(The short story “Upstate” by Emma Cline appeared in the October 30th, 2023 issue of The New Yorker.)
(Yes, my dear, there will be SPOILERS.)
Illustration by Dennis Eriksson
“If God didn’t exist, it would be necessary to invent him,” was the first quote that came to my mind when I read this story. Maybe “Upstate” by Emma Cline doesn’t exactly share the same sentiment as the aforementioned quote from Voltaire, but the short story swims in the themes of sin, punishment, and atonement. The other quote that came to my mind was, “These pretzels are making me thirsty!”
Yeah, just let me explain…
“Upstate” is a story about a couple, Kate and Paul, getting away for the weekend (Sunday to Monday) in a small town/country rental house. The piece is told from Kate’s perspective, but the first character introduced is Djuna, the owner of the rental property, and her slew of rules for renting the house. Though Kate found the place, Paul is paying for it, and this is the first example of how Paul takes care of Kate. As the story tells us, Paul is a much older man to Kate’s youth, and they had participated in a hidden affair for some time. But now that Paul is divorced, their relationship is living in the open. As the weekend unfolds, we are privy to Kate’s thoughts on the state of her relationship with Paul, which clearly she has started to question by wondering if they are truly being open and honest with each other. An accident happens, which leaves Kate and Paul’s relationship in a different iteration.
I appreciate that Cline takes on the idea of morality without ever having to say God, though Djuna is God adjacent for this story. Djuna owns the rental house, and her rules are made explicit, though Paul and Kate ignore them from the moment they arrive by looking in a closet they are told not to open. (In fact, apples are eaten at one point.) Their next transgression is a stain they leave on the livingroom carpet after the couple has sex. Kate attempts to remove the stain, but in the end, it never fully goes away. Kate starts taking on a fear of Djuan, a fear of being caught, or even accused of breaking the house rules. Such as when Paul has his accident in the house, Kate demurs when Djuan calls demanding to know why the lights were left on, and the doors were open – Kate takes Djuan’s verbal punishment. The feeling is that outside of this rental house, Kate and Paul had lived punishment free in the sin of their affair. But in this house, there is a power that comes down on them, which manifests in Kate’s fear. That I found very interesting.
Yet, there was formulaic aspect to this story that I couldn’t shake, and that stopped me from being invested in this story. Cline’s prose is efficient and very spartan; truly reducing down to the barest elements. At its most basic, this is a story about a couple going on vacation, and realizing that they aren’t right for each other, or at least questioning if they are right for each other. This is territory that has been trodden many times before, which made me desire for the story to get to the next part. And though there was a sly bit of foreshadowing, I found myself waiting for the relationship changing climax to arrive.
And when it did arrive, that’s why I thought of the other quote, “These pretzels are making me thirsty!”
For those of you that aren’t dedicated Seinfeld fans, the quote comes from the episode “The Alternate Side.” (I will admit that the quote has nothing to do with the story, but is possibly the most famous part of the episode.) Anyway, Elaine’s subplot in the storyline is that she is dating an older man, who at first she finds very interesting, but soon wants to break up with him. Before she can do that, he has a stoke, rendering him incapacitated, leaving Elaine as his caregiver.
Maybe not 100% the same, but it is similar enough for me to equate the two. Seinfeld was supposed to be about “nothing” and “no lessons” – a selfish place without a moral compass. “Upstate” was about a world that needs morality, and if it is absent, people in that world will create it. Like I said, it’s an interesting idea, that happens to be transported in a clichéd car.
Matthew Groff 