

  • Tales from the Video Store: Rocktober Blood (1984)

    I once worked in a video store in the 90’s. Let’s be clear, it was a bad job; low pay, awful hours, unscrupulous owners… but if you were a movie fan, nothing could be better. The video store gave me the opportunity to watch great movies, and it also gave me to chance to watch some of the worst. And I love watching schlocky bad movies. At the bottom shelf in the “Horror” section, I came to discover the slasher music extravaganza that is Rocktober Blood.

    (I’m just going to call SPOILERS right now. Not that any of us care, just outta respect)

    Lucky for all of us, I was able to find the movie on YouTube. (https://www.youtube.com/watch?v=LIvojCCVvSY) The print might not be the best, but to be honest, the movie is awful, so the bad quality might help add to the kitsch.

    The movie was released in 1984, and lordy, do we get a documentation of the Los Angles metal scene of that time. It was awesome seeing the hi-top sneakers, sleeveless shirts, teased out hair, and the style I liked most was all the rising sun Japanese stuff, which I had forgotten about.

    So… Plot… We actually start in 1982 as Billy is in the recording studio cutting his latest track “I’m Back” We get to meet Lynn, Billy’s backup singer, and I guess girlfriend, or was… It’s not real clear. Billy and the rest of the band head out of the studio, leaving Lynn, Kevin the engineer, and Mary who is Kevin’s assistant to finish work on the record. Lynn and Kevin try to record some backing vocals for the song “Rainbow Eyes.” It doesn’t go well, and Lynn decides to go to the jacuzzi upstairs because the target demographic for this movie was teenage boys.

    But wait, Billy returns and slits Kevin’s throat, and then kills Mary by impaling her on a mounted wall peg. Then Lynn comes downstairs, having not heard a thing because jacuzzi’s used to be really loud, and she finds Billy smoking “drugs” at the console while listening to “I’m Back” backwards. Now, like I said, this was 1984, and we were all not supposed to do drugs, thanks Nancy Regan, and not listen to our music backwards, because that’s where all of Satan’s messages were. Billy attacks Lynn, and while holding her at knife point, a security guard walks in. How does the guard save Lynn? Well, like all good heroes, he RUNS. THE FUCK. AWAY. To which Billy chases after him, thus saving Lynn. And… that’s it…

    We immediately jump cut to two years later, at a party where it’s announced that Billy’s old band is getting back together, with Lynn as the lead singer, and they are about to go on tour playing Billy’s songs, and by the way, Billy was found guilty of murder, executed, though he claimed he was innocent. Who knew the justice system worked so fast in 1984?

    There is some amazing stuff happening in this party scene. For me, the most impressive is that at the party there is a dude in a monster mask who is dancing, then starts doing some mime work, and ends with breakdancing. I had forgotten, as I am sure you had too, that breakdancing mimes were all the rage in the 80’s. It was Morning in America for spinning on your back.

    All is not well at the party, because when Lynn goes looking for her manager, Chris, she ends up in a very dimly lit attic where she is surprised by no other than Billy! Lynn gets away, and Chris, being the responsible type, sends her and her friends to a mountain cabin to relax before the big show.

    As I am sure you guessed, Billy follows them to the cabin, kills one friend in the jacuzzi, and then terrorizes Lynn as she gets out of the bath. Again, this was made of teenage boys.

    Enough of that, Chris sends everyone back to LA to get ready for the concert. Lynn can’t let go about Billy for some strange reason, and proceeds to dig up Billy’s grave to only find a very last minute cartoonish prop of a skeleton in the coffin. I’m sorry, I mean Billy’s body. Problem solved, right? Billy is dead and Lynn’s crazy! Let go play that concert of Billy’s songs!

    Not so fast! Billy is ready for Lynn, because what else does he have to do that week. Billy kidnaps Lynn before the show, and he launches into a monologue where we find out that Billy is actually Johnny; Billy’s homicidal twin brother!

    This sets up one very bizarre climax. Billy/Johnny goes on stage in a mask and sings his old songs, which the band all seems fine with. Especially when Billy/Johnny starts killing the Go-Go dancers on stage. Billy/Johnny pulls out Lynn to sing “Rainbow Eyes,” and at the conclusion of the song, Billy/Johnny is unmasked to everyone’s shock and horror. Except for the drummer, who is like, “Fuck it, play the next song.” And everyone complies.

    I don’t want to ruin the true ending of the movie, but it does leave you with the question of; Does Billy/Johnny die, or does he survive? (May the debate begin…)

    As horror movies go, this one is pretty poor. Acting isn’t great, plot has a bunch of holes, and there are lots of lens flares. More than Star Trek. Now, I do recommend this movie because the songs in it are actually fun. I didn’t say good, I said fun. You’ll be asking yourself, “Do I have rainbow eyes?” and “Is there a killer on the loose?” The songs were written by the band Sorcery, whose members play the band in the movie. So, there actually a slight bit of LA music scene connection to this flick.

    Over all, Rocktober Blood touches on all the right beats of slasher movies from the early 80’s and for my money, is 100% video store gold. It would be best enjoyed with a two liter of Pepsi and some stovetop popcorn while sitting on the couch with the living room’s lights off.

    Enjoy!

  • Beatles Concert

    When I drive my daughter to school, we have started to listen to the Beatles. There is such a deep joy that I receive as my kid is starting to listen to my favorite band. I have tried to not push this on her. I want her to develop her own taste in music, and I don’t want to influence her to or from any type of music. Both the wife and I try to play as may different styles and bands for her to listen to. I think it has been paying off because she wanted a guitar for Christmas this year, which Santa brought to her.

    Now, in the car ride to school, the kid gets to pick what she wants to listen to. For the past three months it has been Vince Guaraldi’s Peanuts music. On the way home, she has to listen to what I want, which I do try to make a choice of music I feel will broaden her horizons. Sometimes the Beatles come up.

    By talking to my daughter about music and bands, she has come to learn the names of the Beatles, and asks me who is my favorite or who plays the guitar, or is signing. Sometimes, she will ask me if we can go and see them play, which is when I will pull YouTube videos for her. Then the other night she asked me is we can go and see them play. I explained to her that they don’t play together anymore, and that we have to listen to them and watch their videos. She wasn’t happy with that answer.

  • The Beatles (The White Album) Super Deluxe Edition

    I listened to the 50th Anniversary Super Deluxe Edition of The White Album yesterday and today. I have been waiting for this to come out for some time, as I am a super Beatles fan. Over all, I am very happy with what they put out in this edition.

    My first impression is that the remixing of the original album is great. The music on this mix is much sharper, clearer, and also, they pulled forward sounds that had been lost in the background due to the use of a four track in the initial recording.

    The other treasure is the Esher Demos on the third disk, which were recordings made at George Harrison’s house of the songs that John, Paul and George had been working on for the new album. Some of these tracks had been released on the Anthology Three way back in the 90’s, but on this edition, 27 tracks were included. In these demos, we are given an amazing insight to the first drafts of some of these songs; some songs evolved, while others were pretty much complete and ready to go.

    The final three disks are outtakes from the studio, a few jams, and instrumental tracks. It is interesting to get a glimpse of the building of these songs, but in this presentation of this material, a false reality is created. These outtakes leave one feeling that The Beatles were having a great time recording in the studio, when the reality was quite different.

    Of the 30 original songs on The White Album, only 16 tracks had all four playing on them. The real sessions had arguments, and walk outs, and lots and lots of tension that would start the process of the band’s eventual breakup. I know the recording exists, as I have heard stories about it, and I wanted to hear the tape where John calls Paul a “fucking idiot,” because they were a band that was making great music while they didn’t like each other. That is an amazing accomplishment as well, and I want to hear how they did that, but that is not what is being presented. What we have is a celebration of a great album, and not a historical document.