Month: July 2023

  • ODDS and ENDS: Summer Playlist, Ringo, and Rejected

    (It’s just a jump to the left…)

    Our Summer Road Trippin’ is about to start. The thrill of leaving the City is building in me, as I use my Magical Thinking to forget about how awful traffic is on I-95. (Anywhere on I-95, it’s bad.) And with the road trips comes a friendly competition between the wife and me – Who Can Come Up with The Better Playlist? First of all, there never is a winner – it’s more like an exhibition, a “friendly” so the speak, than a competition. The rule of the contest is that the list needs to be 3+ hours long (we are driving after all) and needs to loosely tie into the theme of Summer/Travel/Vacation or getting away. We do repeat songs from year to year, and occasionally we do have the same song on our lists. (Harry Styles and Paul Simon are the frequent repeated artists.) This year, we have added a rule, which is we need to accommodate some of the songs our daughter likes. She’s beginning to form her own strong opinions on music, and we want her to feel that she has a say in all of this. My lists can be rock and grunge heavy, but this year I want to work in more 70’s funk. Oh, and the Tom Tom Club will have a prominent spot this year.

    Today is Ringo Stars birthday, if you didn’t know.

    I got a rejection notice at 2:22am last night. A bit of an odd hour, but I guess lit journals don’t keep banker’s hours. The magazine had my submission for four months, which is a normal amount of time to hold one of my stories before saying no. I saw that rejection right before I went to bed, and it did put me in an off mood. Not bad, or angry, just off. Off in the sense that I don’t know what’s right anymore. The rejection didn’t stop me from falling asleep, or from getting up and getting back at it today. Yet, I wondered; who was the person who was up at 2:22am this morning? Did the rejection email have to go out at 2:22am? It couldn’t wait until the start of the work day? If this person was up at 2:22am, then that makes me think we have some things in common; we both like staying up late, and working into the wee hours. I salute you, this person who is most likely a volunteer reader or intern for the magazine. I hope you got some sleep, as I will be submitting to you again soon.

  • What We Can Learn from “THE IDOL”

    (SPOLIERS but really, does it matter…)

    First of all, I’m not here to pick apart this show. IF somehow you missed it, THE IDOL is a show on HBO with a five-episode run. The show is about the music industry in Los Angles, and stars The Weeknd (Abel Tesfaye) and Lilly-Rose Depp. If you do a search, you’ll find out that it’s not good. But, depending on how you view “bad” tv, you could either find it maddingly self-indulgent with a side of pointlessness, or an entertainingly hot mess of a dumpster fire. (I’m in the dumpster fire category.) I’m not here to bemoan the quality of the show as a whole, as there are many, and I mean MANY, other and much better TV critics who have taken this show to task.

    What I am here to single out and applauded is quite possibly the greatest demonstration of Third Act Narrative Exposition I have ever seen in all of my life. I will be SPOILING episode 5 of THE IDOL. You have been warned!

    To give you the set up – Jocelyn (Lilly-Rose Depp) has kicked Tedros (Abel Tesfaye) out of her home and life, all the while stealing his cast of singers. She then asks her manager Chaim (Hank Azaria) to “pay off” Tedros and “get rid of him.” Then the scene jumps ahead six weeks, and we are at So-Fi Stadium in Los Angeles during sound check for Jocelyn’s world tour which is about to kick off with Tedros cast of singers as the opening act. High up in the empty stands, Chaim is talking to Andrew (Eli Roth) a Live Nation executive, and Nikki (Jane Adams) a record label executive. It is the dialogue between these characters, and the effort put forth by these actors that (Chef’s Kiss) needs to be taught in screenwriting, and acting classes.

    First, the dialogue; it is a train wreck. See, as the narrative has jumped ahead six weeks, a lot has happened that the audience doesn’t know about. Well, don’t worry, Chaim, Andrew, and Nikki will tell us all about it. These three characters stand there and have a “Hey, remember what happened…” conversation, which is so clunky, unnatural sounding, and utilitarian, for it only has one function; to tell us what happened to Jocelyn and especially Tedros. The dialogue feels desperate to get the information to us, like the scene was born out of frustration because no one could come up with a better way to impart the narrative developments. Now, I say this should be taught because, as this show is a visual medium, it’s better to show rather than tell. What we are given are empty words that have no dramatic weight behind them, and the scene gotten through rather than enjoyed.

    But more importantly, the effort put forth by Azaria, Roth and Adams to make this amateurish dialogue seem natural and relevant is nothing short of Herculean. I can only imagine that when these actors were handed the script for this scene, that they had to have known. All three of these actors have impressive credits in productions with great directors and writers; they know what good writing is. But they did it – just went for it. “Damn the torpedoes! I’m committing to the line!” Honestly, I’m not surprised. These are three professional actors. They are getting paid to do a job, and they did their job. And that’s why every acting teacher in America needs to pull out this scene, make their students watch it, and then say to the students, “That is how you commit to a scene!”

    Yeah… THE IDOL is not good – I don’t think I’m breaking any ground here in saying that. But even in bad art, lessons can be learned, and entertainment can be gained. The scene starts at the 50:00 mark. You know, so you can queue it up for your enjoyment, or your class.

  • Personal Review: Indiana Jones and the Dial of Destiny

    (You better believe there will be SPOLIERS!)

    Let me just start with this; I consider Raiders of the Lost Ark to be the greatest action movie, and I dare say that it is also one of the best movies ever. I could go on and on about how Raiders changed the notion of what an action movie could be, how it’s Harrison Ford’s best performance, and the music is iconic!

    I have done my best not to be a “fanboy” when it comes to all things Indiana Jones, and just let be what it is. I came to terms years ago that nothing will ever match that feeling I had watching Raiders for the first time – the excitement, awe, gasps, and that strange feeling of not knowing where the story was going to go next. I will never get “that” feeling back, and that’s okay. I can still have fun with the other movies in the series.

    But I still went into Dial of Destiny with a well of anxious feelings in the pit of my stomach. Not for me, but for Harrison Ford – he said this was the last Indy film, and I just wanted it to have the conclusion that both he and the character deserve. And I wanted the de-aging CGI to not look all fake.

    And for what Dial of Destiny was, I enjoyed. It was not an Indiana Jones movie in the model of Raiders, Temple, or Crusade. No, what Destiny reminded me of was the “Indiana Jones: Find Your Fate” book series from Ballentine Books which came out in the late 1980’s. Yes, they were a knock off of the “Choose Your Own Adventure” book series, but for this kid, they were an easy continuation of Indy adventures, which kept the morality simple, with this version of Indy always being the good guy looking to keep treasures out of the wrong hands, and hopefully, back into a museum. The stories took place all over the world, Indy always had a “friend” in whatever location who could help out, and there was a very simplified history lesson thrown in for good measure. At least, that’s what I remember, and that’s what Destiny felt like.

    Except in Destiny, after kicking some Nazi ass in the intro sequence, Indy is about to get divorced, retiring from teaching at Hunter College in Manhattan, and acts like a man who has given up. You gotta start low if you need your hero to surmount something. This set up was veering into the world of tropes, as I think this is how Die Hard with a Vengeance starts. After this shaky beginning with older Indy, some life gets injected into the movie when Phoebe Waller-Bridge shows up. She can handle the action and has a gift for delivering the quippy lines.

    And thus, we have our set up, which brings me to why Destiny felt like the “Find Your Fate” books, and that’s not a complaint. The action is split between Indy and this new character, Waller-Bridge, which in the books would have been you, the reader. We jet and sail around the Mediterranean, meet Indy’s friends who always die, and we get a nice history lesson about the Siege of Syracuse and Archimedes. It felt familiar without being fan service.

    What this movie got right was not treating Indy’s age as a joke, or a running gag, or just ignoring it like I think lesser talented writers would do. Destiny had a theme that it stuck to, which was the fear that life has passed you by, the best days are behind you, and there is no where left to go. I know some people will think killing Mutt off was a bit of fan service, but I disagree. That’s a death that would deeply wound, and break a parent, and Indy’s inability to open up about that loss was played very well by Ford. This Indy has serious regrets, and those regrets create an understandable motivation. When Indy and Marion reconcile at the end (and Karen Allen was disgracefully underused in this movie) we can see that these are two people who are hurt and need each other, but have to grow together in dealing with their grief. It is a much more serious ending than I was expecting, but for the totality of the series, Indy needed to not end as a tragic hero that always misses out on getting the treasure; he needed to get the girl and understand his place in the world.

    So, where does Destiny place in the cannon? Here’s my list:

    1. Raider of the Lost Ark
    2. Indiana Jones and the Last Crusade
    3. Indiana Jones and the Temple of Doom
    4. Indiana Jones and the Dial of Destiny

    5. Indiana Jones and the Kingdom of the Crystal Skull

  • The Heat

    I hate hot weather, in general. Sure, on vacation, down near a beach, warm weather is pleasant and fun to be in. Having a little sweat near a pool or the ocean is always acceptable. But what I am talking about is my despisement for hot weather.

    Though I was born in Illinois, I spent most of my childhood, and the early part of my twenties in Texas, which is a place known for hot weather, in case you having been living under a rock, which is a nice place to cool down in Texas. Summer does last from May to, sometimes, the start of October. When I was a kid, it didn’t bother me, it just was what it was – Summer is the hot time of the year. As I got up to high school, the heat really started to bother me, and when I got to my twenties, I hated the heat. The odd thing was that in my twenties, I was doing outdoor theatre in the Texas Summer. Somehow I was okay with that, but I think that had to do with the amount of beer I was drinking.

    Living in New York has been an improvement, though not an escape from the heat. Oh, it’s not as hot here, but living on the water means we get the added bonus of humidity. That is what makes July and August awful up here. Everything is sticky, and the City smells worse for some reason. The silver lining is that by September, things do begin to cool down.

    I say all of this because we have just started the Summer of 2023. The kid’s off of school, and we still have a few weeks to kill before camp and vacations start. Right now, we are all squatting in front of air conditioners, trying not to move, like splooting squirrels.

    I don’t think there is any hope for a person like me on this planet. Things keep getting warmer, and I don’t know how far north I want to move. I think about Vermont and New Hampshire, but the locals there keep telling me that most people can’t handle the winters. Sure, I know they are out to scare the New Yorkers from moving to their state, and mission accomplished. I don’t want to shovel your feet of snow, New England. I just would like a cool place to stay for the Summer.