(The short story “HOUYHNHNM” by André Alexis, appeared in the June 20th, 2022 issue of The New Yorker.)

Photograph by Vanessa Winship
(I’ll probably SPOIL it)
Did you ever have a simple turkey sandwich but for whatever reason, was just amazing? Like, it’s made up of all the same simple ingredients that you have in your house, but somehow the person in the kitchen put it together in a way that somehow was spot on. Man, it’s just a turkey sandwich, but it’s great turkey sandwich.
I mean no disrespect, but that is exactly what “HOUYHNHNM” by André Alexis was to me. The title of the story is taken from the name of a race of fictional intelligent horses from Gulliver’s Travels. The story is told by the adult son of a well to do but modest doctor who is all scientific logic, and buys a horse. This isn’t his first horse he’s owned, but soon a special bond is formed between the doctor and the horse, to the point where the doctor spends all of his free time with the horse; walking, reading to him, talking to him. It even gets to the point to where the doctor builds the horse a special barn to live in. Suddenly, the doctor passes, and the son takes on the responsibility of caring for the horse, only to find that the horse can speak. The son realizes why his father spent so much time with the animal, and also the son begins to do the same things that his father did when he was attending the horse.
I used the metaphor of the simple ingredients here because nothing in this story took me by surprise. I knew where it was going, I saw all the pieces, I knew was Alexis was going to build. I knew that with the son now spending time with the horse, he was gaining a deeper understand of who his father was. And when the horse’s decline set in, I also knew that the story was alluding to having a parent who is succumbing to dementia, and the pain that can cause when the loved one soon no longer recognizes you. Even with that said, it was an effective story – honest and authentic. Not a word seemed false or forced. The title of the piece was clearly there to say to the reader that this horse was real, and not a figment of the narrator’s imagination, though, that was the only aspect of the story that I kept expecting to surface, but it never did. And I apricated that dedication to the premise – this is a talking horse story.
Maybe it’s me. This is a story about losing a parent, and that subject still holds a soft spot in me. But I do think that there is more to this story. Though I did know where this story was going, I experienced a special catharsis in the son gaining a better understanding of his father. That might be a very basic desire of all children after their parents die, and though it might be basic, it is still a wish I hope comes true.
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