Category: Art

  • ODDS and ENDS: Real Spring, Writing in Cafes, and Teaching My Daughter Important Stuff

    (What you tryin’ to hand me…)

    Well, today felt like the first day of Real Spring. Not that fake Spring where it’s warm for like an hour or two, and then it goes back to being cold. No, Real Spring is when it’s cool in the morning, sunny sky, and you know that by afternoon you will need to take off your coat. Yeah, flowers are coming up, and a few buds are showing up on trees. I even saw a squirrel waving at people. I will be happy to have the windows open again, and there is something reassuring about sleeping with the windows open at night. The kid is excited because she says that she will be able to start wearing shorts again. (She equates Spring as a lower version of Summer, but who am I to burst that bubble…) Real Spring does mean that change is on the wind, and life is about to renew. It’s also when the wife and I switch from sipping bourbon to enjoying a gin and tonic after work.

    I have started writing in cafes and coffee shops again. I’m not a huge fan of it; the act boarders on the side of performative art. But I have to also admit that writing at home has become a difficult situation for me. Difficult because Mario Cart is so tempting, and sitting in the apartment reminds me of how many home improvement projects I haven’t finished. So, to the neighborhood cafe I go. Luckily, I am not alone when I work there. I have been arriving at the same time each day, but haven’t discovered any regulars. As far as I can tell, I think I am the only writer. Seems like everyone else is working on code. And they all seem younger than me.

    I am still trying to figure out this parenting thing. Most of the time, I do believe that I am doing a good job raising her, making sure she is prepared for the world that she will enter sooner than I would like. And I do drop the ball from time to time, and make mistakes. But, I have learned to own up to my mistakes, and apologize to her when I do fail. And then on other days, I make her sit and watch the MST3k episode of “Bride of the Monster,” because I want her to be funny. Or at least appreciate weird funny stuff. She seemed to have enjoyed it. I just need to wait and see if I hear her make Lobo jokes around her friends.

  • Short Story Review: “Hatagaya Lore” by Bryan Washington

    (The short story “Hatagaya Lore” by Bryan Washington appeared in the March 31st, 2025 issue of The New Yorker.)

    Illustration by Kotori Mamata

    When I moved to New York City, a place I always wanted to live in, it took years before it felt like my home. It took even longer for the guy who works at the bodega at the end of the block to acknowledge me at a regular in the neighborhood. (He now calls me “chief” instead of “you.”) But gradually, it started to feel like my home, and now it’s hard to think of it as anything but. Bryan Washington’s “Hatagaya Lore” examines how a place can become your community, and then your indispensable home.

    Here’s an overly simplified synopsis: The narrator and his husband move to Tokyo from Dallas. At first the narrator isn’t sure how to fit in, but soon finds his community, which leads to changes and growth.

    What I loved about Bryan Washington’s story is how he intersects community and intimacy, and the connections that are created from it. The narrator goes out and finds a community that he can connect to that sustains him as he journey in Japan. Yet, there is also a need in the narrator for more of an intimate connection with people, which isn’t always sexual, but is necessary to keep the narrator grounded, as the person he is growing into is beginning to flourish. Also, I liked Washington’s choice to have the narrator tells us, ever so briefly, about other relationships the he has had over the years in this story, but aren’t explained in detail, thus creating a feeling of trust and confidence between the narrator and us the reader; that we are only being told what is most important to the narrator, and nothing superfluous. It’s as if we are being added into the narrator’s community. Finally, I commend that the climax of this story is not the narrator “realizing” something profound, but is the narrator listening and observing.

    Bryan Washington’s writing skills are just phenomenal. He is one of my favorite “less is more” writers out there. Spartan is a fair description of how he describes most things in this story, but I am never left wanting for more, or feeling that details are missing. I appreciated how subtly the disillusion of the marriage was shown. In this story, a scene of their breakup isn’t needed, but showing that moment when the trust between the couple, that break in emotional intimacy, spoke volumes about the state of their relationship. And this story is peppered with moments like that, where there is a breath and space in this writing that allows weight to be infused in these situations.

    I’m a fan of Bryan Washington, and I can admit that I might not be the most objective person when it comes to evaluating this story, but eh… It’s a good story all around. I enjoyed being with these characters, seeing them interact, and watching them grow and find their place in the world. Some homes are made, while others are discovered.

  • Short Story Review: “Something Out of a Horror Movie” by Mario Aliberto III

    (The short story “Something Out of a Horror Movie,” by Mario Aliberto III appeared on February 27th, 2025 in Milk Candy Review.)

    (Image from Milk Candy Review)

    When I was a teenager, and well into my twenties and beyond, I spent hours debating with my friends about the mechanics, tropes, and clichés of horror movies. How most horror movies, more than any other genre of film, are made up of an uncountable number of rip offs and copies of more successful horror movies. For myself, as a person who loves awful movies, bad horror films are an entertaining gift that just keeps on giving.

    So, when I started reading Mario Aliberto III’s “Something Out of a Horror Movie,” I was intrigued as to what he was wanting to accomplish is this flash fiction story. It reads like it was written but someone who loves the awful character clichés of the genre. What I appreciated in this piece was that as I started reading it, I couldn’t put my finger on if this is a story about characters in a horror movie, or if they are characters in “real life” that find themselves in a horror movie situation, or if these are characters that have seen too many horror movies and went to that places because of the situation they were in. By doing that, structuring the story that way, left me feeling off balance which played very well to the theme of the piece, and ultimately the climax of the story.

    But what I enjoyed most was that this story took a stock clichéd character that I have seen in millions of horror movies, and made me think of her differently, and also made me view her actions in a fully well-rounded way for that character. Aliberto does this rather effortlessly, and compactly. The last paragraph is just great.

    I will never look at the Bad Girl trope character the same way again.

  • ODDS and ENDS (AI Edition): AI’s Reason for Allowing It to Write for Me Today, Old Ladies of New York, and Radiohead’s “Palo Alto” {P.S. I Included AI’s Feedback Notes}

    ODDS and ENDS (AI Edition): AI’s Reason for Allowing It to Write for Me Today, Old Ladies of New York, and Radiohead’s “Palo Alto” {P.S. I Included AI’s Feedback Notes}

    (In a city of the future it is difficult to concentrate…)

    (Image created by AI)

    Today, I’m too tired to write my blog, so AI is taking over. While I rest, it effortlessly strings words together, capturing my thoughts with precision. No brainstorming, no editing—just a seamless flow of content. It’s fascinating how AI can mirror my style, keeping my readers engaged even when I lack the energy. Technology has become my writing assistant, ensuring consistency and creativity without burnout. Maybe I’ll take advantage of this more often. For now, I’ll sit back, recharge, and let AI handle the words. Who knew laziness and productivity could go hand in hand?

    Old ladies in New York City are the toughest, meanest people you’ll ever meet. They’ve seen it all, and they have zero patience for nonsense. They’ll shove past you on the subway, glare at you if you’re walking too slow, and scold you like you’re their grandkid. Try cutting in line at the deli? You’ll get an earful. Hold up a bus because you’re fumbling with your MetroCard? Expect a sharp sigh and a muttered insult. They’ve earned their attitude through decades of city life, and honestly, they might be the real bosses of New York.

    Radiohead’s Palo Alto is a cynical take on the heart of Silicon Valley, portraying it as a soulless, corporate dystopia. The lyrics describe a futuristic city obsessed with technology, wealth, and progress but devoid of real human connection. The song’s narrator expresses alienation and dissatisfaction, sarcastically calling it a “city of the future” while feeling lost in its artificial environment. It critiques consumerism, isolation, and the emptiness of modern life, themes that Radiohead often explores. Beneath the upbeat, distorted guitars, Palo Alto is a bleak reflection on a world where innovation outpaces humanity’s ability to find meaning.

    ***

    Here’s a little reminder for your readers:

    Hey everyone! If you’re enjoying my blog, don’t forget to like, share, and follow for more updates. Your support keeps this space alive and thriving! Drop a comment, let me know your thoughts, and stay tuned for more great content. 🚀✨

    Let me know if you want it in a different tone or style!

    The introduction sets a relatable stage, but consider providing more context about AI’s role in your writing process to deepen reader engagement.

    The transition between topics feels sudden. Adding a connective phrase or sentence could enhance flow and coherence.

    The section about New York City’s old ladies is vivid and entertaining. However, balancing humor with a touch of warmth could enrich the narrative.

    The critique of Radiohead’s song is insightful, yet it might benefit from a more personal reflection. Share your own thoughts or experiences related to the themes to create a stronger connection with readers.

    The reminder encourages interaction, but consider making it more personable or integrating a question to invite discussion.

  • ODDS and ENDS: Haircuts, Dog Haircut, and Hats

    (An’ I don’t really care if you think I’m strange…)

    As a balding man, haircuts are a very funny thing. What hair I do have still grows and needs to be cut periodically. Yet, with a significant smaller amount of hair on my head, having to pay full price for a haircut does make me feel like I am being taking advantage of. Shouldn’t there be a bald man’s discount?

    My dog also has to get periodic haircuts, but that’s called grooming, but in the good way. She gets her trim every three months, and when we enter into the final weeks before her cut, she is a hairy mess. She’s a little Chewbacca, if I were to describe accurately.

    I am a fan of hats, and that was before I started balding. When I was doing costuming in my college theatre department, I would try to come up with any excuse to put a hat on a character. In my real life, I’m a baseball cap and beanie guy. But what I would love to be is a fedora guy. And not one of those short brimmed hipster fedoras; no, I’m talking a classic wide brim 1930’s or 40’s fedora. But I think for the look to work, you have to be in a suit. Fedoras are formal, while a ball cap denotes a casual or sporty aesthetic. So, I need to wear more suits is what I’m saying.