(The short story “Future Shock” by Peterson Berg appeared in Rejection Letters on January 9th, 2023.)
(SPOILERS AHEAD! – I think…)
I know I have brought this up many times before, and I will be bringing it up again, but I really am enjoying all of the stories that are now coming out that are dealing with how Covid affected us. (The other night I saw a trailer for “Sick” which I believe is a horror movie set during the pandemic. I mean, if there is a film genre that is primed to deal with the anxiety of Covid, a horror movie seems pretty damn perfect.) Though the story “Future Shock” is not an overtly Covid story, I feel the pandemic is in the subtext Peterson Berg’s piece.
Sorry to overly simplify the story – the narrator watches the movie “The Parallax View” a thriller starring Warren Beatty from the 70’s. There is one specific scene in the movie where a woman is trying to convince Beatty that people are being killed and she will be next. Beatty doesn’t believe her, and that scene jump cuts to the woman, now dead, laying on a table in the morgue. The viewing, and then obsessing of this scene leads the narrator to make a few quick and rash life decisions, which then cause him to withdraw from the world. After a few intervention attempts from his sister, the narrator is able to return to the world, at which point his with drawl may have been due to cold feet of upcoming events.
The resolution of the story did strike me as bit of an easy button to end the piece, but what I feel brought me to that conclusion was that Berg did an excelent job of building up the anxiety, obsession, and confusion taking place in the narrators mind. And though this is not a stream of consciousness story, Berg’s writing does a great job of telling how the narrator latches on to this one scene from that movie, and keeps looking at it, replaying it, examining it, looking for some new revelation or discovery. All the while, the narrator makes quick observations of the world around him, and the tiny space he occupies in his apartment. A wonderful sense of claustrophobia is created in this story – of being trapped in this place, but also in the narrator’s thoughts.
We might be past the dangers of the pandemic now, but I think we are now coming to terms that we all did some slightly weird or crazy shit to get through it. I am clearly in the camp that we should explore what that experience was like, and not ignore or deny what we went through. “Future Shock” is a welcome story to remind me that I also did obsess on a few things to get through it.
Matthew Groff 