(The short story “Snowy Day” by Lee Chang-Dong appeared in the March 6th, 2023 issue of The New Yorker.)
(Yes, there will be SPOILERS!)
Illustration by Anuj Shrestha
“Snowy Day” is an okay story. Not awful, not amazing either, and in the end, I do recommend that you should read it. It was written by Lee Chang-Dong, translated from the Korean by Heinz Insu Fenkl and Yoosup Chang. I broke my own rule with this story and looked up who the author was to gain some background information, as I was curious and wanted to know why the author structured this story the way that he did. By the way, Lee Chang-Dong is an accomplished South Korean film director, screenwriter, and novelist.
What struck me about “Snowy Day” was that the story felt like it was written from a different time; specifically, like a late 1940’s short story in Collier’sor some other magazine of that period. And what I mean by that is those stories of that time were structured in a classic form, but were beginning to take on a more Modern subject matter, so those stories had a disjointed, incongruent feel. That’s what “Snowy Day” felt like.
The structure of this piece had an old feel to it. The story is bookended with a girl coming to a military camp looking for her new boyfriend, who is a private on the base. Then the story shifts to the private being on guard duty with a corporal, and this is where the majority of the action takes place, in this one setting. And the story follows the rule of three multiple times, and even slips in an “O. Henry” twist at the climax of the “dumb” character being smart, and the “tough” character being a coward. Then we return back to the girl being informed that the private is in the hospital and she leaves the base.
Nothing surprised me in this story. Literary structure and form handled badly can be formulaic, and Lee Chang-Dong avoided that. The character of the private is intriguing, and made a good protagonist, while the girl feels more like a woman from a Poe story; tragic and doomed to have her heart broken. The other characters are left to serve the structure of the story. Yet, there still was this purposeful disjointed feel to the story. That these worlds weren’t fitting together as they should, which created an underlining tension. I think the structure is what helped create that, functioning as foreshadowing since we know how this structure is supposed to work.
Like I said, the story is okay. I didn’t feel like my time was wasted reading “Snowy Day,” but it wasn’t compelling either. What I liked in reading this was seeing an author that respected and knew how to use form and structure to tell a story.
Matthew Groff 