(The short story “Desire” by Esther Freud, was featured in the September 27th, 2021 issue of The New Yorker.)
A long time ago, when I was in college, I would join writers’ groups, and share short stories, and get and give feedback. I went to three universities and a junior college, and every group behaved pretty much the same. At some point someone would bring in a story that was… well… odd. Not good nor bad, strange but familiar, off kilter but still normal. There was no way to put a finger on what it is, but it was normal. But also, not normal.
That is what I felt while reading Esther Freud’s “Desire.” The story, set in Ireland, somewhere around 1976, and the Bob Dylan album of the same name plays a part of the story as well. In short, the story is about a family; Mum, older sister and middle sister from one relationship, and a younger brother from a current marriage, who have left this current husband. The narrator of the story is the middle sister, and she refers to the stepfather as someone who needs to be left, but no other information is given. The family moves from the mother’s parent’s home to two additional homes for a stay or holiday or escape, and then return back to England.
And as I said earlier, something was off with this story. The story kept referring back to songs off the Dylan album, but I wasn’t sure what the connection to the story was. I wasn’t sure what the narrator felt about what was happening. The way this family moved from place to place, by hitchhiking, and lots of waiting, which made the story feel isolated and disconnected, but I couldn’t tell you what that had to do with anything. It was just events happening. The aging parents are upset with the life decisions the Mum has made, and then the family is back off to England, and I don’t know how these disparate things are meant to work thematically. I was left feeling that I had missed something. And I don’t think that was the point.