I am not as disciplined as I would like to be. I say this because last night I was going to be a good boy – watch a little tv, and then finish reading Rachel Cusk’s new short story in The New Yorker.
But then my brain says to me; It says, “You remember the theme song to The South Bank Show?”
“I do,” I says. “I think it was written by Andrew Lloyd Webber, of all people.”
“You should look that up.”
“I will, and, switching subjects here, a good night’s sleep is for losers.”
“Tell me about it.”
So, YouTube has a shit ton of South Bank Show videos. And I hope you know what I am talking about. See, back in the early 90’s when BRAVO was the greatest cable channel for the arts and people who couldn’t sleep, they would show the documentary series The Show Bank Show which was originally broadcast on ITV in Great Britain. The show covered all subjects that had to do with art and pop culture. You could get an episode on Gore Vidal, and then one about The Talking Heads. For a very impressionable junior high kid, these shows were mind altering because they exposed me to different viewpoints, and arts, and lifestyles, things that I would never run into living in the suburbs outside of Dallas.
I found the intro music of The South Bank Show (It was in fact written by Andrew Lloyd Webber for his brother, a cellist, Julian Lloyd Webber. Here’s a full version of the song) and here is a compilation of all the intro versions. (The 1989-1990 is my favorite.) Just hearing the music again, and seeing the animation, I was reminded how I would get a genuine deep curiosity thrill of what was about to be shown on that program. For that thirteen-year-old me, I was being shown a world of creativity that I knew must exist, but was just beyond my fingertips. It was a world that I wanted to be in, and that show made me feel like it was completely accessible.
I decided that I couldn’t just stop at the theme song, and I should watch an episode. I went with the one on Steve Martin, which I remember seeing way back when. It’s when Martin was transitioning out of his “Wild and Crazy Guy” persona, and was beginning to make smarter comedies, such as Roxanne and LA Story. The documentary gave him a good platform to explain how his “crazy” persona was more like a comedy experiment where he was trying to write jokes that were just funny, and didn’t have traditional punchlines or set ups. I read his memoir, Born Standing Up, which covered his start in comedy, to when he quit doing standup, and he goes into more detail on his reasoning and thought process of what makes a joke work. What I took away then, as I did now, was how smart Steve Martin is, and how he knows the balance of thinking about, but not over thinking, comedy.
See. Stuff like that is what makes The South Bank Show still interesting to watch. How the art and the artist are entangled, and what they go through, and how they view the world around them.
I got about five hours of sleep last night.
Leave a comment