Author: Matthew Groff

  • Another Rainy Monday

    Another Rainy Monday

    You know, exactly two weeks ago, I was sitting at home on a rainy Monday, writing about it being a rainy Monday.

    And it’s another rainy Monday.

    Just like I did two weeks ago, I pushed through the wet weather, and did the family laundry. It’s a chore that I agreed to; my part of the deal in being the stay-at-home dad. It’s not my favorite thing to do, but needs to be done. I folded laundry while watching MST3k on PlutoTV. The act made me want to take a nap, and gave me pause to reevaluate my conclusion on the latest season of the show. Perhaps I was too critical.

    The sky is still gray, but the rain has subsided. The temp is mid-forties, and I have a sweater on. I should be reading a book.

    Or I should be contemplating about the coming of Spring?

    Or I should contemplate the strange desire I have to put on shorts, but still wear a sweatshirt? That look, it makes me think of New England Summers. It warm and cool at the same time. It might get up to 76, but when the sun sets, it drops down into the 50’s. That sounds like an ideal summer to me.

    Yet, to get there, Summer that is, I have to make it through this Spring. And it is Spring around here. All the trees have started to bud, and the daffodils have popped out in the parks. It even feels a little more upbeat around the neighborhood. Like a slightly better mood, or maybe people are being optimistic to the change in season.

    For now, I have a gray sky and an under-construction condo-tower to look at. I would like that nap, but I have to get the kid from school, so no rest for the lazy.

  • ODDS and ENDS: Dog Haircut, Covid Conscious, and Just Doing What I’m Doing

    (They tried to kill him with a forklift…)

    My dog needs a haircut. Some might call that grooming, but I find that word problematic; grooming. She gets a cut every three months, so being that we just crossed into April, we’re right on schedule. Yet, the dog is hairier and shaggier than she has ever been. And she stinks. The wife does bathe the dog regularly, but the hair is so long, it just traps in the smell. I guess what I am really saying is that the dog is a mess. And she knows it. She looks at us, at least I assume as the hair covers her eyes, in a most pitiful fashion, saying, “Please sir and madam, may I have a haircut?” Again, that’s an assumption.

    The wife has Covid. Not very server, more like a mild flu. I’m taking care of her, and making sure she’s resting and being taken care of. Sadly, I didn’t get my Covid vaccine this year, so I have set myself up for a possible infection. If I’m still healthy by Sunday, then I know for sure that I am in the clear. As such, I’m being very cautious and conscious of my contact with other people. Mainly, this is my excuse for not going to the gym this whole week. You gotta be safe, and I like having an extra hour to drink coffee on the couch while watching DREW.

    So… the world might be going to hell or ending soon; who can tell these days. For that reason, I’m just going to keep doing what I’m doing. I’m not giving up, and I will still see you at the March.

  • Earworm Thursday: In Honor of Val

    This is one of my favorite U2 songs. Also, a reminder of the passing of Val Kilmer earlier this week, as this song was part of the Batman Forever soundtrack.

  • Short Story Review: “Marseille” by Ayşegül Savaş

    (The short story “Marseille” by Ayşegül Savaş appeared in the April 7th, 2025 issue of The New Yorker.)

    Illustration by Virginie Morgand

    Old friends are the best friends you can have! There, I said it, and I am willing to die on this completely uncontroversial hill! See, I know that my old friends, some that I have known since grade school, have made my life better, funnier, and have given me perspective in immeasurable ways. Mainly because we have grown older together. Reading “Marseille” by Ayşegül Savaş reminded me of the virtues of having old friends.

    Here’s an Overly Simplistic Synopsis: Amina, who recently had a baby, goes out for a weekend in Marseille with two of her old university friends, Alba and Lisa.

    I try to keep an open mind, and not to jump to conclusions when I start reading a story, but by the time I made it to the third paragraph, and read that this was going to be a story about three old friends going away for a weekend, the cliché and trope sirens started going off in my head. And I can admit that I was totally wrong for doing that. Though, I feel that this “red herring” of a situation was part of Ayşegül Savaş’ plan all along, lulling us in to the story.

    The story’s opening paragraph describes how Amina and her husband have been trying to give each other space and time away from each other, in an attempt to reclaim their lives, “which had been on hold since the baby was born.” So, from the start, the premise of the work is reclaiming one’s self, even after change has occurred. And as we follow Amina and her friends around for these few days, that theme is repeated, in which change is coming, or has already occurred.

    And Ayşegül Savaş handles this theme very smartly. Again, so many times this story could have fallen into the land of middle-aged people tropes, but it never goes there. For one reason, our three characters aren’t that old, perhaps just entering into their thirties. The other way this theme is handled well is that Amina comes into contact with three women, two in the setting of the story and one as a memory, over the stretch of the piece; the first is a new mother on the train out to Marseille, the next is an older woman that explains that desire goes aware after giving birth but will return, the third is a young woman on the ferry ride. It’s as if Amina encounters her present self, her future self, and her past self – these interactions don’t represent warnings of the future, or regrets of the past, but are more like mile posts signaling the changes that happen in life. But what I appreciated most that this was a story about three friends who discover that they have changed by getting older, and still remain friends.

    In the end, “Marseille” is a story about that moment that we all know is coming – that moment when we get the first hint that we aren’t young anymore.

  • Bad Movie Bible – Borrowing Blockbusters: RoboCop Rip-Offs

    Rob Hill and his Bad Movie Bible are back with another installment of “Borrowing Blockbusters: Robocop Rip-Offs.” The funny thing is that like a week ago, I started wondering if Rob was due with another video…

    I’m a fan of bad movies, and Rob does a great job of tying all of the production companies, directors and producers together to give a complete picture of how the world loves to rip-off a good movie.