Category: Art

  • Short Story Review: “Ambrose” by Allegra Goodman

    (The short story “Ambrose” by Allegra Goodman appeared in the September 30th, 2024 issue of The New Yorker.)

    Photograph by Annie Collinge for The New Yorker

    I’m paraphrasing this, but John Lennon said the best way to become a good song writer, is that you first have to write a lot of bad songs. I think that applies to any artist; to make good art, you have to make a whole lot of bad art first. That doesn’t mean that the bad art only serves the purpose of getting the artist to their good art. No, bad art can help in so many ways. That was one of the thoughts that went through my head while reading “Ambrose” by Allegra Goodman’s effectively touching story.

    Here’s a way too short synopsis: Lily is a sixth grader who is writing a story, about the Princess Ambrose, while also dealing with the difficulties of her parent’s divorce. Elements of Lily’s life work their way into the world of Princess Ambrose.

    What Goodman’s story just smashes are the little details. The way Lily decorates her notebook that contains the story, her parents concern, the words and phrases used by grownups talking about kids, and the way Lily sees her parents sitting together when they haven’t in a long time. I appreciated how Goodman approached Lily’s struggles by never belittling them, and though the school might have over reacted, the adults in Lily’s life take her seriously. But my favorite aspect was that Lily’s story wasn’t particularly good, in regard to originality or grammar. Lily creating a “good story” really isn’t the point so much as Lily discovering, maybe subconsciously, that the issues of her life can be expressed and dealt with in the art she is creating. I felt that was a very honest and authentic way to dramatize the creation of this writer, showing us how important it is that she writes this story, even though it isn’t very good. I think lesser writers would have made Lily’s story epic, and original and well written… and that would have missed the point.

    My only criticism of the story is the ending. Not the climax, which was handled very well. No, I’m talking about the last nine paragraphs. After giving us a nice honest moment between Lily and her mother, the final scene is in Lily’s dance class with an odd fitting “deus ex machina” of a substitute dance teacher. This felt tagged on, as if to give Lily a win in the story, or to end on a button. I found it distracting because the story was taking us to a place where Lily, and her parents, are all learning that this life together will be difficult, but they will face it as a family. Just didn’t sit right with me.

    That’s not to say that I’m not recommending this story. “Ambrose” is sweet, and moves with an airy confidence that is charming. Goodman makes Lily a very interesting, and intelligent kid who is going through a time in her life which makes everything a challenge. This isn’t life and death drama, but Goodman shows how impactful moments in a six grader’s life can be.

  • ODDS and ENDS: The Dog Groomer, Fart in French, and Ice Cream

    (We’re all excited, but we don’t know why…)

    I love my dog. I always thought of myself as a cat person, but once we got the dog… well, I’m still a cat guy, but I do want to have a dog from here on out. And loving my dog, means loving all of her, including the bad stuff that she does. Which is very little, I might add. What the dog does that drives us nuts, and we haven’t been able to get her to stop, is that the dog goes ape-shit anytime she sees another dog. Like growling, and barking, and trying to break free from the leash so she can go and kill that other dog. It can make taking her for a walk a very challenging endeavor. Anyway, so when we take the dog to the groomers, the dog does her normal stuff when she sees the other dogs getting groomed, she goes bananas. So, we leave her, and when we come back to the groomers, they tell us how great of a dog she was; so kind, nice, and friendly. And we’ll ask if our dog was this nice version, even when other dogs were around, and the groomers tells us yes; that our dog was even friendly to the other dogs. This has happened enough times over the past five years, that I have come down to one of two conclusions; the groomers are telling us lies because no one wants to hear that their dog is an asshole, or our dog puts on this tough act in front of other dogs only when we’re around.

    My mother was a very proper woman. You had to really make her mad to swear, and she did embarrass easy. Yet, she raised three boys, and there was a lot of farting. BUT, my mother never said the word fart. No, that would be most improper. As she was raised in a French-American home, she did bring one, and only one, French term into our lives; péter. (That’s French for fart.) For the first several years of my life, I thought everyone also used the word péter. When I got to school, I learned quickly that no one used this word. Yet, the tern stuck with me, and in honor of my French heritage, I have made sure that my daughter knows that péter means fart in French.

    And, I want ice cream for dinner.

  • Thinking About 9th Grade

    For my group of friends back in 9th grade, we all stayed home the night NIRVANA played Saturday Night Live. I had to go look it up, but it was January 11th, 1992 – I was fifteen with a bad haircut. I remember thinking that I needed to see this because it was what all of my friends would be talking about on Monday morning. I also remember thinking how edgy and dangerous they looked. Not sure why I thought that, maybe it was the red hair.

  • Short Story Review: “Last Coffeehouse on Travis” by Bryan Washington

    (The short story “Last Coffeehouse on Travis” by Bryan Washington appeared in the September 16th, 2024 issue of The New Yorker.)

    Photograph by Delaney Allen for The New Yorker

    The only constant in life is change – nothing stays the same forever. The older I get, the more I think about this. There are things I wish would stay the same forever, but I also know how foolish of a wish that is. And then there were times in my life that I thought nothing would ever change, only for the ground to slowly shift under my feet. These were some of the thoughts I had as I was reading Bryan Washington’s “Last Coffeehouse on Travis.”

    The story is set in Houston in the very recent past. Specifically, in the Midtown neighborhood before gentrification changed the area. At the start of the story, the narrator is being politely kicked out of his aunt’s home and is going to live with Margo and her son Walter. In exchange for a free place to stay, the narrator will have to work at Margo’s coffeeshop not too far away. Margo is master coffee maker, and the majority clientele at the coffeehouse are recently arrived white gentrifiers. But there is to be a solid group of regulars, mainly black and latinx, who form the community of this story. As Washington lets his story develop, mainly through Margo’s coffee making and the narrator’s attempt to learn from her, we come to see people in states of change, both wanted and unwanted.

    Now that I have that very simplistic description out of the way…

    There were a couple of times that I felt that this story could fall off the rails and land in a pool of clichés; The narrator continually trying to make a cup of coffee that impresses Margo, or a character reveals some deep dark secret trauma from their past, or the climax being some explosion of a fight between two characters that should be working together. No, Bryan Washington was playing with me, because he crafts full, lived in characters that I could see myself running into on my block and having a conversation with. These are characters that want to learn from each other. Characters that have pain and mistakes in their past, but that pain doesn’t define them, nor stop them from going out and living and trying to make connections.

    Then there is the craftsmanship to Washington’s writing. The very subtle touches he uses to forward the story and develop characters. How Margo never asks, she tells people what to do. The very short but efficient descriptions of the neighborhood, to create the feel of this setting, as something that is slipping away, but at this moment, it was very alive. Another aspect that I thought was well written was how gentrification was this underlining menace to the story and its characters. Change maybe unavoidable, but it is not always good. We know from the beginning of the story that the neighborhood will change, and Margo and the coffeehouse won’t be there in the future. It’s touched on in the right way to amplify the theme without belaboring the point. This is good writing, where nothing felt wasted or superfluous. This story was made the way it needed to be.

    Which brings me to how well the climax of this story worked. Again, I go back to the fact that Washington was playing with our expectations by starting this section with, “The morning that it happened…” My mind went to dramatic ends of what could possibly be coming. In fact, the final paragraph of the section before, the narrator even acknowledges that no matter how well things are going, it can’t stay this way forever. (See, Bryan Washington is priming us.) But what follows are characters understanding that it is time for them to move on to whatever is next, because things are changing. There is a rise in action, a true climax, but it is treated in an honest way that I wasn’t expecting, and I am also trying not to ruin this story for people. Sorry that’s vague.

    I love reading Bryan Washington’s work. It moves in ways that feel familiar but also unexpected at the same time. I loved being with his characters, not at the most dramatic moment in their lives, but a very pivotal one. These are moments that take us to the next place, and Bryan Washington reminds us how valuable those moments are.

  • Welcome Back, CUNY! (And some others, too)

    Not sure what is going on, but for almost two years now, at the start of the college semesters, I have a huge uptick in “referrers” coming from CUNY, The City University of New York. (At leasts that what the stats provided from WordPress says…) And these CUNY referrers are looking at only one blog post:

    Short Story Review: “Colorin Colorado” by Camille Bordas

    This is not a complaint, REPETE, this is not a complaint…

    Now, I get all this traffic from the CUNY referrers, but no one leaves a comment, or gives a like, or does anything. I appreciate the traffic; it keeps my numbers up, and one day, I just might earn a dollar from ad revenue.

    Speaking of traffic, thank you to the people he keep reading the ALGOT blogs, and the Face in the Mirror short story review! You are keeping this site alive.

    This is for all of you, but especially the CUNY people…